Ben Hur

The 1959 version of "Ben-Hur" is without a doubt one of the truly great motion picture epics, so it was with surprise, and dismay, that I saw this 2010 re-make mini series appear on my local TV channel, and against my better judgment started to watch, what could only be, this travesty. To my surprise I found within 30 minutes I was totally hooked and engrossed by a deeply touching and superior Television experience. What it lacks in sheer magnificence of the 1959 version, it more than makes up in the human story of a family torn apart by terrible misfortune and fate. Wisely the makers chose a superb young cast in the leads, with Joseph Morgan (as Ben-Hur) and Stephen Campbell Moore (as Messala) not only doing justice to these epic characters but imbuing them with true human emotions. The story is very much the same as the original, and even though it was said the makers played down the religious aspect, I personally found that by doing this they actually heightened it in some respects to truly wonderful effect, especially during the last hour of the story which left this viewer with more than a few tears in his eyes. Naturally the sexual aspect is more explicit, but if one watches the original 1925 silent version you realize that is is something which has always been there but left and only implied in the 1959 version. The famous chariot race of the 1959 version can never be duplicated and the film makers obviously did not have the budget or tried to do so, but apart from that, if you have the opportunity to see this version, do yourself a favor and do so. I think, like me, you will be pleasantly surprised.

Judah Ben-Hur (Joseph Morgan) is a rich Jewish merchant in Jerusalem. He, his sister Tirzah (Kristin Kreuk) and Roman commander Messala (Stephen Campbell Moore) were childhood friends. Ambitious Messala returns from Rome pushing Judah to inform on the Jewish revolt. He tries to stop the demonstration. He gets betrothed to Esther (Emily VanCamp). While the Governor of Judaea Pontius Pilate (Hugh Bonneville) marches in, a tile falls onto him and starts a riot. Messala is demoted. Judah is sent into slavery and encounters Jesus Christ on his way to the crucification. He is pressed into rowing a gallery where he rescues Roman admiral Quintus Arrius (Ray Winstone) after a battle. Arrius adopts him naming him after his dead son Sextus Arrius. He returns to avenge Tirzah and his mother Ruth (Alex Kingston).

This is a solid TV mini-series. There are some great actors. The younger leads are mostly TV stars. Joseph Morgan has more youth but not quite the presence of Charlton Heston. The big action is compensated by the modern CGI. The gallery scene works well. The chariot scene is less epic. I like some of the early exposition laying out the political situation. This series may not be necessarily but it is an interesting addition to the '59 classic.

I am a huge fan of the 1959 film so I thought I would give a the miniseries a go. Throughout most of its run time it is a engaging retelling of the tale that focuses more on the political machinations that Ben-Hur (could have) does (done) especially in terms of the Roman court. Add in a lot more sexuality and less grand more earthly production values and the resulting adaptation plays like an engaging Game of Thrones episode while Christ story, more human and less religious, plays in the background. It is all very good fun. I especially like how Judah's time in Rome is flesh-out more and how the Great Sea Battle was more tactical. The lower budget forced a lot of the choices to make the story more psychological and grittier but it's nice counterpoint to the 1959 classic.

There is, however, two areas of concern. First because the film greatly down plays the religious (divine) elements a huge part of the ending does not make much sense; I think it would be incomprehensible how a certain "cure" happens without seeing the 59' version first. It also annoyed me that Christ's "forgive them they know not what they do" is ripped from its context completely and it is thematically problematic to have Judah the recipient of that utterance. Second, Morgan is miscast; his sandy blond hair and blue eyes reminder you too much of Heston and make Judah seem even less Jewish than in the 59' version. After about 30 minutes you get use to it and Morgan becomes an engaging hero but it is initially very distracting.

The chariot race in this version is no where near as grand, but it is still very exciting and the stripped down more documentary feel to it gives it a neat visceral edge. I'm not sure why they didn't cut the number of horses down to 2 per chariot through. I think that would have fit the paired down more earthly tone of this version.

The 59' is the gold standard of this story. The 25' is more religious version. But 2010 is the political intrigue version. Good stuff

Some movies are so good that they leave no room for eventual remakes. Even so, there are attempts. This is a movie intended for TV and that plays the story of Lew Wallace on the revenge of Judah Ben-Hur. The plot is too well known, so I will not talk about it. The film has a naturally lower budget than its predecessor of 1959 and puts entirely aside any epic ambition, to the detriment of a close reading of historical truth. So we don't have a grandiose scenario or thousands of extras, but a very realistic scenario with some ambitions of historical truth and very similar to what we could see in the Middle East during the life of Jesus. It's evident the influence that "Ben-Hur" (1959), "The Passion of the Christ" or the TV series "Rome" had in the building of the scenarios and environments. The visual and special effects are quite realistic but manage to be discreet enough for the audience to keep their attention on the plot. Joseph Morgan was a very satisfying Ben-Hur and has good chemistry with Emily VanCamp and Lucía Jiménez. Stephen Campbell Moore and Ben Cross also don't disappoint. Overall, the cast was OK. To summarize: without having the ambition of a cinema masterpiece, this is a good TV movie, divided into two parts that, together, would have approximately three hours long. It's not an epic, but it never had that ambition. It's a movie for entertainment and it works well if we watch in that light.

Say BEN HUR and people immediately think of the Charlton Heston Hollywood epic: a film full of elaborate sets, huge crowds and epic chariot races. The powers that be decided time was ripe for a new version of the story, albeit in miniseries form, and no doubt to take advantage of the new-found popularity of the historical miniseries after the success of HBO'S ROME.

I for one am a huge fan of such stuff, so I was immediately predisposed to enjoy this outing. I was engaged from the outset: to my shame, I haven't yet seen the Heston film, so watching the story play out was a fresh and involving experience. The total running time is around three hours, and I didn't find that a single moment dragged.

As with many of these productions, the cast is packed with familiar faces. Ben Cross, Alex Kingston, Marc Warren, Art Malik and in particular Ray Winstone all seem to be having a ball with the roles they're provided. Stephen Campbell Moore, as the youthful hero, is sufficiently just, upstanding and likable enough, and watch out for a trio of highly attractive female cast members who ease the viewing experience: Emily Van Camp, Kristin Kreuk and, particularly, Lucia Jimenez.

The budget is high enough for them to film in authentic, sun-drenched locales, with copious use of sets and extras to build a realistic portrait of the times. The use of CGI (such as in the naval battle sequence) is certainly adequate and the final chariot race doesn't disappoint. It's no ROME, but then, what is?