Die Tribute von Panem - Catching Fire

There are two types of sequels. On one side you have The Empire Strikes Back (1980) and The The Dark Knight (2008), and on the other you have Jaws II (1978) and Terminator Genysis (2015). Thankfully, Catching Fire falls squarely in the first category. After an exciting, if not entirely fleshed out, first film, Catching Fire delivers on all the promises of intense action, compelling and intriguing story-line and dynamic relationships between the characters that we were all waiting for. The Hunger Games is a series which, conceptually, deserves a well put-together film series. It is a fun and interesting concept which matures with the audience from a usual action-filled romp into a political thriller which can inspire almost anyone. We got what we needed thanks to this wonderful sequel.

In the first film, one of the key issues was the pacing. Many things felled rushed, especially the backstory for the characters which was more or less only seen in brief flashbacks and allusions. The lead up to The Games felt like a formality that they needed to get through so they could show us the action. This is understandable. Everyone wants to see people fighting, not sappy emotional moments from characters we don't even know yet. In Catching Fire, we get a much more fluid arc which gives us the perfect amount of set-up before dropping us into the second installment of The Games, which now have considerably more meaning than just staying alive. In some ways, it is allowed to because now we are familiar with the premises and characters, but the film goes beyond that to an extra level.

Take for example the character of President Snow. In the first film, we get only fleeting glimpses of this menacing character (which, I should add, does mimic the books). In the novel, this is okay because it's from Katniss' point of view. In the film, we need an antagonist, and Donald Sutherland puts on a menacing performance in this role. In Catching Fire, we get to see that in its full development. Snow is at the same time fatherly and forbidding, gentle but powerful. He has that same appeal as Emperor Palpatine or Xerxes, ones who have no accountability and all the power and thus are beholden to no law or morality but their own. This comes through perfectly thanks to the phenomenal acting and fitting script.

At the end of the day though, we get out of the house and go to the theater for a movie like this because we want to see action. It's not shameful to want to see a bit of blood and battling every now and then. Well, let's just say we are not left disappointed. The Games have taken on a whole new life in this installment, and it feels that way. In the first film, The Games are nearly quaint. It is just a simple scenario for the combatants to do what they will, free mostly from egregious deus ex situations. Primitive and effective. In the sequel, it doesn't just seem like person against person, but instead the heroes versus the machine. It is the spark of the rebellion even before it is fully revealed to us. There are enough tricks and surprises of The Games to keep you on the edge of your seat the whole time, wondering how our protagonists will get out of this one.

Predictability is something that a film can suffer or thrive on. Have too much and your audience becomes bored, but too little and you risk raising the brow too high and going over too many heads. Catching Fire seems to find that perfect balance. I found myself often saying "Ah, I know what's going to happen here." and nearly immediately having it happen. I am not saying that as if I have some clairvoyant ability. What this film does it set the scenes up so tightly that you are rewarded for making guesses and allowed to feel like you've won by seeing the action in advance. It is not a cheap tactic either. They hit the mark here by giving you enough to work with but still leaving room for you to be excited and cheer when Katniss does the right thing. At the end, we are given enough of a cliffhanger leave us wanting more from the next sequel.

Catching Fire is what sequels should strive to be. It didn't fall into any of the traps of a well-known series with a good original. It took what made the books and the original great and built on them. It helps that the actors seem to feel natural in their roles and with each other, likely the product of much more time working together. A perfect mix of action, thrills, mystery and socio-political drama, Catching Fire is simply altogether a great film. With this trend in the series, I am excited to see what Mockingjay has in store for me.

I think this instalment was the best movie in the series. It has the perfect balance of action and storyline. It expands the world with more backstory and characters, and the effects were better so it was more convincing and we felt like we were part of this world. The casting was quite fitting.

An earlier reviewer compared this to the Japanese cult favorite Battle Royale and decided it was almost junk. I beg to differ - the film needs to be evaluated on its own merits and its own story. Battle Royale is a single story about merciless, wanton and senseless violence and depravity when the aim was simply to be the last to survive - a kill- fest, where the innovative ways of killing serve to shock and titillate the audience but do little for the plot. The Hunger Games however, is about oppression, fighting back and revolution. The Games, though pivotal, are still part of a larger story.

Compared to the first film, this one is definitely darker. The characters look even more despondent than ever, and if you thought there were few laughs in the first film, there is practically none in this. Even the brightly-lit scenes featuring cheering crowds and smiling hosts seemed dim, bleak and depressing. While enjoying the witty banter, you couldn't help but wait for the 'but...'. The feeling of doom and gloom persists from the start to the end of the film. It is not a bad thing though - it is not supposed to be a happy movie.

