Die Geschichte wird aus der Perspektive von Igor erzählt und wir erfahren etwas über die dunklen Hintergründe des verstörten jungen Assistenten. Wir verfolgen seine Freundschaft mit dem jung... Alles lesenDie Geschichte wird aus der Perspektive von Igor erzählt und wir erfahren etwas über die dunklen Hintergründe des verstörten jungen Assistenten. Wir verfolgen seine Freundschaft mit dem jungen Medizinstudenten Viktor Von Frankenstein und sehen, wie aus Frankenstein der Mann (die ... Alles lesenDie Geschichte wird aus der Perspektive von Igor erzählt und wir erfahren etwas über die dunklen Hintergründe des verstörten jungen Assistenten. Wir verfolgen seine Freundschaft mit dem jungen Medizinstudenten Viktor Von Frankenstein und sehen, wie aus Frankenstein der Mann (die Legende) wurde, die wir heute kennen.
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And so opens up the lastest interpretation of Mary Shelley's legendary novel-turned-pop culture myth. So, what does this version add to the time-tested tale? Surprisingly, a fair amount.
An amalgamation of various film versions (taking most of its cues from Universal and Hammer), this film tells the origins of Victor Frankenstein through the eyes of a nameless hunchback who, after a quick and very nasty surgery, is dubbed Igor. It tells the story of how the world around Victor reacts to his experiments, from the conniving entrepeuneur to the over-zealous man of faith trying to stop him.
And how does it all hold up? Again, surprisingly really well. The chemistry between Daniel Radcliffe and James McAvoy sparks the film up quite a few notches while Andrew Scott, Jessica Brown Findlay and Freddie Fox all make good work of their admittedly under-developed supporting roles.
The direction by Paul McGuigan is energetic and lively, even if the pace is a tad too frenetic at times. The use of practical effects for the monstrosities that our heroes bring to life are impressive to behold and everything is boasted by a powerfully theatrical score by Craig Armstrong and some beautiful production design by Eve Stewart.
As I said, pacing is a tad too fast and certain bits of writing could've used some tweaking, but the cast and enthusiastic direction definitely make this a more than worthy entry into the Frankenstein mythos that I will gladly welcome into my collection as soon as it makes its to Blu-Ray/DVD.
I'm pleased to say that it is very much alive.
Since I haven't read the novel, I'm not sure if some of the "changes" are already in the book, but weren't used before in other adaptations. Both main actors are really good and convey the characters they portray. With all their flaws and downfalls, with all their dreams and hopes. Whether you agree with those or not, this is more than a decent effort and a really good movie
A slight modification to the narrative is made, just like Sherlock the movie is narrated from the sidekick's perspective, in this case Igor's (Daniel Radcliffe). Aside from that, there's barely anything new that hasn't been done in similar or better fashion. To its credit, it's not utterly terrible in term of presentation, in fact the visual is rather nice. It's quaintly dark and electric version of last decade metropolis, Tesla would approve.
James McAvoy as the titular Viktor really tries hard on establishing the character. Given the stale material, he still manages to squeeze some emotional scenes as well as a good chemistry with Radcliffe in a bromantic kind of way. Andrew Scott from Moriarty fame, now plays the role of Inspector Turpin. He's the polar opposite of Viktor, conservative yet equally clever and ambitious.
Unfortunately, the far too familiar plot fails to produce any thrill, the strong acting prowess ends up rehearsing the same routine of mad scientist's banter. There's screaming, philosophical argument, faux science and slight mental abuse by the two leads. It's a lot of noise of little dramatic effect. Not that the script is bad in any way, it has occasional witty lines although any hint of humor or charm is muffled by the overly melancholy tone.
At some points, the movie tries to dabble in horror, action and even romance subplot. The atmosphere is already primed for thriller, but the shocking abomination is ironically timid and unmemorable. Action consists of a few scenes of slow motions repetition. Despite the production offering distractions, the main story line is very straightforward and streamlined, and sadly also predictable.
For all the star and flair, though they might be mildly amusing, the end product is a medium so lacking of life.
It's a very good film, it's very nicely made, beautifully acted, it's a very nice gothic drama. I would argue it's not a horror as the classification states, if you are wanting lots of Monster action there isn't a great deal of that, what there is looks fantastic.
Great special effects, particularly at the dramatic finale, it looks terrific.
Not sure which of the two was billed as the star of the show, maybe an equal billing, but Radcliffe is excellent. I love how on occasion you hear McAvoy's wonderful Scottish accent peep through.
Clever and well made, 7/10.
Title (Brazil): "Victor Frankenstein"
Wusstest du schon
- WissenswertesThe mispronunciation of Frankenstein's name is an allusion to a line from Frankenstein Junior (1974).
- PatzerIgor prescribes three ounces of arsenic for Lorelei. The LD50 (lethal dose for 50% of the population) is 13 mg per kg, so the amount recommended by Igor would be about 150 times the LD50, assuming she weighs about 100 pounds. But Igor is merely posing as a doctor in authority perhaps attempting to get as large a supply as possible to use over many months, and he may have been assuming only a partial order would get approved by any supervising authority at the hospital.
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Igor: It's alive.
Victor Von Frankenstein: Isn't that rather obvious?
- SoundtracksUnter Donner und Blitz, Op. 324
Written by Johann Strauss (as Johann Strauss II)
Arranged by Craig Armstrong
Top-Auswahl
- How long is Victor Frankenstein?Powered by Alexa
Details
Box Office
- Budget
- 65.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.775.076 $
- Eröffnungswochenende in den USA und in Kanada
- 2.469.341 $
- 29. Nov. 2015
- Weltweiter Bruttoertrag
- 34.227.298 $
- Laufzeit
- 1 Std. 50 Min.(110 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1