Borgman

Borgman is queer piece of cinema, challenging right form the off with the opening scenes of pursuit which point in a certain direction, but be prepared for your feelings to change as the story progresses. Writer / director Alex van Warmerdam's film bars very few holds, and yet it does not sensationalise increasingly troubling and occasionally brutal events, presenting them in a frank and open way, inviting the viewer to judge the participants and their respective fates. You would do well to prepare yourself to feel little sympathy for any of the characters, and yet there is something compelling about the spartan direction and the economy of the performances that will hold your attention to the end. Jan Bijvoet as the titular Camiel Borgman and Hadewych Minis as Marina are stand-outs, and deserve to be seen by a wider audience. One possible conclusion is that Warmerdam's script presents a black-and-white position in reaching a verdict, but in reality there are Lynchian levels of grey and plenty of scope for interpretation over a glass of wine (or two) afterwards. Well worth seeking out for those of a less delicate sensibility.

'Borgman' tells the story of a drifter (Jan Bijvoet) that slowly but suddenly takes control of the lives of a young, wealthy family living in a beautiful mansion somewhere in the Netherlands. The movie begins with a scene in a forest, where Borgman, i.e. the drifter, and some of his associates are chased from their underground hiding places by a group of holy workers (lead by the-always-inspiring Pierre Bokma). Soon after their escape, Borgman alone seemingly randomly knocks on the doors of the houses of very wealthy people, asking if he can use bathing facilities in their house. In attempt to do good after a brutal beating by her husband (Jeroen Perceval), Marina (Hadewijch Minis) helps Borgman by giving him temporary shelter in the garden shed. That was all that the intimidating but darkly intriguing character of Borgman needed to unfold his diabolical plans...

Although Borgman is a layered surrealistic film, and probably therefore sometimes slow and hard to understand, its message is clear and the story is continuously compelling. Especially intriguing are the biblical aspects, which are always subtly present in the background, and which give the film a dark, tense character. Not being a religious person, the movie does trigger an interest in the spiritual, or better, meta-ethics, which won't leave you alone for several days afyer having watched it. The excellent performances of Jan Bijvoet and Hadewijch Minis are crucial in delivering the very strong script.

I highly recommend this film to anyone who seeks a tense thriller. Because, aside from the absurdist aspects, from start to the end the movie is very exciting.

8/10

Borgman is not a vagabond or a homeless, but the evil, the Antichrist itself. He emerges from under the ground with his followers when the local priest and some helpers try to destroy them. They manage to escape and set out on a journey to capture new souls. Borgman is not interested in money or wealth, not interested in seducing women or hurting children. He could get it all if only he wanted to. His only interest is to bring out the evil residing in all humans - men, women, children. He manipulates, sedates or kills people when it is necessary, but it is not a goal, just a tool for him. When he finds a potential follower, he marks him or her with a stigma on their backs. He does a perfect job with an upper-class family turning the family members, the babysitter and her boyfriend against each other, uncovering their worst thoughts and desires. Borgman ends up by capturing new followers, and abandons the beautiful house by cleaning up any traces of his terrible deeds. The movie is surrealistic, full of symbols related to the Bible, and lightened up with lots of spooky humor. It does have a clear plot and a full ending, and undoubtedly makes one wonder about his/her own inner dark side.

This film seemed to come out of nowhere, similar to the way Camille Borgman did. I am a long time fan of the horror/dark drama genre but a new member to IMDb. with that being said, I absolutely loved this film. I loved the darkness to Camille. What was with him living in the ground though? The movie never fell back on that fact nor did it have an explanation for it. I wouldn't say the viewing nature of this film is horror, but the concepts that the film holds are horror. The ideas are extremely dark and the violence is extreme. This is an atmospheric movie that sets quite the mood. It had me thinking about it for a few days after seeing it. It's one of the better movies I've seen this past year

I think it's better than parasite though. And more dark and twisted for sure.