Many details and subplots were understandably cut from the film adaptation, but none that were critical to the plot of the film. However, a lot of the peripheral action that were in the book is missing here, hence, though the story moves quickly enough, there is always the feeling that for an action-thriller, there aren't enough fights or explosions. The ones they movie do have aren't exciting or grand enough.

But in terms of story-telling, the movie still works to move from the first film and prepare for the third. The seeds of revolution have been planted and watered, and we now prepare for the maturing and harvesting.

Jennifer Lawrence didn't do as well here as in the last film, probably because most of the growing needed has been done previously. Josh Hutcherson though, put in a better performance. While he may previously be the injured lovestruck puppy dog, his maturing into a more complex character in this movie means he starts carrying more of the film.

Emotionally, this movie affected me less than the last one. Maybe it's partly because I know what is coming, but that accounts for a very minor percentage. Mostly it's because the film is unable to engage your baser emotions - nothing that truly tugs at your heartstrings. The pervading gloom also seems to have sapped any ability to feel more despondent than you think you already are.

It is still a movie that can be enjoyed though, and I did enjoy it enough. Hopefully the next film will provide for more emotional variance. If you don't feel for the characters, you won't care about the film.

I must say, I was worried about this one. Catching Fire is my favorite book of the trilogy, but cinematically it makes absolutely no sense. The Hunger Games reads like a screenplay--Catching Fire is a meandery epic full of worldbuilding and exposition for a war that won't even begin until Mockingjay. So I was pleasantly surprised to find that this installment of the hit franchise, directed by industry rookie Francis Lawrence, was maybe even more engaging than its predecessor.

Visually, it is a feat. The attention to detail is remarkable. Lawrence, along with screenwriters Michael Hardt and Suzanne Collins herself, manages to weave in all of the necessary set up to the upcoming war against The Capitol without it feeling tedious or heavy-handed. The new additions to the cast, most notably Philip Seymor Hoffman's Plutarch Heavensbee and Sam Claflin's Finnick O'Dair, are excellent, and the dialogue is much less wooden than, forgive me, the dialogue in the books sometimes is. Moreover, it is impressive that even with so many new people and so many moving parts, the central thread of Rebellion shines through.

Of course, with so much plot, so much to set up, one can hardly blame Catching Fire for falling short in the emotional department--as is, it clocks in at 2 hours and 26 minutes--but I did find myself wanting some steamier Peeta/Katniss action. I was disappointed by Lawrence's apparent disregard for the relationship between Katniss (Jennifer Lawrence, no relation) and Peeta (the incomparable Josh Hutcherson). To me, Catching Fire is about Peeta. It's the Peeta show.

Here's the thing: Katniss is supposed to be conflicted, not indifferent about Peeta. In the paper version, the reader, and by extension Katniss herself, feels truly torn between Gale and Peeta. She can't help but slowly fall in love with Peeta, who is so charming and funny and relentlessly Good. In this iteration, Katniss and Peeta have little to no chemistry, and Peeta only speaks when it is necessary to move the plot forward. Gale, on the other hand, is 6'4 and literally a Hemsworth. That he is a Hemsworth is no one's fault, I guess, but maybe Peeta should have been allowed to say some of the cute stuff he says in the books.

The "adults" in the cast--Woody Harrelson's Haymitch and Donald Sutherland's President Snow have much meatier roles than they do in the books. To their credit, they are fantastic. But I can't help but wonder how much more potent this movie could have been if Lawrence had trusted his young stars a bit more with the emotional heavy lifting.

Though it fell a bit short of exceptional, Catching Fire is by no means a Sophomore Slump, and I look forward to watching Mockingjay Part 1 on the big screen when it comes out!

Fearing an uprising over Katniss and Peeta's success at The Hunger Games, he changed the rules for the upcoming 75th games, the pair are right back inside the deadly games, only this time, the competition is much tougher.

With the release of the new film just around the corner, I wanted to revisit them all, my feelings haven't changed, I still think that this is the best of the lot so far, I think it's better than the original film.

I think it's a little slow to start, the impression you get early on is that it's an in depth look at life for Katniss and Peeta after the games, but when the twist comes, the film really does open up.

It's not overlong, I'm glad they didn't push it out any further.

There are some exciting sequences, these games really do provide a few thrills.

Jennifer Lawrence is excellent as Katniss, her performance for me is superior to her previous one, she's excellent, as are Philip Seymour Hoffman and Donald Sutherland. Toby Jones, still doesn't work for me here.

Best of the lot for me.

8/10.