69 Tage Hoffnung

This film tells the story of 33 miners in Chile, who are trapped in a caved mine seven hundred metres deep. They have only three days of food in the safety chamber, and no way of contacting the outside world. Fortunately, the persistent minister of mining refuses to give up hope of getting them out alive.

It is very rare that a film makes me cry so much and for so long. Halfway into the film, I'm already in tears because of the miners' despair and desolation. The scene involving a ladder is very affecting. There seems to be no hope, and everything seems to be lost. Their will to survive is remarkable. The herculean rescue effort deserves much praise, while the family members clinging onto the slightest glimpse hope is very touching. Actually, the whole film is very touching. I feel so sorry for the miners, and miners in general because they risk their lives for little in return. Having the surviving miners appearing in the film is an excellent touch, reminding people that this is a true story that happened to these individuals.

I just saw this at Twin Cities Film Fest this weekend. The 33 chronicled the event that gripped the international community when 33 Chilean miners were buried under 100- year-old gold and copper mine and trapped for 69 days.

Director Patricia Riggen did a phenomenal job telling a compelling story of human resilience and the courage of both the miners and their families above ground who refused to give up. Great ensemble cast featuring Antonio Banderas, Juliette Binoche, Lou Diamond Philips, Rodrigo Santoro, and Gabriel Byrne. It was exquisitely shot by Checco Varese, which was shot on location in two different mines in Bolivia, Colombia. It certainly looked authentic as the environment of the set made the actors felt as if they were real miners for a while. The 33 miners were also consulted for the film.

There were moments that might have felt too 'Hollywoodized' but overall the film didn't feel emotionally manipulated. The genuinely stirring score came from the late James Horner, which the film paid tribute in the end. It's not a perfect film but I think the film was respectful to the subject matter and did the story and those miners justice.

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Based on the true story of 33 miners who go into a mine in Chile to have a big rock get in-between them and the surface, and they have to survive long enough to be rescued.

I thought the movie was very detailed and complete about what the miners and their families went through during this ordeal. I never felt I missed any part of it.

It was never boring, always interesting, which I did not expect, but a lot went on in those three mouths and it was captured wonderfully on the screen.

Antonio Banderas was great as Mario, who kept the men together long enough to survive.

And even though I knew the outcome, the 33 makes you feel for each character, which allows suspense.

Well done and heartwarming, hitting on the rights spots and leaving me all filled up inside.

Greetings again from the darkness. How do you structure a film based on a true story that lasted 69 days, occurred 5 years ago, and was followed live on TV by half of the global population? Director Patricia Riggen (Girl in Progress, 2012) delivers a film designed to tug on heartstrings, and is based on the book "Deep Down Dark" from Hector Tobar, as well as interviews with the key players.

In 2010, the San Jose copper/gold mine collapsed trapping 33 miners more than 2300 feet under tons of rubble and an unstable rock that dwarfed the Empire State Building. Through some pretty solid special effects, we are there for the collapse. It's this segment and the immediate reactions from the miners that provide the film's best segment. We feel the miner's sense of panic and doom as they begin to come to grips with their plight.

The film rotates between three struggles: the isolation of the miners struggling to survive, the tent city populated by their families struggling to maintain hope, and the Chilean government struggling with the politics and public relations of a rescue mission. From a character standpoint, each of these three segments is given a face. Antonio Banderas as Mario becomes the focal point of the miners. He searches for an escape route, takes charge of the (very limited) food rations, and acts as referee and light of hope in an extremely volatile situation. Juliette Binoche (yes the French actress) is Maria, the sister of one of the trapped miners and the most assertive of those pushing the government to attempt a rescue. Rodrigo Santoro plays Laurence Goldborne, Chile's Minister of Mining, and the one who pushes the government to move forward with the costly rescue mission.

Other key characters include Bob Gunton as Chile's President Pinera, Lou Diamond Phillips as "Don Lucho", the safety inspector, Gabriel Byrne as the chief engineer, James Brolin as Jeff Hart (leading the U.S. drilling team), Naomi Scott as Mario's wife, and three of the other miners: Oscar Nunez, Mario Casas, and Juan Pablo Raba.

