Der gnadenlose Konkurrenzkampf zwischen den beiden Formel-1-Rivalen James Hunt und Niki Lauda in den 1970er-Jahren.Der gnadenlose Konkurrenzkampf zwischen den beiden Formel-1-Rivalen James Hunt und Niki Lauda in den 1970er-Jahren.Der gnadenlose Konkurrenzkampf zwischen den beiden Formel-1-Rivalen James Hunt und Niki Lauda in den 1970er-Jahren.
- 1 BAFTA Award gewonnen
- 6 Gewinne & 66 Nominierungen insgesamt
Augusto Dallara
- Enzo Ferrari
- (as Augusto Dall'ara)
Zusammenfassung
Reviewers say 'Rush' is a thrilling film blending intense racing scenes with the personal rivalry of Formula One drivers Niki Lauda and James Hunt. Daniel Brühl's performance as Lauda is highly praised, and the 1970s racing portrayal is realistic. The narrative is engaging, though some note historical inaccuracies. Racing sequences are intense, balancing action and character depth. A few wish for deeper character exploration. Overall, 'Rush' is entertaining and well-crafted, appealing to both racing fans and general audiences.
Empfohlene Bewertungen
I never thought I would ever watch a Ron Howard movie again much less write a good review of one.
Howard hasn't made a movie since "Parenthood" that has not bored me to tears and almost angered me with its pedestrian refusal to take any risks. He's turned into a lesser version of Steven Spielberg -- his films are just as maudlin and emotionally manipulative, but they lack Spielberg's technical panache.
However, the great reviews of "Rush" and the awards attention that swirled briefly around Daniel Bruhl got my butt in the seat for it, and I was surprised by actually liking it. It's a lean, mean telling of the intense rivalry between race car drivers James Hunt and Niki Lauda. You don't need to care much about race car driving (I certainly don't) to enjoy the story, particularly that of Lauda, who overcame a devastating accident to return to the track. Bruhl is as good as everyone said he was at the time, and Chris Hemsworth, as Hunt, is serviceable if nothing special. This is still a Ron Howard film, so don't expect it to push any boundaries, but it's much more technically daring than anything else he's made, the cinematography and editing putting the audience in the driver's seat more than once.
Grade: A-
Howard hasn't made a movie since "Parenthood" that has not bored me to tears and almost angered me with its pedestrian refusal to take any risks. He's turned into a lesser version of Steven Spielberg -- his films are just as maudlin and emotionally manipulative, but they lack Spielberg's technical panache.
However, the great reviews of "Rush" and the awards attention that swirled briefly around Daniel Bruhl got my butt in the seat for it, and I was surprised by actually liking it. It's a lean, mean telling of the intense rivalry between race car drivers James Hunt and Niki Lauda. You don't need to care much about race car driving (I certainly don't) to enjoy the story, particularly that of Lauda, who overcame a devastating accident to return to the track. Bruhl is as good as everyone said he was at the time, and Chris Hemsworth, as Hunt, is serviceable if nothing special. This is still a Ron Howard film, so don't expect it to push any boundaries, but it's much more technically daring than anything else he's made, the cinematography and editing putting the audience in the driver's seat more than once.
Grade: A-
The film is just over 2 hours long, but when it was over it seemed like I had been in the cinema about 30 minutes.
The film centres on the battle for the 1976 Formula 1 World Championship, and the rivalry between the Austrian "professor" Nikki Lauda and the British playboy James Hunt.
The two are depicted as enemies, but in actual fact they were good friends who trusted and respected each other on, as well as off-track. This bit of artistic licence does not spoil the film and is reasonable in order to make the battle between the two for the F1 crown more intense.
The film is nicely paced. We are introduced to both characters through their own narrative and scenes that leave the watcher in no doubt as to their background and philosophy on life.
The two are first seen in competition in 1970 at a Formula 3 race at Crystal Palace (where they have a coming together) and sets the scene for the rivalry throughout the film. I'm not sure if this is further artistic licence. The two definitely did race each other in F3, but I am not convinced as to whether this actual incident occurred.
After that we are given a whistle stop journey between 1973 (when Hunt came into F1) to 1975. We are shown the dangerous nature of F1 at the time with the Francois Cevert accident at Watkins Glen in gory detail – although this does not seem like gratuitous, but necessary to bring home just how unforgiving the sport was back then – and it truly was (of the top 12 points scorers in 1976, F1 cars were to claim 3, 1 ended up in a wheelchair and 1 had his career ended by a leg crunching crash).
We are then taken to 1976 and that titanic struggle for the World Crown. Only one real issue here – the British Grand Prix result, but I suspect this was simplified in the interests of time.
