Housefull 2

Rotten tomatoes would had been a better option than Housefull 2.

If Housefull was crap then Housefull 2 is a crap train.

Its full of isolated non sense stuff that transcends the requirement of a filmmaking.

Nowadays producers know a secret formula....Skinshow and India's ever increasing population. They know that India is such as place where there would never be any investment for hockey fields bu rather a whole lot of money will be thrown away to set up multiplexes to welcome movies like Houseful 2 & Players.

Even though its way short of everything except non sense India is that country who would even stampede in order to run to theaters and get an early seat to watch these movies.

I would go for N/10 - Non Sense

Sajid Khan's new venture Housefull 2,a sequel to 2010's Housefull may not be a laugh-riot but seriously,is better than its prequel.

Housefull 2 had the potential to be a laugh-riot movie but fails!It just entertains!

Story:-

Housefull 2 tells the story of four fathers Daboo,Chintu,JD and Batook (Randhir Kapoor, Rishi Kapoor, Mithun Chakraborty, Boman Irani) respectively,their four daughters Heena,Bobby,Parul and JLo (Asin, Jacqueline Fernandez, Shazahn Padamsee, Zarine Khan)respectively and four prospective sons-in-law Sunny,Max,Jwala and Jai (Akshay Kumar, John Abraham, Riteish Deshmukh, Shreyas Talpade)respectively. Each father wants his daughter to marry the richest son-in-law. Each daughter thinks she is marrying the richest son-in-law. Each son-in-law is pretending to be the richest son-in-law. However, none of these people can stand each other and all of them are under one roof, in one house.As they enter the house, a catchy title 'Jolly' gets attached to their name and thanks to a confusion, the four fathers begin to think all four sons-in-law are named Jolly. The confusion only gets bigger… The film's first-half offers too many jokes,but most of them fall flat.The python and crocodile scene might tickle your funny bone at the start but gets tedious later on.Ditto for the scene when Akshay Kumar is introduced.

The film's second hour is the real gem.It offers so many laughs but still fails to impact the Laugh Out Loud factor.Be it the scene when each father-in law takes their son-in-law to JD's house or even the climax.

The direction is average.

The screenplay is half-baked.

The dialogs are okay.

The editors could have trimmed the movie making it short and sweet rather than long and tedious.

The music is fine.

The cinematography is good.The locales of London have been captured well.

Performances:- Out of the four males,Akshay Kumar is excellent.Followed by John Abraham who is fine.Ritesh Deshmukh is good.Shreyas Talpade's character may not have got enough length but still registers an impact.

The four females,Asin,Jacqueline,Zarine Khan and Shazahn Padamsee do not get much meaty role but do make a good job.

Out of the four fathers,Rishi Kapoor,Mithun Chakraborty and Randhir Kapoor stand out.Rishi and Randhir are cute,while Mithun Chakraborty is excellent.Boman Irani is funny but gets less screen space.

Johny Lever and Chunky Pandey as Aakhiri Pasta are truly tremendous.They rock the show!Ranjeet shines in a cameo.Malaika Arora sizzles.Vindu Dara Singh is wasted.

All in all,Housefull 2 may not be a laugh riot-but does entertain.I am giving it a generous six on ten.Watch if you must otherwise wait for the television premier!

If I may provide an observation from the outside, it seems that some of the best Indian comedies that do well at the box office involve a certain degree of deceit, at least those based on identities where people pretend to be someone else they're not, and involving shenanigans that the characters try to keep from one another, with allies and adversaries either into the same scheme, or trying to uncover the truth from the complex web of lies spun, leading to comedy of wit, and loaded with slapstick. The first Housefull was a riot, but I guess when you try to pack a house with more characters, it reaches breaking point and disintegrates instead of bringing it up to a while new level.

Given that this is not a direct sequel to the first film, where Akshay Kumar was playing a Loser, such a Loser, only the ideas and key moments got repeated here in trying to establish and repeat a formula of success, which if this film proves to be successful at the box office, is sure to be used again for yet another film. And this involves comedy revolving around one identity which everyone impersonates to deceive characters in their respective arcs, especially the father and family figures, in order to earn the hand of the girl they so desire, and having everything come together in a big mansion which provides plenty of opportunity for opinions to clash, and to be avoided.

In essence, there are four pairs of lovebirds now, who mostly start off as adversaries only for make pretend turning into something real, and that took almost the entire first half of the film to plod through before the interval, jet setting between London and a beach resort that provides for plenty of swimwear modelling moments, and a number of ridiculously crafted wire-fu action sequences, coupled with the most absurd cases of courtship rituals. But I guess all these play into what's known as the equivalent of Hong Kong's mo-lei-tau brand of fun. So if you enjoy such madcap moments, including rubber animals being passed off as the real McCoy, then surely you won't be bored here.

