Tai Chi Zero

First off, I would recommend Tai Chi 0-- if only I can decide whether to recommend watching in the theaters or waiting to watch it back-to-back with its sequel on DVD... Cos most of my issues with Tai Chi 0 has to do with how it tries (& fails?) to "stand alone" as an inconclusive (inconsequential?) prequel. I mean, how would you feel if you found out that the hilariously "over-sold" trailer (in English, Mandarin and various Chinese dialects) circulating for Tai Chi 0 is actually a trailer for-- and contains footage from-- both this movie and its sequel?

It is also easy to see why Tai Chi 0 elicits such a wide variety of opinions-- it has something old and something new, and they are not so much "meshed together" as "layered on"... The old stuff is everything you would expect from an old-school kung-fu flick, and the new stuff is the latest fads in video-game aesthetics-- so depending on which way you lean, you might find as much "forced humor" (if you expected kung-fu drama) as "forced melodrama" (if you expected video-game hi-jinks). Nowhere as wacky and creative as Stephen Chow's Shaolin Soccer nor as elegant and nostalgic as Ang Lee's Crouching Tiger, director Stephen Fung's Tai Chi is more of a new take on the "kung-fu film as comic-book fantasy" genre in the vein of the "Storm Riders/Warriors" franchise.

And as someone who enjoys an old-school kung-fu flick as much as the latest video games, Tai Chi 0 literally pulled me around in different directions. On the one hand, I liked that the corny 1970's convention of kung-fu actors shouting out their styles/moves now comes with animated sur-titles and graphics; on other hand, the graphical "overlay" somewhat distracts from the sheer joy of watching Sammo Hung's seasoned fight choreography being pulled off by actors who's gone through martial arts training. So for my tastes, the core story and conflicts are presented too fluffily while the visual gimmicks are sprinkled on too liberally.

Perhaps this is due to Tai Chi 0 being a prequel that sets up a main story and conflict which will only be seen in later movies-- despite a lengthy introduction of the protagonist's story arc early on, Tai Chi 0 is really about how the old master Chen and his daughter deal with the forced relocation of their village. And fortunately, veteran actor Tony Leung easily carried off the central drama of film as the old master Chen, while the newcomers simply played up their kung-fu movie stereotypes (feisty girl, dorky guy, etc). Tai Chi 0 starts hitting its stride in its 2nd half-- when this historically relevant but made-up narrative (the original Chen village, now a small town, is still around) comes to the fore-- and doesn't let up until old master Chen finally unleashes his kung-fu.

I mean, for all of Tai Chi 0's "light touch", there's no disguising the fact that this is an old-school "blood-and-gluts" kung-fu story in a historical-fantasy setting-- with 3 on-screen deaths of named characters in the first 15 minutes and another in the later half of the movie-- and had it gotten much better writing and directing, I'm sure I wouldn't have missed any of post-production stylistics one bit. Cos the final and best fight in the movie for me involved nothing more than getting Tony Leung into 2 months of Tai Chi boot camp, some good old-fashioned wire-work, and a big wind machine. But in contrast, one of my favorite bits was the protagonist running around the village like a first person RPG video gamer searching for a quest reward... See what I mean about this movie tearing me apart?

If I sound like I'm quibbling, I am.... Tai Chi 0 is quite enjoyable, if not really memorable, and does a good enough job setting up the sequel. But as a kung-fu film, it is just nowhere as coherent or satisfying as the classics-- cos where Stephen Chow or Ang Lee would take great care to introduce audiences to the "reality" of their kung-fu fantasies and set things up for dramatic/comic effect, Stephen Fung crams the protagonist's entire back-story into the first 15 minutes of the movie before dropping him into a side role-- and then randomly (cleverly?) adds glowing eyes, X-ray film perspectives and even a First-Person Sequence?!

So in the end, pardon me for submitting this review but reserving my vote until I get to see the sequel...

This is an exploration into the tropes of Gung Fu movies. Every single line, every move, is taking apart kung fu cinema. I have waited for a parody like this for years, and I mean all the way from Rudy Ray Moore's Shaolin Dolemite to Kung Pow: Enter the Fist. They all missed the point. This is a Tarantino film without Tarantino beating you to death with it. A movie for true kung fu fans only. It is barely accessible to outside audiences, which I think explains the negative reviews.

How does the master know how to do that? EXACTLY! Why does he gain skills for no reason? EXACTLY. It is dissecting the clichés and also telling a story.