The casting is superb. Chris Hemsworth, an Aussie, does an excellent job on public schoolboy James Hunt, while Daniel Bruhl both sounds and looks frighteningly like the Austrian. There is little room for a supporting cast amongst the drivers which is a shame – only Clay Regazzoni has a part of any real substance. Peterson, Watson, Depailler, Scheckter, Andretti et al could have featured a little more I think. What did their contemporaries think of the two protagonists? The supporting cast is mainly required for Hunt – Lord Hesketh, "Bubbles" Horsley and Teddy Mayer / Tyler Alexander of McLaren, while the Ferrari team principals are rarely seen.
The love angle is perfectly catered for by Olivia Wilde (Hunt's first wife Suzy) and the gorgeous Alexandra Maria Lara - of Downfall fame – as the future Marlene Lauda. Both give quality performances.
The attention to detail is superb. Although the tracks are not the actual ones (for understandable reasons) the cars, the helmets, the sponsors are all authentic. The film "feels" like it's happening in the 70's.
For anyone interested in great personal stories, F1, the 70's, cars or just like to see a great film, then Rush is for you.
The film centres on the battle for the 1976 Formula 1 World Championship, and the rivalry between the Austrian "professor" Nikki Lauda and the British playboy James Hunt.
The two are depicted as enemies, but in actual fact they were good friends who trusted and respected each other on, as well as off-track. This bit of artistic licence does not spoil the film and is reasonable in order to make the battle between the two for the F1 crown more intense.
The film is nicely paced. We are introduced to both characters through their own narrative and scenes that leave the watcher in no doubt as to their background and philosophy on life.
The two are first seen in competition in 1970 at a Formula 3 race at Crystal Palace (where they have a coming together) and sets the scene for the rivalry throughout the film. I'm not sure if this is further artistic licence. The two definitely did race each other in F3, but I am not convinced as to whether this actual incident occurred.
After that we are given a whistle stop journey between 1973 (when Hunt came into F1) to 1975. We are shown the dangerous nature of F1 at the time with the Francois Cevert accident at Watkins Glen in gory detail – although this does not seem like gratuitous, but necessary to bring home just how unforgiving the sport was back then – and it truly was (of the top 12 points scorers in 1976, F1 cars were to claim 3, 1 ended up in a wheelchair and 1 had his career ended by a leg crunching crash).
We are then taken to 1976 and that titanic struggle for the World Crown. Only one real issue here – the British Grand Prix result, but I suspect this was simplified in the interests of time.
The casting is superb. Chris Hemsworth, an Aussie, does an excellent job on public schoolboy James Hunt, while Daniel Bruhl both sounds and looks frighteningly like the Austrian. There is little room for a supporting cast amongst the drivers which is a shame – only Clay Regazzoni has a part of any real substance. Peterson, Watson, Depailler, Scheckter, Andretti et al could have featured a little more I think. What did their contemporaries think of the two protagonists? The supporting cast is mainly required for Hunt – Lord Hesketh, "Bubbles" Horsley and Teddy Mayer / Tyler Alexander of McLaren, while the Ferrari team principals are rarely seen.
The love angle is perfectly catered for by Olivia Wilde (Hunt's first wife Suzy) and the gorgeous Alexandra Maria Lara - of Downfall fame – as the future Marlene Lauda. Both give quality performances.
The attention to detail is superb. Although the tracks are not the actual ones (for understandable reasons) the cars, the helmets, the sponsors are all authentic. The film "feels" like it's happening in the 70's.
For anyone interested in great personal stories, F1, the 70's, cars or just like to see a great film, then Rush is for you.
Mr. Ron Howard is a great story teller, this movie is about human nature, love and tears.
It is difficult to make a good movie about car racing, especially to make one for the time period from 1970 to 1976. I don't know how they did it to bring those old F1 cars back to life. You will feel like you are really there watching the racing, it's really unbelievable.
It is truly touching to see each character played their perfect role for this movie, Chris Hemsworth did a great performance, he is such a talented and devoted actor. Daniel Brühl also did a great job on portraying the eccentric and unsociable legendary F1 driver Niki Lauda.
A great movie is like having a great meal, a good starter, a good soup/salad, a good main course and a good dessert, well balanced. Rush is that good meal, it's a fun ride!
I have to say I really enjoyed watching this movie. Thank you Mr. Ron Howard for making this masterpiece.
It is difficult to make a good movie about car racing, especially to make one for the time period from 1970 to 1976. I don't know how they did it to bring those old F1 cars back to life. You will feel like you are really there watching the racing, it's really unbelievable.
It is truly touching to see each character played their perfect role for this movie, Chris Hemsworth did a great performance, he is such a talented and devoted actor. Daniel Brühl also did a great job on portraying the eccentric and unsociable legendary F1 driver Niki Lauda.
A great movie is like having a great meal, a good starter, a good soup/salad, a good main course and a good dessert, well balanced. Rush is that good meal, it's a fun ride!
