IMDb-BEWERTUNG
5,7/10
40.731
IHRE BEWERTUNG
Indiens Top-Spion Tiger und seine Liebe Zoya kämpfen in der dunklen Welt des Geheimdienstes und der Spionage, die ihren Soldaten verbietet, den Feind zu lieben.Indiens Top-Spion Tiger und seine Liebe Zoya kämpfen in der dunklen Welt des Geheimdienstes und der Spionage, die ihren Soldaten verbietet, den Feind zu lieben.Indiens Top-Spion Tiger und seine Liebe Zoya kämpfen in der dunklen Welt des Geheimdienstes und der Spionage, die ihren Soldaten verbietet, den Feind zu lieben.
- Auszeichnungen
- 19 Gewinne & 16 Nominierungen insgesamt
Rajendra Sethi
- Bagga
- (as Rajender Sethi)
Troi Ge
- ISI Agent Feroz
- (as Troi Ge Borde)
Ahran Chaudhary
- Tokas
- (as Aaran Chaudhary)
Empfohlene Bewertungen
Definitely a one time watch.... Watch it in theaters for: 1)All the action sequences(specially Kat in second half...it even beats the BOND series) 2)Mesmerizing Salman-Kat Chemistry....(Even they look awesome here :D ) 3)Few witty dialogs about Indo-Pak relations(Its from a common man's heart specially the one at the end) 4)Salman Salman and Salman....("kya TIGER!!!....TIGER to kutte ka naam hota hai..") He portrays an extraordinary spy who's needs are as ordinary as our's(After long time he play a common guy)...Its all about sallu-kat romance and love with a strong flavor of action(Best part of movie)
Please don't search for following : 1)LOGIC 2)LOGIC 3)LOGIC Just don't expect logic or loads of twists...keep your brains out and enjoy the film!!!
Please don't search for following : 1)LOGIC 2)LOGIC 3)LOGIC Just don't expect logic or loads of twists...keep your brains out and enjoy the film!!!
This is one of my best seen action films in bollywood till date. From beginning to ending it's gone through as an actionable thriller along with love story very smartly. Beneath the whole movie, salman's performance as a spy could be acceptable. Apart from this point, actions sequences from him really come out stunningly and surprisingly. And his love interest, katrina kaif who's also a spy has given her best in both lovable scenes and action scenes which will undoubtedly make you to be excited. According to me this movie is a great recipe which has tasty ingredients such as action,thriller and love altogether perfectly. All action lovers should not miss this film for any reason which is not only for sallu bhai and kaif but also for this amazing scripted film.
Plus points : Action sequences.
Performance of lead roles.
Amazing climax.
Lovable songs and so on.
Minus points : Movie could have been even lengthier.
Don't miss this wonderful entertainment!!!!!!!!!!
Plus points : Action sequences.
Performance of lead roles.
Amazing climax.
Lovable songs and so on.
Minus points : Movie could have been even lengthier.
Don't miss this wonderful entertainment!!!!!!!!!!
Salman shooting villains as he slides backwards down a flight of stairs is amazeballs.
Roger Moore's film Octopussy can boast of these stunts which were done decades before Ek Tha Tiger.
Moore catches an aeroplane while riding a horse.
Moore does a sliding on the rail of steps while shooting villains.
I saw this for the first time recently n was pleasantly surprised. I had seen part 2 in theatre without watching this part.
The film has a different take on the spy genre with some good action but the parkour stuff is lousy.
We have people jumping from high heights n land straight on both feet without hurting ankles or any injuries. The film has some unnecessary n irritating slow mo stuff. It has some lovely locations.
Salman shud have opted for weight loss n shud hav hired a good stylist. He is very overweight in this film n his baggy trousers outdated.
The film lacked fine editing.
Roger Moore's film Octopussy can boast of these stunts which were done decades before Ek Tha Tiger.
Moore catches an aeroplane while riding a horse.
Moore does a sliding on the rail of steps while shooting villains.
I saw this for the first time recently n was pleasantly surprised. I had seen part 2 in theatre without watching this part.
The film has a different take on the spy genre with some good action but the parkour stuff is lousy.
We have people jumping from high heights n land straight on both feet without hurting ankles or any injuries. The film has some unnecessary n irritating slow mo stuff. It has some lovely locations.
