Tai Chi Zero

China is changing. Because film is a major force for shaping the national character, among the most interesting things these days, is watching the Chinese scramble to reinvent (post Mao) who they are and how they fit in the modern world.

Their newly-emerging documentary school chronicling the industrial rise of China is one aspect of this, and seems to have produced some pretty good pieces.

Their tried and tested practice though, meant both for internal consumption and abroad, is manufactured postcards of harmony (moral, spiritual), usually anchored in fabled history, usually in martial arts.

We saw that with the faddish promotion of qigong in the 90's, the Wong Fei Hung films and Zhang's Hero. We saw it again a few years ago with Yip Man. This juvenile mishmash is a tai chi showreel for the twitter generation reared on blockbuster steroids.

It is another 'origins' story of martial arts, that of Yang-style taijichuan. And because the filmmaker probably felt that to his teenage audience the mid-1800's would seem like forever ago, he goes crazy on myth and movie nonsense, but careful not to upset state officials.

This leads to a pretty boneheaded product. Once more, Chinese 'purity' is contrasted with encroaching Western civilization. Westerners standing in for capitalism and technology are portrayed as evil and corrupting, while the actual film is made by copying what is currently trending in the capitalist blockbuster market.

The steampunk revisionism of a huge metallic beast threatening the old way of life is from Wild Wild West. The notion of a small community where everyone is a martial arts expert is from Kung Fu Hustle (and of course the story of Chen Jia Gou). The obvious video game humor is from Scott Pilgrim. The wire-fu is Sammo Hung's and a longtime staple of cinematic wushu via HK. The speed-ramps of the opening battle are from 300, with other perspectives borrowed from Scott and recent John Woo.

This is all echoed inside the film as the young boxer learning taijichuan by imitating the moves.

As someone who practices in the Yang-style, I advise you to steer clear of this. It has no sincerity or soul. What is of some interest, is noting the irony of this film in the current climate of aggressively expansive Chinese capitalism. Or how the Kung Fu Panda franchise is widely celebrated there.

Meanwhile, Chinese martial arts have gone from their original mix and match roots of outlaw boxing, to collective standardization in the communist years, to government-promoted sport, to exhibition and health therapy. Having proved inadequate in the modern mixed martial arts world, the current move is away from the forced harmony of (usually fabricated) tradition and towards the practical cross-training system of sanda/sanshou, which in turn emulates several foreign styles.

I always love a good kung fu movie. Black Belt Theater was one of the things that inspired me to train in martial arts and become a stuntman. Of course being a stuntman means I get my butt kicked by the star 99% of the time I am on film, but hey it's a paycheck for doing something I love. I have been working in stunts for about seven years now and have done everything from music videos and commercials to low budget indies and big budget blockbusters. I perform and also coordinate and choreograph fights so I tend to watch action films very carefully and spot any flaws or miscues pretty easily during fight scenes. I figure my kung fu fanboy persona is balanced by my professional stuntie persona, making me a good candidate to give an honest review.

The film is written by Kuo-fu Chen who really hasn't written many kung fu movies, and has only written nine films total, but more on that later. Directing is Stephen Fung, an actor who I really like that has also directed a few good films including "House of Fury" and "Jump", the latter working with Stephen Chow of Shaolin Soccer and Kung Fu Hustle fame, which is obviously where he tried to go with Tai Chi Zero.

When I first saw the trailer for Tai Chi Zero it looked like another period piece kung fu movie where the hero is a dopey loser until he unlocks his inner kung fu genius, and for the most part it is. Mix in some slapstick comedy, and slick graphic elements along with performances from some old school kung fu legends and it seems like a recipe for success a la Kung Fu Hustle. Also add that the hero of the film is real life 2008 Wushu Champion Yuan Xiaochao with fights choreographed by Sammo Hung and that should ensure some great action sequences. And for the most part it does deliver on the action.

