Irenas Geheimnis

I've seen a lot of WW II movies. I've never seen one quite like this. "Irena's Vow" is the story of a real person, Irena Gut, a teenager when WW II began. She was a virgin, from a loving, well to do family. The war began, and she was gang raped, beaten, and left for dead by Red Army soldiers, famous for their rapes across Europe.

Nazis murdered her father. Her family split up She was alone and desperate. She never gave in to self pity, but dedicated herself to saving Jews from extermination. Her self sacrifice, her courage, and her ingenuity put the rest of us to shame. Holy Cow, what a woman.

Sophie Nelisse is almost supernatural in her ability to inhabit the young Irena Gut -- the real Irena's daughter said as much. Nelisse has said that she is not a Method actor, and she was able to shake off the difficulties of the part as soon as she heard "Cut." That's amazing.

I strongly recommend this film. Again, I can't thnk of anything else quite like it.

Greetings again from the darkness. This is based on the true story of Irena Gut Opdyke who, during WWII, vowed "If I could save a life, I would." Directed by Louise Archambault, it has been adapted for the screen by Dan Gordon, who was the playwright for the hit Broadway play. Cinema has been utilized many times over the years to shine a light on so many who acted altruistically in protecting Jews from the Nazis. Some of these heroes saved one life, while others saved hundreds. The courage of these folks deserves to be remembered.

The film begins in 1939 as Germany invades Warsaw. A bomb drops on the hospital where Irena (Sophie Nelisse) is working. She is Polish, not Jewish, so she is sent to work in a munitions factory. Her features get her recognized by senior German officer Rugmer (Dougray Scott, MY WEEK WITH MARILYN, 2011) who reassigns her to a supervisory role over Jews working in a hotel laundry. When Rugmer reassigns her again, this time to his personal villa as housekeeper, she learns the Jews in the laundry will be sent to a concentration camp.

We are fascinated by Irena's work to rescue and then hide these twelve people ... and she does so literally under the feet of Rugmer. Obviously, this puts herself and the hidden Jews in danger, but also Rugmer, who would surely be shot were they discovered in his home. Humor is scarce here. In fact, one of the most horrific scenes you'll ever view in a movie occurs. It's a devastating moment and one that won't soon be exorcised from my mind. In a rare display of levity, Irena befriends an elderly servant named Schultz (Andrzej Seweryn, SCHINDLER'S LIST, 1993) whose advice to her is to keep a low profile and 'know nothing'. Fans of the old "Hogan's Heroes" series will appreciate the connection.

The current issue of antisemitism gives this one a bit of contemporary feel, as does the abortion discussion amongst those hiding. At first, we can't help but wonder if this was for dramatic effect, although the answer becomes quite clear over the end credits. Sophie Nelisse was exceptional in THE BOOK THIEF, and she is terrific here as well, playing Irena Gut Opdyke who much later in life was honored with Righteous Among the Nations ... after being imprisoned for supporting Nazis. The epilogue spells out much of what happened, and all of it leaves us with the utmost respect for this quietly courageous woman.

A Fathom Events presentation on April 15 and April 16, 2024.

I fully confess to doing a poor job of keeping up with current film releases over the past several years, as my knowledge has mostly been ad hoc, based on what's showing up on my streaming services. I'd heard nothing of this film until seeing it on the carte on Showtime a couple of nights ago, knew almost the same about any of the parties involved. I also rarely write notes on IMDB but am drawn in this instance in light of the undeservedly mediocre overall score, skewed by one review which seems ridiculous in all regards to me. So, onto the film itself. As others have noted, the acting and production values can be uneven, but what a story! There's more than a bit of Schindler's List here, but this is even more extraordinary, with the protagonist having anything but a privileged position. Other have recapped the plot well; I won't do that here, but as impressive this is as a yarn, what's more so is the moral complexity and humanity of almost all of the characters, even the Germans, and the gimlet eyed vision of the filmmaker that, although they're not the primary bad guys here, the Soviets have almost as much to answer for as the Nazis for their actions during this time, very much putting the lie to the "Good Fight" misnomer (as so many other things, entirely unrelated to this film, like Japanese-American internment, our bombing of civilian populations in Germany and Japan, indifference to the plight of European Jews, etc., etc, do too). I'm often moved by great cinema, but I must admit getting a bit more than teary watching the follow up stories of the real life characters which roll during the final credits (don't miss this!). This nets out for me somewhere between an 8 and a 9, but it gets the benefit of the doubt for the greatness of the story and the need to bump up the collective score here. I note that, while this movie isn't Polish, it's set there, making for a duo of two of the best films of the past years I've seen along with "Forgotten Love". Highly recommended.

Irena's Vow

Other than beating the tar out of Nazis, the other kind of WWII movies I enjoy are the ones that feature the unsung heroes that were able to rescue small groups of Jewish people. Irena's Vow features Irena Gut, a Polish woman forced into service by the occupying Germans in the city of Tarnopol (now in the Ukraine as Ternopol).

While working for Major Rügemer, she is assigned to supervise the laundry, and then as the housekeeper for his villa, seized from a Polish family. When she saw that all the people in the laundry were to be executed as part of Hitler's plan, she schemes to hide them in the very house that the Major now occupies.

If this wasn't a true story, I wouldn't have believed a word of this. It was so poorly acted, I felt like I was watching a modern film with costumes, instead of a film to transport us back in time to the mad era of Nazi insanity.

It becomes quite clear, sort of, early on that Rügemer has a thing for Irena, but it catapults forward when he discovers that there are Jews hiding in his home. The speed and transformation of superior to inferior to Polish lover was so fast, it just didn't make sense in the narrative.

Sophie Nélisse, as Irena, did a great job of emoting the compassion, the panic, the fear, the horror and the bravery all needed to survive. After witnessing a child get murdered on the street by yet another disgraceful "German", she really dove into her risky plan to save as many Jews as she could.

I wanted to love this due to the bravery in the depths of despair, but it wasn't completely well done. I don't know, nor can I put my finger on it, but I felt it could have been done better. I'm just glad it really happened and the people went on to live full lives. The notes in the credits were really sweet.

The street scenes for this were filmed in Lublin old town 4 kilometres from Majdanek concentration camp where my wife's grandmother (Adela) was held as a prisoner for 18 months.

Adela was a nurse in the Polish secret army and was caring for a Polish soldier who was injured when the Gestapo arrived one day in her hometown of Kurów and went to her house and shot the soldier and arrested her.

She was taken to Lublin Gestapo headquarters and tortured for two weeks including being raped multiple times and they broke all of her fingers and her jaw and many of her ribs and was then sent to Majdanek concentration camp.

She died three years ago and after the church service we saw a strange man talking to my father-in-law and after a few mins, we saw that they were both crying and hugging each other.

It turns out that he came from the same town of Kurów and in the war he was very sick and the only available medicine was from the Germans and his mother made the desperate decision to trade the information on Adela for medicine for her son.

Grandmother Adela never spoke about how she was deceived until her death as she knew that the son, his mother and all of her family would be called traitors and could face massive problems in their lives.

She only mentioned the camp a few times in her life as it was too traumatic to speak about, but the times she did speak about it was about the disgusting things the Germans did to the Jews rather reminiscent of the street scene in this film where one German woman guard smashed a baby's head on the floor because it was crying too loud.

I try to understand the hatred between nations of modern times but Grandmother Adela taught us that the hatred should be directed towards the leaders of such terrible conflicts, not the people.

I was proud to name my daughter after her.