Salman shud have opted for weight loss n shud hav hired a good stylist. He is very overweight in this film n his baggy trousers outdated.
The film lacked fine editing.
After watching recent Salman Khan starrers – completely idiotic movies combining dreadful writing, infantile humor, and hammy acting, most of it courtesy Mr. Khan ("Ready", "Dabangg") – I decided to steer clear of Salman Khan films, unless the word of mouth was overpoweringly good. However, do note that "Ready" and especially "Dabangg" were huge hits, so the paying public is not necessarily complaining about the quality of Salman Khan films. Rather, they flock to see middle-aged but well-muscled Mr. Khan as an ageing Romeo romancing nubile Juliets young enough to be his daughters. Mr. Khan, affectionately known as Bhai or brother in the Bombay film industry, is famous for his idiosyncrasies, his volatile temper, his feuds, and in the past few years, for his philanthropy through his NGO "Being Human". Underworld dons are also called Bhai, so one is not certain if it is filial affection or pure fear that earned him this nickname.
But due to the promising press for "Ek Tha Tiger", I checked out Mr. Khan's latest release. Like Jason Bourne in the deservedly successful Bourne franchise, Mr. Khan portrays a covert agent of India's Research and Analysis Wing. This would be equal to the US CIA or UK's MI5 (or is it MI6? – I can't keep my spy agencies straight), and like the globe trotting Mr. Bourne, Mr. Khan's Tiger criss-crosses the planet battling nefarious Pakistani agents from their secret service, ISI.
Kabir Khan, the writer-director of this film, constructs an entertaining popcorn flick utilizing Mr. Khan's strengths: his macho persona, his eccentricity, and his muscled torso. He also concedes Mr. Khan, nudging fifty, should no longer portray lovelorn teenagers. Instead, he plays a lovelorn middle-aged man, and does what Jason Bourne wouldn't be caught dead doing: he sings, he dances, he brandishes enormous bouquets and prettily wrapped presents. And he has a lot of fun doing it; Jason Bourne might find these activities effective stress diffusers, and would do well to unclench and enroll as "John Smith" in a salsa dancing class or take up pottery or French cooking. He'll live longer this way, and we'll be assured of many more installments in the Bourne saga. But I digress
This tale's spectacularly filmed opening has Mr. Khan, er, Bhai, tracking down and kicking the stuffing out of a rogue RAW agent in Iraq. Then his commanding officer (a magisterial Girish Karnad) dispatches him to observe an oddball professor Dr. Kidwai (Roshan Seth) at Dublin's famed Trinity College, suspected of sharing his expertise in a nuclear missile deflection system with the Pakistanis. When Tiger meets the charmingly fey professor under the pretext of collecting material for a book on India's finest minds, the don balks at the amount of shadowing Tiger is going to subject him to. His query is justified: Do you want to write a book on me, or do you wish to marry me?
Kabir Khan peppers his screenplay with dry wit, takes us to far-flung places with genuine payoffs, and gets the proportion of the ingredients just right.
Without giving anything away, I can tell you that Tiger falls for one Zoya (Katrina Kaif), cleaning woman for the loopy Dr. Kidwai and his pug, in between choreographing dance routines that are straight lifts from River Dance. An avid multi-tasker, she also embarks on a romance with the fumbling Tiger, new to wooing instead of wounding. His secret agent buddy Gopi (an excellent Ranvir Sheorey) looks on in bafflement as the fearsome Tiger morphs into a bashful suitor.
Then, as must always happen in such tales, Tiger and Zoya find themselves on the lam in picturesque Havana. Unlike other people in deep cover, they sing, they dance, they get caught on camera (that's Jason Bourne rolling his eyes, muttering "Amateurs"), which results in the combined spy forces of India and Pakistan giving pursuit.
It's thrilling, it's engaging, it features white-knuckle chases and stunts, some by Ms. Kaif, who plays the conflicted Zoya. I always anticipate Ms. Kaif's artistic evolution with bated breath. She has demolished more movies with her bad acting than Mr. Khan ever did with his fists. Finally, in last year's "Zindagi Na Milegi Dobara" (You Only Live Once), she played a character with some measure of conviction, the sporty, mixed-race Laila. Her Zoya here is an extension of that Laila persona: once again, she is of mixed parentage, and again, she gets to use her athleticism.
