Le guetteur

Chief Inspector Mattei (Daniel Auteuil) and his team identifies bank robbers In Paris. They keep the group under surveillance and when they heist a bank, they are ready to arrest the criminals. However, the sniper Vincent Kaminski (Mathieu Kassovitz) surprises the detectives and the gang escapes. Soon Mattei and his team arrest Vincent that does not accept to snitch his friends. When Vincent flees from the prison, Mattei hunts him down in a cat and mouse game and learns what happened to his son that died in Afghanistan.

"La guetteur" is a French thriller with an excellent storyline and promising beginning with a fantastic shooting after the bank heist. The cast is also great, with Daniel Auteuil, Mathieu Kassovitz and even a cameo of Fanny Ardant. Unfortunately the screenplay has several pointless subplots and becomes a mess from the moment Mattei learns what happened to his son in Afghanistan to the disappointing conclusion with Mattei letting Vincent go without any reasonable explanation. My vote is six.

Title (Brazil): "Atirador de Elite" ("Sniper")

I loved this movie. It got going really quickly, and there was plenty of edge seat action throughout, shot brilliantly, with great locations, and the quieter moments were filled with intense anxiety or dark menace, also done superbly, with great acting, and well cast. There are other sniper movies, but I can't remember seeing one in this context, as an element to a heist or to disrupt police actions. But there is greater originality than that, which I'd love to reveal but that would be a spoiler. The story is complex, and the characters deep. The lead may be familiar to others who have seen the supreme French spy drama The Bureau, and interestingly, plays a very similar role, that of the silent type, which he does with aplomb. I would have liked the movie to have run a little longer, to allow for more of the originality. It needed that to develop more dread, horror and danger. If any movie-makers read this, please take that on board if ever there is to be an English version. Loved the direction, colour and style of this movie. It was truly professional. Terrific!

I gave it 5 and that is generous, considering this film does not achieve many of the goals it sets itself: it is not really suspenseful, the characterization is often vague, the plot is not clear at many points (too many characters don't improve matters). There is a Hollywood gloss over this picture that depresses me; surely a French film can call upon a tradition of thrillers dating back to the post-war years: Le salaire de la peur for example. I thought of Melville of course (Le deuxieme soufflé and Le cercle rouge) and Alain Corneau (Police Python 357). The kids who would troop off to see this one will be quickly bored.

There is little point in trying to single out any of the actors for praise or blame; they seem interchangeable in their roles. Daniel Auteuil looks glum most of the time--did they not pay him enough? Olivier Gourmet from those great Dardenne movies promised much, but his part was clumsily written and not really understandable.

I'll admit, THE LOOKOUT starts off on a strong footing, with an expertly-choreographed piece of action charting the fall-out from a bank robbery. It harks back to the glory days of a similar sequence in HEAT, and has you on the edge of your seat as the minutes stretch out. Unfortunately, once this is over, the rest of the film never even comes close to that quality.

The direction of the film is to capture the disintegration of a group of bank robbers as they variously betray and bump each other off, while a dogged cop remains hot on their heels. And sadly, it's nowhere near as interesting or exciting as it sounds. This is one of those films that fails to feature even a single remotely sympathetic character, so that you wonder throughout why you're watching.

That wouldn't matter if the calibre of the script and film-making were exceptional, but the truth is that they aren't. There's a kind of humdrum, seen-it-all-before sense of weariness about the whole production, best summed up by Daniel Auteuil's yawn-worthy cop. The sub-plots are muddled and the characters uninteresting, so that by the time the end eventually comes around you'll be wondering why you're supposed to care.

So many good actors in such a disappointing movie. It looks like it was written in parts by different writers who did not know what the predecessor had written. Characters are superficial and not credible. For the first time, I found Daniel Auteuil not playing well.