Ein komödiantischer Blick auf die Beziehung zwischen einem wohlhabenden querschnittsgelähmten Mann und einem Arbeitslosen mit Vorstrafen, der eingestellt wurde, um ihm zu helfen.Ein komödiantischer Blick auf die Beziehung zwischen einem wohlhabenden querschnittsgelähmten Mann und einem Arbeitslosen mit Vorstrafen, der eingestellt wurde, um ihm zu helfen.Ein komödiantischer Blick auf die Beziehung zwischen einem wohlhabenden querschnittsgelähmten Mann und einem Arbeitslosen mit Vorstrafen, der eingestellt wurde, um ihm zu helfen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Gewinne & 3 Nominierungen insgesamt
Kimberly S. Fairbanks
- Parole Officer
- (as Kimberly Fairbanks)
Rachel Alana Handler
- Data Processing Supervisor
- (as Rachel Handler)
Empfohlene Bewertungen
"Some people are walking around with full use of their bodies and they're more paralyzed than I am." Christopher Reeve
The Upside is a potentially sappy setup adapted from the highly-successful French film Les Intouchables. Dell (Kevin Hart) is a black ex-con in need of work. Phillip (Bryan Cranston) is a wealthy author and investor become quadriplegic from a foolish paragliding incident who needs help.
In the film's unavoidable cliché, black man becomes white man's assistant, and the two bond through their differences. While sharing with each other Figaro and Aretha, they become happy buds who easily bridge the considerable racial and economic gulfs.
What makes this comedy work is the obvious respect between the leads and a sincerity about the need to appropriate other cultures for the bounty they offer in different perspectives and temperaments. Hart has never been better playing a smart street guy from The Bronx; Cranston is magnetic with the simple use of his face, a great one that deserves all the closeups director Neil Burger can offer.
Although the stereotypical differences between the two characters could have led to outrageous melodrama, as in the recent Green Book, the filmmakers are more interested in the reality of a rich man being moved by an ex-con, and an underprivileged underachiever finding dignity and prosperity in a world never meant to be his.
The lyrical moments like getting high on weed and watching opera for the first time earn our admiration rather than scorn for formula worshiping. As always, the leads take the lead in taking us to realistic challenges that race and wealth usually move us to whether we are ready or not.
Don't be afraid of stereotypes and clichés. The setups are acceptable because the film sees the humanity rolling on the screen in the form of a wheelchair and into our hearts with endearing characters. Be prepared to have a few pleasant tears during 2019's best comedy so far!
The Upside is a potentially sappy setup adapted from the highly-successful French film Les Intouchables. Dell (Kevin Hart) is a black ex-con in need of work. Phillip (Bryan Cranston) is a wealthy author and investor become quadriplegic from a foolish paragliding incident who needs help.
In the film's unavoidable cliché, black man becomes white man's assistant, and the two bond through their differences. While sharing with each other Figaro and Aretha, they become happy buds who easily bridge the considerable racial and economic gulfs.
What makes this comedy work is the obvious respect between the leads and a sincerity about the need to appropriate other cultures for the bounty they offer in different perspectives and temperaments. Hart has never been better playing a smart street guy from The Bronx; Cranston is magnetic with the simple use of his face, a great one that deserves all the closeups director Neil Burger can offer.
Although the stereotypical differences between the two characters could have led to outrageous melodrama, as in the recent Green Book, the filmmakers are more interested in the reality of a rich man being moved by an ex-con, and an underprivileged underachiever finding dignity and prosperity in a world never meant to be his.
The lyrical moments like getting high on weed and watching opera for the first time earn our admiration rather than scorn for formula worshiping. As always, the leads take the lead in taking us to realistic challenges that race and wealth usually move us to whether we are ready or not.
Don't be afraid of stereotypes and clichés. The setups are acceptable because the film sees the humanity rolling on the screen in the form of a wheelchair and into our hearts with endearing characters. Be prepared to have a few pleasant tears during 2019's best comedy so far!
Remakes happen, as well as re-imaginings. However they make sense when a director/writer have something more to add to the story, especially as beautiful as this one in a French original. Here we got a back to back copy of a quite recent movie. A movie, that was a huge international hit, and is well known outside of the USA, so a so recent remakwe, ekhm, copy, is the more baffling. This is not the case of The Lion King, which was inspired by an obscure Japanese cartoon, and a wider audience got a chance to known the story. THe original made over 400 millions of dollars worldwide...
Are Americans so afraid of subtitles, that they have to make their own versions of movies?
I virtually never write a review on IMDb but I have to say something... I'm not sure what's up with negative reviews. Even if you liked the original better, don't be stupid and use that as an excuse to pan this movie. I've never seen the original so I'm not biased. This was a good movie!!
Just saw this at the DENVER Film Festival. Ignore the critics. The leads had excellent chemistry and the film was well paced. Hey folks- this is based on a true story forget the PC police and their BS comments.. I enjoyed the original French film but this one stands on its own. Very enjoyable film.
This was unnecessary remake . Performances by Cranston and Hart were are solid. The film has some touching moments . It is a bit long and does drag on a bit at times .
Wusstest du schon
- WissenswertesThis is a remake of the French film Ziemlich beste Freunde (2011). In Germany and The Netherlands, it was the most successful French film in history. The same story has also been filmed as the Argentinian film Inseparables (2016).
- PatzerWhen Dell attempts to insert the catheter into Philip, he is shown holding a large rubber tube. The tube is too large and floppy to be inserted. A real catheter is much smaller and more rigid.
- Zitate
Dell Scott: You can have any girl you want, man. You rich and you available. What about this lady right here with all the botox? Y'all be perfect for each other. You can't move your body, she can't move her face.
- Crazy CreditsIn the disclaimer at the end, where it reads, "Names Used Herein Are Fictitious," the word "Fictitious" is misspelled "Fictitcious."
- VerbindungenFeatured in WatchMojo: Top 10 Worst Movies of 2019 (So Far) (2019)
- SoundtracksDon Giovanni K. 527 Scena Ultima: Qual Strepito è Questo... (Lanterna, Maturina, Donna Elvira, Donna Ximena, Duca Ottavio, Pasquariello)
Written by Giuseppe Gazzaniga
Performed by Tafelmusik Baroque Orchestra (as Tafelmusik); Bruno Weil, conductor
Courtesy of Sony Classical
By arrangement with Sony Music Licensing
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Amigos por siempre
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 37.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 108.252.517 $
- Eröffnungswochenende in den USA und in Kanada
- 20.355.000 $
- 13. Jan. 2019
- Weltweiter Bruttoertrag
- 125.856.180 $
- Laufzeit
- 2 Std. 6 Min.(126 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen