M - Il figlio del secolo

I mainly focus on the film aspects. Without getting too deep into it, I try to gauge how much truth versus mystification is presented. I don't align with either the right or the left.

This series is one of the most beautiful I have seen in recent times. Mussolini's dialogue with the camera is pure gold. The way he conveys his thoughts, mocks the viewer, and shares his confessions keeps you glued to the screen and makes you feel involved in the story. Marinelli is fantastic! Those who criticize him likely do so for reasons unrelated to his performance. Francesco Russo is superb, and Barbara Chichiarelli is perfect!

The english subtitles are a disaster. They look like automated translations not reviewed by someone who understand italian. For example "Margarita" (the name of a woman) is translated as "margarita pizza". Or "No, no" is translated "ninth", because in italian "nono" means "ninth".

Sometimes these bugs don't help comprehension. They mix up pronouns: "They kick it out" instead of "They kick him out". They don't take into account the formal you that in italian is she. For some complex sentences there is no analysis done by a human : "his husband".

An amateur job done by incompetents.

Such a magnificent work deserves better.

A solid recommendation from me. I really enjoyed the flow, acting, action, and storytelling. I always find it fascinating how such a destructive force can rise to power-what forces support it, oppose it, and which ones get swayed, and why. The quality of the series is excellent. For me, it belongs in the same league as Der Untergang and Unsere Mütter, unsere Väter.

What makes this series particularly compelling is its exploration of the political landscape in Italy at the time. The power struggles between the socialists, the monarchy, and other factions add layers of intrigue, showing how different forces either resisted or enabled the rise of authoritarianism. The shifting allegiances and moral dilemmas make for gripping storytelling.

On top of that, the action sequences are intense and well-executed. The battles, street clashes, and political confrontations feel raw and realistic, adding weight to the historical events. The choreography, cinematography, and pacing of these scenes keep the tension high, making it a visually and emotionally engaging experience.

Compelling plot, striking photography, excellent acting by Marinelli. Above all, a solid portrayal of a particular historical period.

Much more to be appreciated if you speak Italian, because Marinelli's performance is truly a masterpiece, both from a linguistic and human point of view. M is a winning example of how history should be represented in cinema: hard and raw, without unnecessary words or unnecessary events based on fiction.

I really recommend its viewing. However, do not expect a simple and straightforward viewing; the story is purely described, there is no shortage of harsh scenes and I felt like some stories missed some details.

What is interesting is that the meaning of some of the pictures goes beyond the simple political figure to the man, with his fears and weaknesses. Things that, of the figure of Mussolini, never really came out of that period.

Excellent cinematic work.

The film presents the beginnings of Benito Musollini's political career. But to a greater extent it is a study of the creation of a dictatorship. And this is a universal and timeless phenomenon.

What is unusual is the form, which may put off some viewers. The main character often speaks directly to the audience, presents his thoughts and comments on the events taking place, sometimes these allusions are current, e.g. In episode four when he says the slogan MIGA (you will understand when you see it). It is a really great scene.

The film is also quite baroque, at times surreal.

The acting makes a great impression. Luca Marinelli (Musollini) behaves on screen like his prototype. If you know the history and have seen Mussolini's grotesque speeches, you can imagine that this required great skills. Other roles, although episodic, are also worth attention. For example, Benedetta Cimatti is great as the suppressed wife of the Duce.

Due to the specific form of the film, some viewers may be put off by it.

But it's a very good movie.