Kroll Show

Nick Kroll is a genius and for those of you just learning about him because of his Netflix special, he's been around forever and is HYSTERICAL .

Kroll Show is one of the best sketch shows of all time.

Publizity, Spotted Ox Hostel, Wheels Ontario (best Degrassi parody ever), Nash Rickey, Young Billy Joel, Rich Dicks, Ghost Bouncers, Oh Hello, Bobby Bottleservice, Gigilo House, Farley.... GOLD.

I also love how they pulled a bunch of the cast from Burning Love (which has a bunch of people from The State) -- also amazing. And then Larry David hired a bunch of Kroll cast members for Curb Your Enthusiasm. Even Leon (Smoove D) makes an appearance.

Buy this DVD set. You're welcome.

I honestly don't get how so many people can find this show so unappealing.

It's a fantastic satire of modern celebrity and reality TV that sadly no one on the internet gets outside of a few niches. It's a parody of the downfall of society.

It's something more people should get, but I guess Kroll coming from a show about fantasy football will give you an audience more predisposed to ESPN and firmly against Bravo therefore unlikely to get a lot of the humor. It's a satire and at this point in the second season it has blossomed into one of Comedy Central's best shows.

I really like this show. But I'm not shocked that many people dislike it. The sketches don't all stand up well by themselves, lacking the clearly-defined, singular premise that is the hallmark of traditional sketch comedy (e.g., SNL, Mad TV, Chappelle Show, Whitest Kids U Know), where a humorous situation is set up and then played out to further and further extremes. There is not much here aimed towards water-cooler recaps. Nor is the satire offbeat enough for the show to achieve that surreal, absurdist quality that you get from Mr. Show, Portlandia, Comedy Bang Bang, or even Monty Python. Kroll does not venture too far from reality show parodies. But where Kroll Show may shrug off mainstream expectations as sketch comedy, it nails its target as social commentary: a kind of stream-of-consciousness symphonic poem aware only of the circular, ephemeral landscape of trashy television and internet memes that exists in front of its own eyes. At its best, the show is to Bravo and E! what The Onion is to bad journalism, the joke not so much on the idiots that it caricatures but rather on all of us for letting them happen. If you don't feel a little ashamed of yourself by how recognizable all of this is then yes, you are probably missing the point.

Of course not everything fires as funny as we'd like, nothing does, but in all honesty, it's still one of the best shows out there right now. Nick Kroll's take on reality TV is so good, I will NEVER watch reality TV as long as I can help it. I've seen an episode of that stuff here and there and rely heavily on 'The Soup' to know what's going on in the world of Garbage TV to ever need to sit through it for real. Kroll Show has nailed the insipid trash that many seem to flock to and made it funny.

OK, I know much of the real reality TV is funny in it's attempt to be good, but I can't sit through it. Nick Kroll and his insane little ensemble skewer it as well as some of the other 'stuff' on TV and does it masterfully yet not 'in your face'. They don't try too hard and that's one of the reasons it's so damn funny. Some comedy tries to be funny to the point that it just becomes stupid. Nick doesn't. It's low key but very believable. I rarely give anyone a 10 because I can always find some flaw but in an effort to balance a few of the negative reviews, I'm going all out. This show deserves it.

This show excels at highlighting the peculiar and hilarious aspects of real people and reality TV. Nick Kroll's attention to detail and direction are impeccable, illustrated by the cast's portrayal of idiosyncrasies that not all may be quick enough to notice, but are instant classics once absorbed. Some examples of this are Pony Tales, Ghost Bouncers, PubLIZity, and Wheels Ontario, all of which could be made into their own successful TV shows.

Acute specificity being a mainstay of the show's humor, some of its best moments may verge on cryptic for those less culturally aware or perceptive, but there are still many components with mass appeal. Writing, acting, direction, production, editing—all fantastic. This show is a museum.