I have to say I really enjoyed watching this movie. Thank you Mr. Ron Howard for making this masterpiece.
10bm2759
This is an amazing film. I can't recommend it highly enough for F1 fans like me, sports fans, or anyone interested in a story of rivalry i.e. something different to the unoriginal junk movies which get churned out each year.
All the crew involved should pat themselves on the back. They've done a fabulous job making this film critique, explore and honour two memorable F1 drivers.
James Hunt's fun, party lifestyle along with his brash and raw driving talent. This is contrasted against Niki Lauda's methodical thinking, technical brilliance and professional lifestyle. These two characters are total opposites but as their lives are explored it also acknowledges the value of an enemy, i.e. something to beat. I believe this is a commentary on human nature in that the best of us shines when we have something to beat or overcome.
Do yourself a favour and see it now.
All the crew involved should pat themselves on the back. They've done a fabulous job making this film critique, explore and honour two memorable F1 drivers.
James Hunt's fun, party lifestyle along with his brash and raw driving talent. This is contrasted against Niki Lauda's methodical thinking, technical brilliance and professional lifestyle. These two characters are total opposites but as their lives are explored it also acknowledges the value of an enemy, i.e. something to beat. I believe this is a commentary on human nature in that the best of us shines when we have something to beat or overcome.
Do yourself a favour and see it now.
As a Cineworld Card Holder I was invited to a screening last night of Ron Howards new movie Rush.
Before I start...I am not a F1 fan, but I knew enough of the history of the main protagonists to appreciate the film. The main set pieces of the film set a year before I was born in 1976, so mainly my knowledge was based on my Fathers recollection of the events. I'd seen James Hunt in interviews and recently watched footage with Niki Lauda so got an idea of the characters.
The film is bang on in period, cars fashion and sets the tone excellently, the cinematography is nothing short of breathtaking and the fx are very much in keeping with the period, no ridiculous CGI.
The acting, on the whole is nothing short of miraculous, Hemsworth and Bruhl are fantastic, particularly Hemsworth, who's accent, mannerisms and natural acting was a big surprise. I could see a few awards for this role. I have seen Bruhl in quite a few films and I am always impressed so this just continues the trend. All the support actors are very good in smaller roles.
The film is well paced for 2 hours and quite graphic, particularly a few accident scenes.
Direction: Ron Howard - nice job, I'm not a massive fan and particularly after the da vinci/Angels fiasco's a big return to decent form. The flair was there but played safe (As normal) but let the story and the actors take centre stage.
If you like History in F1, a well documented rivalry and a film that capture this, watch it. It is similar to the excellent Control, Moneyball etc but with a bit of heart.
8 1/2 out of 10
Before I start...I am not a F1 fan, but I knew enough of the history of the main protagonists to appreciate the film. The main set pieces of the film set a year before I was born in 1976, so mainly my knowledge was based on my Fathers recollection of the events. I'd seen James Hunt in interviews and recently watched footage with Niki Lauda so got an idea of the characters.
The film is bang on in period, cars fashion and sets the tone excellently, the cinematography is nothing short of breathtaking and the fx are very much in keeping with the period, no ridiculous CGI.
The acting, on the whole is nothing short of miraculous, Hemsworth and Bruhl are fantastic, particularly Hemsworth, who's accent, mannerisms and natural acting was a big surprise. I could see a few awards for this role. I have seen Bruhl in quite a few films and I am always impressed so this just continues the trend. All the support actors are very good in smaller roles.
The film is well paced for 2 hours and quite graphic, particularly a few accident scenes.
Direction: Ron Howard - nice job, I'm not a massive fan and particularly after the da vinci/Angels fiasco's a big return to decent form. The flair was there but played safe (As normal) but let the story and the actors take centre stage.
If you like History in F1, a well documented rivalry and a film that capture this, watch it. It is similar to the excellent Control, Moneyball etc but with a bit of heart.
8 1/2 out of 10
Wusstest du schon
- WissenswertesWhen Niki Lauda first saw 'Rush' he said "Sh*t! That's really me."
- PatzerThroughout the film Niki Lauda's nationality is shown in the stats abbreviated as AUS - this would be the international code for Australia. Austria's code is AUT.
- Zitate
Niki Lauda: A wise man can learn more from his enemies than a fool from his friends.
- SoundtracksI Hear You Knocking
Performed by Dave Edmunds
Written by David Bartholomew (as Dave Bartholomew) and Earl King
Courtesy of EMI Records Ltd. and Dave Edmunds
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Rush: Pasión y gloria
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 38.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 26.947.624 $
- Eröffnungswochenende in den USA und in Kanada
- 187.289 $
- 22. Sept. 2013
- Weltweiter Bruttoertrag
- 96.992.516 $
- Laufzeit2 Stunden 3 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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