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Very good entertainment. Recommend it for a Friday evening. Good actors, good trama.

As a Le Carre fan, it is fair to say that the film made a reasonable attempt of faithfully representing the book, although there were a few changes to the story. The problem with the film is that the book wasn't that brilliant to start off with and with the exception of Stellan Skarsgård (who played Dima)the other actors did not seem to have much belief in the characters they played. Saying that, it is possible for a film to be an improvement on the book and maybe misplaced deference to the author got in the way of the director and actors attempting to make the story more credible and interesting.

Perry was too 'nice' so when he played a 'knight in shining armour' on a couple of occasions, it was slightly confusing. Damian Lewis's performance (who played Hector of MI6) verged on the embarrassing as he portrayed him as a bumbling upper class twit which I am sure is not the character trait of MI6 operatives.

Overall, the film was watchable, but disappointing, especially after viewing the 'Night Manager' recently on television.

I enjoy John Le Carre, but none of the adaptations of his books have really blown me away. I am happy to say that I was pleasantly surprised by this movie. I came into this movie without many expectations, as I have not read the book and I hadn't heard anything about the movie.

Ewan McGregor and Stellan Skarsgård star as a British professor and a Russian mobster respectively, and both give great performances, especially Skarsgård, who plays a man who you know is a bad person, but you can't help but like. Naomie Harris and Damian Lewis also feature, and while both are good in their roles, I felt like Harris, who plays McGregor's wife, wasn't given much to do.

I really enjoyed the cinematography, and you could tell that Anthony Dod Mantle worked hard to make sure every shot was interesting even when what was going on in the shot was pretty basic.

The story is nothing you haven't seen before, but I found myself really captured by the great acting and interesting dialogue.

B+

A smooth thrill ride is how I would describe Our Kind of Traitor. I didn't realise until after watching it was based on a John LeCarre novel (i missed half the opening credits, my bad) but nobody does cool thriller like Carre.

I'm familiar with some of his other material and have seen a couple things turned into film also. This movie delivers man.

Its intense, deep character development, and sometimes you are changing what you want/think the outcome to be.

There are some majestic performances here by Stellan S. And Damian Lewis. Ewan Mac is gold as always, never seen a bad performance from him.

I really enjoyed this film. Held my attention all the way through. If you like films about espionage or the sort. This is something you might enjoy.

All in all just a really well made film. Worth the watch.

Overall Score 7/10 Entertainment Value 8/10 For a continuous plot that doesn't lose its way.

On any other day, a British espionage thriller would make for a good change of pace from the summer blockbuster season. Based off a John le Carré novel, and it makes it even more intriguing, seeing that the master of spy fiction that brought us "Tinker Tailor Soldier Spy" and "The Spy that Came In from the Cold" is still up and sprightly, churning out novel after novel like it was nothing. I guess the secret to longevity is indeed to keep on working on your passion.

Now comes another film adaptation of his work – this time with actors of caliber (Ewan McGregor and Stellan Skarsgard, among others) and double the predictability. I have not read Le Carré's original source material, but my guess is it will be far more intriguing than what was presented here.

The film, telling the tale of how two ordinary British citizens (McGregor and Naomie Harris) naively help out a turncoat Russian mob enforcer (Skarsgard) and getting in the crosshairs of a ruthless MI6 agent (Damien Lewis) in the process, ticks the right boxes, and nothing more. It becomes an engrossing watch throughout, where characters scheme and plot while other innocents are naively caught in the crossfire.

Everything is fine and dandy – technically well-made and paced, the performances are spot-on and the story is a good tried-and-tested formula, though post-Brexit it seems unfortunately dated already, and the dialogue relies too much on the four-letter word, a jarring contrast a from Le Carré's usual classiness. The key word here is 'perfunctory'. It functions, and nothing more. Might be good with a cup of hot afternoon tea.