Through diligent study, Ms. Kaif has pared her acting approach down to a single facial expression. We, the audience, are meant to decode the emotions in that expression in different situations – Ms. Kaif does not encourage lazily sitting back and letting her do all the hard work. The onus is on us: we are meant to look at that pretty, unchanging visage and deduce, aha, now she feels despair; now resignation, and yes, this has to signify either sultriness or acute constipation, and this, immense yearning. I liked that she kept me on my toes throughout her scenes, figuring out just what she was communicating through that one versatile all-purpose expression. Ms. Kaif can no longer be accused of being wooden; I salute her intelligence in pioneering a unique acting style offering discerning audiences a collaborative experience.
The film ends with one astonishing stunt, and we can only hope this means Tiger lives to roar another day. Amid the noise and fury of his rambunctious high-octane actioner, Kabir Khan makes one important point: it is truly obscene that India and Pakistan, countries with staggering amounts of poverty, illiteracy, starvation, and poor health care, earmark disproportionately large percentages of their national budgets for defense spending. Both nations would be infinitely better off, if like Tiger and Zoya, they opt to make love, not war. Human nature being what it is, such hopes would meet with Girish Karnad's cynical parting shot in the film: "Good Luck".
But due to the promising press for "Ek Tha Tiger", I checked out Mr. Khan's latest release. Like Jason Bourne in the deservedly successful Bourne franchise, Mr. Khan portrays a covert agent of India's Research and Analysis Wing. This would be equal to the US CIA or UK's MI5 (or is it MI6? – I can't keep my spy agencies straight), and like the globe trotting Mr. Bourne, Mr. Khan's Tiger criss-crosses the planet battling nefarious Pakistani agents from their secret service, ISI.
Kabir Khan, the writer-director of this film, constructs an entertaining popcorn flick utilizing Mr. Khan's strengths: his macho persona, his eccentricity, and his muscled torso. He also concedes Mr. Khan, nudging fifty, should no longer portray lovelorn teenagers. Instead, he plays a lovelorn middle-aged man, and does what Jason Bourne wouldn't be caught dead doing: he sings, he dances, he brandishes enormous bouquets and prettily wrapped presents. And he has a lot of fun doing it; Jason Bourne might find these activities effective stress diffusers, and would do well to unclench and enroll as "John Smith" in a salsa dancing class or take up pottery or French cooking. He'll live longer this way, and we'll be assured of many more installments in the Bourne saga. But I digress
This tale's spectacularly filmed opening has Mr. Khan, er, Bhai, tracking down and kicking the stuffing out of a rogue RAW agent in Iraq. Then his commanding officer (a magisterial Girish Karnad) dispatches him to observe an oddball professor Dr. Kidwai (Roshan Seth) at Dublin's famed Trinity College, suspected of sharing his expertise in a nuclear missile deflection system with the Pakistanis. When Tiger meets the charmingly fey professor under the pretext of collecting material for a book on India's finest minds, the don balks at the amount of shadowing Tiger is going to subject him to. His query is justified: Do you want to write a book on me, or do you wish to marry me?
Kabir Khan peppers his screenplay with dry wit, takes us to far-flung places with genuine payoffs, and gets the proportion of the ingredients just right.
Without giving anything away, I can tell you that Tiger falls for one Zoya (Katrina Kaif), cleaning woman for the loopy Dr. Kidwai and his pug, in between choreographing dance routines that are straight lifts from River Dance. An avid multi-tasker, she also embarks on a romance with the fumbling Tiger, new to wooing instead of wounding. His secret agent buddy Gopi (an excellent Ranvir Sheorey) looks on in bafflement as the fearsome Tiger morphs into a bashful suitor.
Then, as must always happen in such tales, Tiger and Zoya find themselves on the lam in picturesque Havana. Unlike other people in deep cover, they sing, they dance, they get caught on camera (that's Jason Bourne rolling his eyes, muttering "Amateurs"), which results in the combined spy forces of India and Pakistan giving pursuit.
