IMDb-BEWERTUNG
6,6/10
4540
IHRE BEWERTUNG
Als Abel erfährt, dass seine Mutter im Begriff ist, einen Mann aus dem Gefängnis zu heiraten, flippt er aus. Mit Hilfe seiner besten Freundin Clémence will er alles tun, um sie zu beschützen... Alles lesenAls Abel erfährt, dass seine Mutter im Begriff ist, einen Mann aus dem Gefängnis zu heiraten, flippt er aus. Mit Hilfe seiner besten Freundin Clémence will er alles tun, um sie zu beschützen.Als Abel erfährt, dass seine Mutter im Begriff ist, einen Mann aus dem Gefängnis zu heiraten, flippt er aus. Mit Hilfe seiner besten Freundin Clémence will er alles tun, um sie zu beschützen.
- Auszeichnungen
- 4 Gewinne & 16 Nominierungen insgesamt
Véronique Kapoyan
- Une invitée à l'inauguration du magasin de fleurs
- (as Véronique Kapoian Favel)
Empfohlene Bewertungen
An excellent crime comedy with elements of drama, which keeps the viewer's attention throughout the movie. It is interesting to watch how the relationships of different characters develop and what it all leads to.
This movie is quite funny and at the same time serious. It skillfully mixes these parts and it turns out pretty seamlessly. I also liked the romantic and criminal parts. It all comes together into one plot as well. What's interesting is that all these genres appear in the right places.
With good music in context and some pretty good acting, I have faith in this movie. It's really not bad at all.
This movie is quite funny and at the same time serious. It skillfully mixes these parts and it turns out pretty seamlessly. I also liked the romantic and criminal parts. It all comes together into one plot as well. What's interesting is that all these genres appear in the right places.
With good music in context and some pretty good acting, I have faith in this movie. It's really not bad at all.
Even though the movie is rated as a comedy, 90% of it is drama, with only 2-3 scences with medium laugh. The action is surrounding the main character Abel, through the life of his newly married mother with an ex prisoner.
There are a few scenes that showcase love and appreciation, especially between elder people, which I find great because not a lot of movies are doing that.
The only funny character was Clemence, which is a secundary character with not a lot of screen time, but she ends up an important part in the plot.
I was expecting a lot more funny scences, as I had great experiences with some French movies, but even the music and the way it was filmed reminded me of a drama waiting to happen.
There are a few scenes that showcase love and appreciation, especially between elder people, which I find great because not a lot of movies are doing that.
The only funny character was Clemence, which is a secundary character with not a lot of screen time, but she ends up an important part in the plot.
I was expecting a lot more funny scences, as I had great experiences with some French movies, but even the music and the way it was filmed reminded me of a drama waiting to happen.
I've never seen any of the movies Louis Garrel has directed but I think he is a competent actor in every movie I've seen him in. I finally watched one of his movies as a director and it was really good.
"The Innocent" succeeds at being part funny part emotional. The story is interesting with efficient moments of tension that would make you unable to look away or feel-good moments that could make you smile.
The story is a bag filled with a wide range of emotions but it works mostly due to the actors' solid performances. Noémie Merlant in particular did a great job. She was effortlessly funny, her crying was believable and her character always felt natural. The only other role I've seen from her was Marianne in "Portrait of a Lady on Fire", where she did a good job as well but in this movie it felt like she was held back for a bit. In "The Innocents", she steals the show by delivering the best performance of the movie.
The editing was kind of sloppy at first but it got better as the film progressed. Every actor did a good job, the story is engaging, Noémie Merlant was great, it was well shot, well edited... A very good movie.
"The Innocent" succeeds at being part funny part emotional. The story is interesting with efficient moments of tension that would make you unable to look away or feel-good moments that could make you smile.
The story is a bag filled with a wide range of emotions but it works mostly due to the actors' solid performances. Noémie Merlant in particular did a great job. She was effortlessly funny, her crying was believable and her character always felt natural. The only other role I've seen from her was Marianne in "Portrait of a Lady on Fire", where she did a good job as well but in this movie it felt like she was held back for a bit. In "The Innocents", she steals the show by delivering the best performance of the movie.
The editing was kind of sloppy at first but it got better as the film progressed. Every actor did a good job, the story is engaging, Noémie Merlant was great, it was well shot, well edited... A very good movie.
I like Louis Garrel - he has something about him that I usually find engaging to watch on screen. Here, though, the story is all just a little too far-fetched! He ("Abel") takes his mother "Sylvie" (Anouk Grinberg) to prison where she runs an acting class and where she has hooked up with "Michel" (Roschdy Zem). Now "Abel" is a bit sceptical about his mother marrying an ex-con and soon he and his best mate "Clémence" (Noémie Merlant) and carrying out some fairly clumsy surveillance on the man. "Michel" is no fool though and before we know it, the spying pair are mixed up a plan to pinch a great supply of caviar from a van in a petrol station car park! What ensues here does raise the odd smile and is generally an adequate little drama - but it still tends a little too much to weak slapstick inso far as it's a comedy. It's also a love story and a family drama that is better than soap, but only just - it's like we are watching an incomplete episode in the lives of people that we don't really know - nor get to know, either. Merlant is a breath of fresh air and she gels well with her increasingly hapless pal "Abel" as we head to a denouement with a few twists to keep us guessing. I did quite enjoy it, but it's totally forgettable fayre, sorry.
I read critics lauding this film using superlatives like 'amazing', 'hysterically funny' and 'a delight'. With great hopes we handed over our money and went in. I enjoy French comedies but they have proven to be hit and miss over the years. This one is a big MISS. It's also a mess. The acting was fine, as was the plot, so what was it? I can only put it down to the script, direction and editing, which is pretty much most of how a film is made. Apart from not being even mildly humorous it was just so disjointed. Some scenes made little sense. I do give it points for the scene in the diner. That was quite well made and hinted at a completely other film the director might be more proficient at.
Wusstest du schon
- WissenswertesWriter/director Louis Garrel's mother, Brigitte Sy, worked 20 years in prisons for theater workshops.
- SoundtracksPour le Plaisir
Music by Julien Lepers
Lyrics by Vline Buggy and Arlette Tabart
Performed by Herbert Léonard
(1981)
Top-Auswahl
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- Erscheinungsdatum
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- Offizielle Standorte
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- Auch bekannt als
- The Innocent
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Box Office
- Budget
- 3.660.000 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 34.822 $
- Eröffnungswochenende in den USA und in Kanada
- 12.079 $
- 19. März 2023
- Weltweiter Bruttoertrag
- 5.319.113 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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