Plus, Shu Qi is in it, and that's always a plus.

this movie is another coffin nail of how Chinese movies have already past the point of no return unsalvageable terminal disease. this movie has wasted lot of money on nothing but messy childish soul-less hollow gimmicks. the screenplay was also a milestone of the worst of worst Chinese screenplay writers who got the incurable brain damage from reading too many absurd comic books and playing too many ridiculous video games. viewers who praised this movie as an epic masterpiece should also have their heads thoroughly checked, but i doubt MRI could find how their brains were damaged since those comic books and video games are like untraceable virus. this movie also proved that the failure of the Chinese education system which only created copycatting self-claimed geniuses like guys eating too much American junk food after endless garbage-in, garbage-out digestion. all kinds of crap to these people are like most tasteful cuisines.

oh my god, what a mess of this movie has created. i don't even have appropriate words to describe how disgusting this movie is. i always wonder why those rich people would invest money on such pure garbage. by ridiculing one of the legendary Chinese martial arts masters is on the par of the Chinese communist party who claimed itself was the sole party fighting the Japanese invasion. this movie is so disgusting that i don't even know how to review it with proper words. god forgive me.

The boy Yang Lu Chan (Jayden Yuan) was born with a little fleshy horn on his forehead and is called The Freak and is humiliated and rejected by the other boys in his village. However, when the horn is touched, he turns into an eminent kung fu warrior. When his beloved mother dies, he follows his Master Lao Zhao (Hark-On Fung) that is the leader of the Divine Truth army that fights the emperor army. However, every time that Yang fight, his horn gets darker and Master Dong (Siu-Lung Leung) tells that if it gets black, he will die. When the emperor army attacks the Divine Truth, Dong is deadly injured and he advises Yang to travel to the Chen Village to seek out Master Chen Chang Xing (Tony Leung Ka Fai) and learn the martial art Tai Chi that would provide energy to him to survive. However, the Master Chen is in a retreat and the Chen villagers refuse to teach the technique to outsiders. Yang meets Chen's daughter Chen Yu Niang (Angelababy) and she successively beats up on him trying to force Yang to give up. But a laborer suggests Yang to learn the Tai Chi movements while she beats him.

Meanwhile, Yu Niang's former boyfriend Fang Zi Jing (Eddie Peng), who was born in the village but has studied in Europe, returns to Chen Village expecting to convince the locals to allow building a railroad across their land. His proposal is rejected and he returns with the railroad representative Claire Heathrow (Mandy Lieu) in a lethal machine with British soldiers to destroy the Chen Village. Yang believes that if he becomes a hero saving the village, the locals will teach him Tai Chi.

"Tai Chi 0" is a funny adventure that uses the ancient Chinese tradition in the format of a video game. The good thing is that despite the difference of cultures, the story is highly entertaining and is worthwhile watching this movie. The bad thing is that the movie is to be continued. My vote is seven.

Title (Brazil): "O Mestre da Guerra" ("The Master of the War")

China is changing. Because film is a major force for shaping the national character, among the most interesting things these days, is watching the Chinese scramble to reinvent (post Mao) who they are and how they fit in the modern world.

Their newly-emerging documentary school chronicling the industrial rise of China is one aspect of this, and seems to have produced some pretty good pieces.

Their tried and tested practice though, meant both for internal consumption and abroad, is manufactured postcards of harmony (moral, spiritual), usually anchored in fabled history, usually in martial arts.

We saw that with the faddish promotion of qigong in the 90's, the Wong Fei Hung films and Zhang's Hero. We saw it again a few years ago with Yip Man. This juvenile mishmash is a tai chi showreel for the twitter generation reared on blockbuster steroids.

It is another 'origins' story of martial arts, that of Yang-style taijichuan. And because the filmmaker probably felt that to his teenage audience the mid-1800's would seem like forever ago, he goes crazy on myth and movie nonsense, but careful not to upset state officials.

This leads to a pretty boneheaded product. Once more, Chinese 'purity' is contrasted with encroaching Western civilization. Westerners standing in for capitalism and technology are portrayed as evil and corrupting, while the actual film is made by copying what is currently trending in the capitalist blockbuster market.

The steampunk revisionism of a huge metallic beast threatening the old way of life is from Wild Wild West. The notion of a small community where everyone is a martial arts expert is from Kung Fu Hustle (and of course the story of Chen Jia Gou). The obvious video game humor is from Scott Pilgrim. The wire-fu is Sammo Hung's and a longtime staple of cinematic wushu via HK. The speed-ramps of the opening battle are from 300, with other perspectives borrowed from Scott and recent John Woo.

This is all echoed inside the film as the young boxer learning taijichuan by imitating the moves.

As someone who practices in the Yang-style, I advise you to steer clear of this. It has no sincerity or soul. What is of some interest, is noting the irony of this film in the current climate of aggressively expansive Chinese capitalism. Or how the Kung Fu Panda franchise is widely celebrated there.

Meanwhile, Chinese martial arts have gone from their original mix and match roots of outlaw boxing, to collective standardization in the communist years, to government-promoted sport, to exhibition and health therapy. Having proved inadequate in the modern mixed martial arts world, the current move is away from the forced harmony of (usually fabricated) tradition and towards the practical cross-training system of sanda/sanshou, which in turn emulates several foreign styles.