How to catch a Monster - Die Monster-Jäger

TL;DR: 3/4 self promotion of director Adam Green and his other works. 1/4 lazy adaptation of Clive Barker's "Nightbreed"

This was a mess. The only saving grace of this movie is the amazing artwork/ creature design of the incredibly talented Alex Pardee. Oh and Ray Wise was pretty great. Unfortunately, that wasn't enough to make the film enjoyable.

There is literally a montage of Green signing autographs... The beginning of the film is supposed to be meaningful. He gets lots of horror celebs to give a short testimonial about their love of the horror genre. But it is really just a montage of Green showing off his connections. This movie screams "Oh look at me! Aren't I cool? I have tons of fans and know lots of famous people."

Half the movie is just Adam and friends wearing t-shirts from his movies surrounded by posters of his movies with a computer screensaver of his movies... Absolutely shameless. There are so many inconsistencies in tone because Green can't stick to the narrative and just has to keep shamelessly showing off and self-promoting.

If he wanted to make an effective mockumentary, he should've cast other actors and left himself out of the spotlight. But he just couldn't help himself. This is a vanity project wearing the guise of a horror film.

Adam Green has always seemed like a hack to me. This film further solidifies that feeling. He comes across as a self-important egomaniac. In interviews he always defends the plot holes and lazy filmmaking decisions of his movies with circular reasoning and 4th wall tapping. Dude, just because you make a self-deprecating joke about portions of your movie or personality, does NOT give you an excuse to keep using lazy scripts and have a sloppy attention to detail.

What a waste of Ray Wise and Alex Pardee...

This was honestly a very different type of film. I am not very conversant with Adam Green's films (I surely PLAN to become that way though...) so I didn't really know what to expect.

Since I usually look at movies from the standpoint of 'film making', I think that I can see what he was trying to do with this one. A very unusual approach indeed... I think what I liked about it (other than the bloody FANTASTIC Ray Wise, of course) is the change in tone as you watch it. At the beginning it actually is quite funny and as the 'Trivia' section mentions, the entire film was very carefully scripted, although it does NOT come across that way at all. So, with that in mind, I really appreciated the genuine and natural humour that he drew out of the movie, especially with many of his own reactions to what was being said by others. He is really funny. But, I liked that as you became more engrossed in the story and began to see Adam's interest in the reality of the stories he was being told have an effect on him, I really liked the change in tone as things got more serious. I very much liked that and thought that they did an excellent job in switching gears, as it were...

Whether you suspend disbelief enough to become invested in the story or not, I truly found the film in it's entirety to be very entertaining. A LOT of the entertainment value come from Adam's own life and real friends and family being portrayed and his excellent interaction with them when talking about this 'Project'. Most of the rest of the entertainment value comes directly from the always awesome Ray Wise. He was frigg'n GREAT the whole way, in my lowly and wretched opinion. His VERY subtle turns at absolute DEADPAN humour were totally hilarious! And Adam's reaction to them was just as great. As far as the actual story being told and the 'Documentary' approach, sure, if you have an active imagination like I do, you can get caught up in that too...

I think that people who automatically dismiss the film because Ray Wise, a very well known actor, is in it, are missing the point of the movie. As mentioned in the 'Trivia' section here, they REALLY agonized on whether to use someone well known as the main guy or not. But, after giving it a lot of thought and getting audience's reactions, they realized that to approach the movie as a fully genuine 'True' story and then LATER likely disappoint the audience or make them feel 'fooled' was something that they did not want to do, as some other 'Mockumentaries' have fallen victim to. So, this way, the audience KNOWS right from the start that it is fiction, but at the same time by cleverly using Adam and his family and friends as REAL people along with their choice of Ray Wise, they came up with a very unique and interesting balance for this kind of movie.

So, this is quite honestly an EXTREMELY difficult film to recommend to people in general. As you can see from the many varied reviews here, that the reactions are truly all OVER the place. I personally think that if you are a film maker yourself, OR if you look at films from a film maker or director's perspective, OR if you have a real love and affection for the Horror Genre itself, THEN you will have a much greater chance at really enjoying this unique and entertaining film.

