IMDb-BEWERTUNG
6,4/10
12.225
IHRE BEWERTUNG
Als sein Ehemann unerwartet stirbt, gerät Marcs Welt aus den Fugen. Er und seine beiden besten Freunde begeben sich auf eine Reise nach Paris, die ihnen einige harte Wahrheiten offenbart, de... Alles lesenAls sein Ehemann unerwartet stirbt, gerät Marcs Welt aus den Fugen. Er und seine beiden besten Freunde begeben sich auf eine Reise nach Paris, die ihnen einige harte Wahrheiten offenbart, denen sie sich stellen müssen.Als sein Ehemann unerwartet stirbt, gerät Marcs Welt aus den Fugen. Er und seine beiden besten Freunde begeben sich auf eine Reise nach Paris, die ihnen einige harte Wahrheiten offenbart, denen sie sich stellen müssen.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
Zoé Bruneau
- Co-Worker
- (as Zoe Bruneau)
Empfohlene Bewertungen
In Good Grief, Dan Levy creates a morose take on the rom-com, dealing head-on with the different ways grief affects people. The idea is strong in that it's different, and maybe even innovative, to try to place grief at the center of a film like this--but it would have taken a more deft hand and a little more digging to make this work. I think Levy might have served himself better had he chosen someone else to play the lead. Then he could have given that actor more challenging scenes to work with, maybe even had him struggle with sorrow and loss. Instead, the film comes off as the story of a pampered man who seems to lack depth. There needed to be more of an idea than: three friends go to Paris with what seems like an endless expense account to shake off the blues.
Passion is the yin to grief's yang--and this film lacks passion. We sense no real sparks between Levy and Evans early in the film, and even less when he mets the French Theo in Paris. When we see two actors kissing passionately, we need to feel the heat, feel that they can barely control themselves in the moment. Levy does not seem up to it and that affects the whole film. His sadness is more like that of a person who didn't get the table he wanted in a tony restaurant.
There was a better film hiding in here.
Passion is the yin to grief's yang--and this film lacks passion. We sense no real sparks between Levy and Evans early in the film, and even less when he mets the French Theo in Paris. When we see two actors kissing passionately, we need to feel the heat, feel that they can barely control themselves in the moment. Levy does not seem up to it and that affects the whole film. His sadness is more like that of a person who didn't get the table he wanted in a tony restaurant.
There was a better film hiding in here.
Beautifully filmed in London and Paris. Excellent cinematography and set decoration. And just the right pacing of motion and lighting by first time movie direction from Daniel Levy, who also wrote, produced and stars in his unique story of love, loss, sadness and friendship. Its so refreshing to see a story of queer love without seeing guys just ripping off their shirts for one night stands. Not much happiness is found here, but that's what makes this so true to life. I highly recommend watching this on Netflix and look forward to seeing what's next from Daniel Levy. Don't watch this looking for comparison to Shitts Creek, it's about 180° opposite.
The directing is quite good, image and general aesthetic are qualitative, acting decent, the dialogues bring at time some sort of accuracy; I liked the promise behind the synopsis and what the letter brings.
However it doesn't deliver properly, I have not been fully satisfied with any of the aspects of the development, of the characters. Even though it sometimes felt right, the whole thing was a bit tasteless, seen before and didn't drag me into the story.
It's as shame, as many ingredients were there to make a good movie, but it is just average and a bit cringy at times. I liked that the romance was treated as a normal romance rather than gay stereotypes, but I would have enjoyed a better development. The secondary characters aren't especially likable, and some moments or conversations just didn't felt right.
I don't know if it should have been spiced up a bit or just more focused but the result wasn't pleasant enough to want me to watch it again sometimes. I like movies about grief and overcoming it, but they should also uplift and bring some more feel-good to finish it with satisfaction.
However it doesn't deliver properly, I have not been fully satisfied with any of the aspects of the development, of the characters. Even though it sometimes felt right, the whole thing was a bit tasteless, seen before and didn't drag me into the story.
It's as shame, as many ingredients were there to make a good movie, but it is just average and a bit cringy at times. I liked that the romance was treated as a normal romance rather than gay stereotypes, but I would have enjoyed a better development. The secondary characters aren't especially likable, and some moments or conversations just didn't felt right.
I don't know if it should have been spiced up a bit or just more focused but the result wasn't pleasant enough to want me to watch it again sometimes. I like movies about grief and overcoming it, but they should also uplift and bring some more feel-good to finish it with satisfaction.
Have you ever experienced the loss of your partner in your life? Have you tried to find fault with others in order to better cope with the situation? How much did your friends help you get through this stage in your life, and how important were they to you during this time? Is there a time frame for how long a person should grieve a loss? These are the questions you will ask yourself while watching Good Grief. Dan Levy's directorial debut, in which he has put a significant part of his story, is an unorthodox romantic drama that touches closely on the themes of love, grief, forgiveness, reconciliation and new beginnings.
Definitely fits into the underwhelming category based on the well known writing capability of Dan Levy. I liked the concept, but don't think it delivered. The opening segment was anticlimactic and didn't illicit the expected empathy, it was almost like "okay... now what". And the now what, was three self obsessed people pretending to be friends and having mostly meaningless conversations. The characters were all for the most part unlikeable, and therefore it didn't matter to me if they got "happy endings" and dealt with their hangups. Overall, okay, no depth to characters or story. I feel no need to ever watch again.
Wusstest du schon
- WissenswertesAll of the portraits in the film are the work of Levy's fellow Toronto native Kris Knight.
- SoundtracksSleigh Ride
Written by Leroy Anderson and Mitchell Parish
Performed by Ella Fitzgerald
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Despertar del duelo
- Drehorte
- The Musee de l'Orangerie, Paris, Frankreich(Monet Waterlilies scene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix
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