Where TC0 falls short, for me, is in the writing. And in fairness maybe I should reserve judgment until I see the sequel, Tai Chi Hero, because the film feels incomplete. It really felt like I only watched half of a movie. Yes it was very entertaining and enjoyable, but the characters lacked development and most of the story relied on the clichés of "Western influence bad, Chinese tradition good", and as mentioned above "dopey loser must unlock potential". And those themes work well when developed and executed properly, but here they seemed rushed. Again it seems like they were going for Kung Fu Hustle, and they succeeded in the visual aspects, but Stephen Chow is also a tremendous writer and storyteller and it is pretty apparent that Kuo-fu Chen has some learning to do before he reaches Chow's level. Again, maybe I need to see Hero before making final judgment.

The acting is good for the most part, considering the limited character depth. Tony Leung and Angelababy carry the film while newcomer Yuan Xiaochao plays the dopey loser role well enough. The action sequences are entertaining, but Xiaochao doesn't really get to strut his stuff, hopefully the sequel will showcase this man's true skills. There is comedy and cool video game overlays sprinkled in to add some flavor, as well as a few animated sequences to add some more "new school" style.

Overall it seems like all the ingredients were there for success, but the writing just wasn't up to par for a really engaging storyline. It was hard to feel emotional attachment to many of the characters because little time was spent developing them and building a bond with the audience. It all felt rushed leaving the actors and director little to work with substance wise.

I still recommend seeing the film because it is a fun ride. The story centers on the Chen village where Chen style Tai Chi originates and, historically correct, outsiders from the Chen family were forbidden to learn. The hero travels there and gets his butt kicked around a bit, then the evil British foreigners come to build a railroad and he helps defend the village. The end comes abruptly but really leaves you wanting to see the sequel, which is a good thing.

My 10 year old son really enjoyed it; he loves video games, and cartoons, kung fu and a good laugh so it was right up his alley. My kung fu Sifu found it to be a bit too slapstick and style over substance, but did acknowledge the Tai Chi was authentic. I found myself right in the middle; I really did enjoy the look and feel of the film, but it just fell short in the story and character department. Hopefully the sequel ties it all together. Fortunately Tai Chi Hero opens in January so I won't be waiting long to see how it turns out.

I am giving it 8 stars on the strength that the sequel brings it all home. If this was viewed as standalone I would prob be more in the 6 range.

this movie is another coffin nail of how Chinese movies have already past the point of no return unsalvageable terminal disease. this movie has wasted lot of money on nothing but messy childish soul-less hollow gimmicks. the screenplay was also a milestone of the worst of worst Chinese screenplay writers who got the incurable brain damage from reading too many absurd comic books and playing too many ridiculous video games. viewers who praised this movie as an epic masterpiece should also have their heads thoroughly checked, but i doubt MRI could find how their brains were damaged since those comic books and video games are like untraceable virus. this movie also proved that the failure of the Chinese education system which only created copycatting self-claimed geniuses like guys eating too much American junk food after endless garbage-in, garbage-out digestion. all kinds of crap to these people are like most tasteful cuisines.

oh my god, what a mess of this movie has created. i don't even have appropriate words to describe how disgusting this movie is. i always wonder why those rich people would invest money on such pure garbage. by ridiculing one of the legendary Chinese martial arts masters is on the par of the Chinese communist party who claimed itself was the sole party fighting the Japanese invasion. this movie is so disgusting that i don't even know how to review it with proper words. god forgive me.

Touted as one of the most anticipated Chinese movie blockbusters of the year, actor-director Stephen Fung's TAI CHI ZERO is a revisionist take of a classic martial-art movie with a steampunk twist. On paper, the concept sounds interesting enough. Even the trailer itself makes me believe it's a go-for-broke, martial arts comedy in the vein of KUNG FU HUSTLE (2004). But for all the colorful effort that Fung tries hard to be different than your regular martial-art movie, TAI CHI ZERO is strangely uninvolving and poorly executed in many ways.

The story centers on a martial-art prodigy named Yang Luchan (Jayden Yuan) who is born with a fleshy abnormality where he has a "horn" sprouting from his forehead. Whenever someone punches his "horn", he turns himself into a mystical warrior that able to take down a score of enemies in a short period of time.