Otherwise, the second half kicks things into gear. centered around Jai (Shreyas Talpade) and his revenge against Daboo (Randhir Kapoor) who had insulted his family honour. Daboo is in turn loggerheads with his step brother Chintu (Rishi Kapoor), and both of them create another rivalry to see whose daughter can marry the scion of the richest man in London, Jolly (Ritesh Desmukh), who happens to be Jai's friend. So they enlist the help of confidence trickster and small time pickpocket Sunny (Akshay Kumar) and Max (John Abraham) to go after the two men's daughters Henna (Asin Thottumkal) and Bobby (Jacqueline Fernandez), while at the same time Jai and Jolly have their individual women challenges in Parul (Shazahn Padamsee) and JLo (Zarine Khan) respectively, the former being strung around because of Jai's indecision, while the latter setting an ultimatum to become Mrs Jolly, only because Jolly has father-issues and cannot bring himself to communicate with his dad, Forbe's man of the year JD (Mthun Chakraborty).

Throw in another dad in Parul's with Boman Irani in the role of Batook Patel, a one time police inspector who shares a history with JD, put them all together in JD's sprawling mansion, and with all the four guys pretending to be Jolly one time or another in their respective arcs, you would hope for a lot of comedy to spring up, which they sometimes do thanks to Johnny Lever as JD's butler Vishwas Patil, the only one who suspects a rat amongst the shenanigans. The fun was of course witnessing the web of confusion spun by Akshay Kumar 's Sunny - who again is unfortunately memorable for his crazy sticking-of-the-tongue-out gesture - and how those in the know continue to pull wool around the eyes of the father figures. But alas this dragged on for far too long, and had a resolution that's of the most convenient.

Compared to the first Housefull, this edition seemed like it wanted to play catch up, and if the predecessor can do something, so can it. With the Queen's appearance in the first, this one followed up with a Prince Charles lookalike who didn't look a like, finding opportunity to pull a fast one with a random Camilla joke. The initial rivalry between Akshay Kumar and John Abraham's characters also seemed like a pale shadow to what's already seen and experienced in their most recent collaboration in Desi Boyz, so to dedicate significant screen time for this was like watching that film all over again. The songs also weren't as fun as its predecessor, save for Papa Toh Band Bajaye which was accused of ripping off We Speak No Americano, and the ultra sexy Right Now Now where you have three couples frolicking in the mansion to the disbelief of Vishwas since they're all romancing, in his opinion, the wrong partners.

If only the set up took the more direct route and trimmed itself down rather than to bloat it through a lot of unnecessary bickering and out of this world romancing, because the second half, except the finale, was the highlight. As mentioned, I still have to figure out Bollywood comedies which I suspect could have a lot more dialogues being lost in translation, but still this failed to reach the heights and level of fun set in the original. Still, if this does well at the box office, there could be yet another installment utilizing the same formula, and it remains to be seen then if another set of cast can work the spirit of the original rather than try to be a clone.

I was waiting for this movie for long and movie didn't fully disappoint me. This is an average movie but dialogs are good. One more thing you can see the movie with full family. There is no vulgarer scene in the movie. Charactores are many four heros, four heroines and there four fathers. But still Sajid directed it so well that it didn't seems overloaded. point to Sajid for that. Songs are great and sexy must watch. If we talk about acting then every actor got a small part of the movie. so there was not much of acting shown scene for most of them. But Akshay has done the same with his old movies typical Akshay comedy. Asin is good but same no bid work for her in the movie. Shazahn Padamsee is looking hot in the song. Story is not there as this is only to put all characters in one film. so they make adjustment. then some new character came and again some adjustment and so on........ But this is the movie you can watch you will not be bored with the movie. full movie is full of comedy not the best but in some place it is good. So enjoy the movie.

I've always seen Sajid Khan shout out in interviews that he does not make movies for critics. I respect that. I feel every fimmaker should make a film that pleases them and the audience and not for reviews. However, that does not mean they should take their audience for granted. Sajid does just that in this flick. I wasn't a huge fan of Housefull but still I found it enjoyable. I walked in the theaters expecting just a normal entertainer and what I get from this film is a lot of unanswered question.

Why exactly do the Kapoors even hate eachtother? How is that Akki-John, Asin-Jaquelin become friends again that quick? How do people not know Mithun's past despite him being one of the riches people of the UK? And that too in this high technology wikipedia-google age? Why does John continue trying to con Randhir Kapoor if he wasn't the one they were suppose to con?

The story is intended to confuse the viewer. That is okay but it's very flawed.

Mithun all the sudden turning into a goon again is ridiculous! I mean, are we idiots?

I feel Sajid needs to go past these done to death identity confusion movies. David Dhawan and Priyadarshan have mastered this. I do feel Sajid is better than this. He showed that in his first film Heyy Babby.

Writing is weak. Music is alright. Papa toh band bajaye is good.

His direction is good but needs work on script. Dialogue is first rate, however. A lot of questions come and go unanswered. That is the writing at fault. Sajid needs to do films with a plot instead of this crap. Heyy Babby still remains his best film.

Akshay Kumar is good. Still, his comedy is just not the same anymore. John is good. Ritesh is alrite. Shreyas is okay.

Randhir, Rishi and Mithun are great actors and do their job but needed better roles.

Asin is wasted. Rest are okay.

Overall - A disappointment that is a decent pass time but still is the worst of Sajid's films.