It's thrilling, it's engaging, it features white-knuckle chases and stunts, some by Ms. Kaif, who plays the conflicted Zoya. I always anticipate Ms. Kaif's artistic evolution with bated breath. She has demolished more movies with her bad acting than Mr. Khan ever did with his fists. Finally, in last year's "Zindagi Na Milegi Dobara" (You Only Live Once), she played a character with some measure of conviction, the sporty, mixed-race Laila. Her Zoya here is an extension of that Laila persona: once again, she is of mixed parentage, and again, she gets to use her athleticism.
Through diligent study, Ms. Kaif has pared her acting approach down to a single facial expression. We, the audience, are meant to decode the emotions in that expression in different situations – Ms. Kaif does not encourage lazily sitting back and letting her do all the hard work. The onus is on us: we are meant to look at that pretty, unchanging visage and deduce, aha, now she feels despair; now resignation, and yes, this has to signify either sultriness or acute constipation, and this, immense yearning. I liked that she kept me on my toes throughout her scenes, figuring out just what she was communicating through that one versatile all-purpose expression. Ms. Kaif can no longer be accused of being wooden; I salute her intelligence in pioneering a unique acting style offering discerning audiences a collaborative experience.
The film ends with one astonishing stunt, and we can only hope this means Tiger lives to roar another day. Amid the noise and fury of his rambunctious high-octane actioner, Kabir Khan makes one important point: it is truly obscene that India and Pakistan, countries with staggering amounts of poverty, illiteracy, starvation, and poor health care, earmark disproportionately large percentages of their national budgets for defense spending. Both nations would be infinitely better off, if like Tiger and Zoya, they opt to make love, not war. Human nature being what it is, such hopes would meet with Girish Karnad's cynical parting shot in the film: "Good Luck".
Brilliant plot which has been poorly executed till the first half. Bollywood directors seems to be poor in setting up stories (like Players vs. The Italian Job) and that's where this movie takes a beat. The movie bores you till death with poor story flow, pathetic dialogues, mistimed punches, dragged and unrealistic chases/fights. Even the heroics of Salman Khan and acting icon like Girish Karnad could not wake you up.
But come second half and the movie has everything you can expect in this kind of movie. The surprizing twists n turns in the story (reminds me of RACE), perfectly timed punches and very well executed fight sequences will make you change your opinion. For Salman Khan and Katrina fans, its a must watch. Rest might save their money for something better.
But come second half and the movie has everything you can expect in this kind of movie. The surprizing twists n turns in the story (reminds me of RACE), perfectly timed punches and very well executed fight sequences will make you change your opinion. For Salman Khan and Katrina fans, its a must watch. Rest might save their money for something better.
Wusstest du schon
- WissenswertesIn the scene where Tiger is painting Zoya, that's actually the artwork of Salman Khan, the person who portrays Tiger. Salman reportedly painted that picture while the crew was setting up the cameras etc.
- PatzerAt 94:58, Gopi mentions that 623 and 612 flights departed from London and Frankfurt that day (pretty close to the respective daily averages), but then he proceeds to equate that to 825,802 passengers, which would equate about 688 passengers per flight, a long stretch given that the average capacity of a Boeing 757, which, even assuming all of those flights were Boeing 757-300s, is more than double the maximum capacity of 289 of a Boeing 757-300. Further, even assuming that particular day was a particularly abnormal day, and ignoring the film's own estimate of 623 takeoffs on the said day, the busiest day ever at Heathrow only saw a traffic of a total of 233,561 passengers (arriving + departing). Given that Frankfurt has the third largest passenger capacity in Europe behind Heathrow and Paris, the total number of passengers at both airports combined barely breaches the halfway mark of the 825,802 passengers quoted by Gopi in the movie. Further really stretching this, and even considering all airports in London (and not just Heathrow, ignoring the total 623 number of departures which is met by Heathrow alone), the average number of departing and arriving passengers in all London airports combined is still 366,102 leaving us with an average of 183,054 departing passengers from all London airports, which even assuming an equal number from Frankfurt, is again barely half the quoted number of 825,802 passengers.
- Alternative VersionenThe YRF spy universe logo is added at the beginning of the film in the Prime Video version.
- VerbindungenFeatured in Shuddh Desi Romance (2013)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Once There Was a Tiger
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 2.347.774 $
- Eröffnungswochenende in den USA und in Kanada
- 1.139.340 $
- 19. Aug. 2012
- Weltweiter Bruttoertrag
- 5.543.117 $
- Laufzeit2 Stunden 12 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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