One day, when his master, Zhao Kanping (Fung Hak On), who is a leader of the Divine Truth forces, ends up being killed by Qing army. The Divine Truth army physician Dr. Dong (Leung Siu-Lung), who also badly injured by the attack, urges Luchan to head on to Chen Village to study Master Chen's (Tony Leung Ka-Fai) unique martial arts technique that promotes internal energy. Apparently Luchan's "horn" has already turned red and he will die soon enough if it turns black.

But upon arrival, Luchan finds his presence is unwelcome by the villagers of the Chen Village. He finds out that nobody will teaches an outsider of their Chen-style martial arts. Worse, Master Chen is nowhere to be found. He only manages to locate Chen's daughter, Yuniang (Angelababy), who runs a local medicine shop. She also makes it clear that she will not teaches Luchan at any circumstances, and urges him to give up instead. But the hard-headed Luchan keeps trying to find way to learn Chen-style martial arts at all cost.

Yuniang's boyfriend, Fang Zijing (Eddie Peng), who recently returns studying from Europe, tries to convince the villagers to allow a railroad through their land and to install electricity. Unfortunately his visual presentation goes terribly wrong and ends up being an object of ridicule by the villagers. Zijing is upset about this, and subsequently joins forces with East India Company representative Claire Heathrow (Mandy Lieu) to persuade the villagers by force.

Meanwhile, Luchan befriends with an old laborer (also Tony Leung Ka-Fai) and secretly copying Chen-style martial arts from the villagers he's encounter from.

Then one day, Zijing and Claire returns to Chen Village with foreign soldiers, along with a giant destruction machine called "Troy No. 1", to teach the villagers a hard lesson.

On the surface, the movie is exceptionally busy with lots of fancy visuals. From arcade game-like screen graphics that has exclamation marks of "K.O.!", "Round 1!" to video game pop-ups (labels on people and location), as well as manga-like animated section, the movie should have been a fun-filled entertainment. Unfortunately, Fung's direction is terribly haphazard and he doesn't have sense of pacing. Despite clocking at a compact 97 minutes, the movie feels unusually overlong (as if watching a 2-hour movie) because of numerous expository-heavy scenarios that could have been trimmed short.

Another huge problem here is Chen Kuo-Fu's overcrowded screenplay that tries too hard to be everything. For a movie that supposes to concentrate on Yang Luchan's quest to learn Chen-style martial arts, his story here is more like an afterthought.

All the actors here are mixed bag. As the main star of the movie, real-life martial arts champion Jayden Yuan is terribly dull and wooden as a performer. Eddie Peng is unconvincing to portray the kind of character who is vengeful and filled with lots of hatred. Angelababy, who is best known for acting in romantic comedies, does quite an okay job as a strong-willed martial artist. American-Malaysian Chinese model Mandy Lieu, is all porcelain beauty but her acting skill is plain terrible, as well as her wooden English dialogues. Of all, only Tony Leung Ka-Fai is credible as the old laborer and Master Chen.

Technical credits are overall adequate at best, while Sammo Hung's action choreography is surprisingly average. The martial arts scene, which combined wirework and slow-motion, are all empty style but little substance. It's especially a shame that Jayden Yuan is given little chance to strut his stuff here.

Overall, TAI CHI ZERO is a huge disappointment for a movie that tries to expand into a planned trilogy. What's more, the sequel, TAI CHI HERO will be released in a few weeks' time on Oct 25. Hopefully we can see some significant improvement by then.

This is an exploration into the tropes of Gung Fu movies. Every single line, every move, is taking apart kung fu cinema. I have waited for a parody like this for years, and I mean all the way from Rudy Ray Moore's Shaolin Dolemite to Kung Pow: Enter the Fist. They all missed the point. This is a Tarantino film without Tarantino beating you to death with it. A movie for true kung fu fans only. It is barely accessible to outside audiences, which I think explains the negative reviews.

How does the master know how to do that? EXACTLY! Why does he gain skills for no reason? EXACTLY. It is dissecting the clichés and also telling a story.

Plus, Shu Qi is in it, and that's always a plus.