The most bizarre segment comes courtesy of miner hallucinations. It's a fantasy-infused Last Supper sequence that plays out to the sounds of a Bellini opera, while the food and drink flow and the family members join in the joy. It's not difficult to imagine the brain taking these poor gentlemen to such places of mental torture.

As if the approach is to make the most viewer-friendly buried miner film possible, we aren't witness to much underground conflict, and the internal bickering within the Chilean government officials is kept to a minimum. We do get to see the media circus that occurred during the ordeal … of course, most of us witnessed it in real time.

Director Riggen has delivered a film that taps into the multitude of emotions for the different groups of people, rather than concentrating on the miserable situation of the miners. It's a challenge to keep us interested in a true story of which we all know the ending, but most viewers will stay engaged with the characters. It should also be noted that the minimalistic score is some of the last work from the late, great James Horner.

Mining is a dangerous business. Going deep underground to dig minerals out of the earth means subjecting yourself to extreme heat, back-breaking work and the inhalation of dust that can lead to the pulmonary disease of silicosis. If none of these kill you slowly, the mine itself can kill you quickly and without warning. Miners die from accidents caused by their equipment, gas leaks and explosions and, of course, sudden collapses of the rock surrounding them. All told, this difficult work kills thousands of miners every year (as many as 12,000 by one count). These facts and statistics are brought to life in the true story of the 2010 Chilean copper-gold mine collapse portrayed in the drama "The 33" (PG-13, 2:07).

The film opens with a retirement party for one miner who is about to complete 45 years of service to the private company that owns and operates the San José mine near Copiapó, Chile. Several of his long-time co-workers are at the party with their families. Their is shift foreman Luis "Don Lucho" Urzúa (Lou Diamond Phillips), experienced miner and natural leader Mario Sepúlveda (Antonio Banderas), father-to-be Álex Vega (Mario Casas) and Elvis Presley-loving miner Edison Peña (Jacob Vargas), among others.

On the morning of August 5, 2010, these men took the long and winding truck ride three miles into the mine, completely unaware that they were about to become victims of one of the worst mining disasters in Chile's history. Luis saw it coming, but the safety concerns that he expressed to the mine's manager went unheeded. That afternoon, a rock the height of the Empire State Building and the width of two of them fell into the mine, trapping 33 men inside. Seeing the devastating cave-in and its effects on the men and their surroundings, it seems like a miracle that none of the 33 died in the initial collapse. Although some would say that the real miracle would be if no one died in mining accidents, or at least if this collapse had occurred during off-duty hours, rather than the miners having to get trapped and suffer, while their families waited in agony for news about the fate of their loved ones.

It was those families who became the impetus for a full-on rescue attempt. Although Chile's President (Bob Gunton) is reluctant to get his government involved with an accident at a privately-owned mine, his new Minister of Mining, Laurence Golborne (Rodrigo Santoro) convinces President Piñera to let him go to the site and see what he can do. The families, led by María Segovia (Juliette Binoche), the estranged sister of trapped miner Darío Segovia (Juan Pablo Raba), had gathered outside the locked gates of the mining complex. These siblings, wives, mothers, fathers and friends demanded action, and action they got. In spite of the prevailing opinion that the miners were probably dead or would die long before they could be rescued, Minister Golborne brings in heavy-duty drills and works with renowned mining expert André Sougarret (Gabriel Byrne) to try and reach the miners before it's too late. Meanwhile, the miners ration food and try to keep each other's spirits up, even as several of them fight and suffer from various medical conditions, as hope fades that they will ever see their families again.

"The 33" is exceptional. Based on the book "Deep Down Dark" by Héctor Tobar, the film version takes few liberties with the facts and fashions a very compelling narrative. The screenplay succinctly, but effectively sets the stage and develops its characters – both above and below ground. We feel the desperation of both the miners and their families. As the miners' story unfolds, concurrently with that of their families and those attempting to rescue them, Patricia Riggens directs with great pacing (which is helped by nearly perfect editing). She also gets great performances from her cast and blends the talents and experience of well-known and little-known actors wonderfully. Although the movie did drag a little as it neared its dramatic conclusion, this is a film which tells its story with drama, sensitivity and even some humor and makes it relatable to anyone who ever came to the aid of someone in trouble. "A"