This is a film I have been wanting to see for a while now. I hadn't even seen a trailer, just read the story line and it sounded amazing. When I finally found it, I was excited and even watched the trailer just to make sure it was going to be worth watching. The trailer was awesome and I was ready to dive right in.

Unfortunately, everything in the trailer is pretty much all the great moments in this movie.

With such an awesome story idea I was greatly disappointed that the deliver wasn't as good. In fact, the film relied to heavy on plot and story line that I think it forgot it was a horror film. In fact the music used in the movie was cheesy and reminded me of a romantic comedy score.

The biggest problem with this film is the Director/Writer Adam Green, not that he didn't write or direct a good film, it was that he starred in it and was the most obnoxious character I have seen on film in the past ten years (and that includes ALL of Will Farrell's films in the last ten years).

I really felt that Adam Green had such a great idea, something unique even though the story line itself is not all that original, but the idea was wasted. Throughout the whole film I kept thinking that this was nothing more than a huge advertisement for his other films, especially his TV show on FearNet which was said about a thousand times in this film.

I won't say it's a complete waste of time, in fact when the scary moments happen, and they are far and few in between, it was interesting and fun to watch. The rest of it however, was annoying and boring. Such a wasted opportunity.

I would like to a sequel, something that would follow the horror aspect of the story line a lot more. There is just so much more this film could have given us and instead wasted the whole time promoting his other movies. The ending left me wanting more and not in a good way.

a documentary-style found footage film by the writer/director of Holliston and the Hatchet slasher series. i'd heard good things about the monster design and make-up, but wasn't very impressed. the monsters get only a few seconds a piece of shaky-camera screen time and are actually pretty cartoonishly goofy-looking if you pause on them

the movie suffers a bit from the shaky camera syndrome typical of its genre — there's a point where the crew is sitting in the woods at night, waiting for a monster to appear, and when one of them points to a shape moving through the trees, the camera guy focuses literally everywhere but where the character is pointing. i can only imagine it was done on purpose to parody the genre style, and the actors were laughing about it behind the scenes

the story is imaginative and compelling, and Ray Wise, as detective William Dekker who invites director Adam Green to witness and record proof of the existence of monsters, is a great actor and storyteller. my favourite scenes are the ones where Adam and the film crew are just sitting in Dekker's house, recording his stories of past encounters with and illustrations of monsters from a subterranean metropolis he calls The Marrow

i like the film despite it's flaws and wouldn't mind a sequel picking up exploration, where this one ends rather abruptly, of The Marrow and its inhabitants. recommended for fans of found footage monster movies

Adam Green, the upstart horror fan boy filmmaker behind Frozen and the Hatchet movies, directs this mockumentary about his love of monsters and how it leads to a strange old man called Decker (Ray Wise of Twin Peaks and Jeepers Creepers 2). Green plays himself as himself, not as a cartoonish parody as he did on his now defunct TV series Holliston. And we follow Green and his trusty cameraman as they record Decker's ramblings about the secret, subterranean society of monsters that lives beneath our world. Decker (a name presumably referencing David Cronenberg's legendary monster hunter from Clive Barker's Nightbreed) even claims to have found an entrance to this other world, a hole in the ground near a cemetery which he calls the Marrow.

Digging Up the Marrow is a fast paced, entertaining little movie that functions as a sort of subversion of the done to death found footage sub genre. But that also brings me to my main problem with the movie. I just am not sure what Adam Green intended to do here.

By playing himself, and having several other notable genre names cameo as themselves, people like Kane Hodder and Tom Holland, it seems that he wants to blur the lines between fact and fiction. However, by casting recognizable character actor Ray Wise as the fictional character at the center of all this, he completely ruins the illusion making it obvious from the start that this is wholly a work of fiction. So why make the movie in this fashion? I honestly have no idea.

But, I did enjoy watching the movie and Green does manage to prove at least two things here. The first is that he actually can "act" although he is playing himself, he plays himself as a likable, slightly awkward dreamer whose desperation to believe leads him down a rabbit hole into increasingly dangerous situations. The second is his wholehearted and rather admirable dedication to practical special effects. There is no cheesy CG here and what you see is obviously tangible and quite well designed to boot. Digging in the Marrow may feel a tad disposable, more like a time killing side project than a true feature, but it's still more entertaining and engaging than a lot of low budget crap out there. So check it out and have a good time.