IMDb-BEWERTUNG
5,6/10
8154
IHRE BEWERTUNG
Der Betrieb einer bäuerlichen Familie ist von einer unerwarteten Krise bedroht und testet die Beziehung zwischen einem Vater und seinem rebellischen Sohn weiter.Der Betrieb einer bäuerlichen Familie ist von einer unerwarteten Krise bedroht und testet die Beziehung zwischen einem Vater und seinem rebellischen Sohn weiter.Der Betrieb einer bäuerlichen Familie ist von einer unerwarteten Krise bedroht und testet die Beziehung zwischen einem Vater und seinem rebellischen Sohn weiter.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Patrick W. Stevens
- Grant Whipple
- (as Patrick Stevens)
Empfohlene Bewertungen
I nearly wept at the end of this movie, over all the acting talent gone totally to waste on this dumb little story. It is more than dumb; it doesn't make any sense. I think that one scene sums up the problems this film creates for itself and then fails to solve. One of the characters (it doesn't even matter which one) breaks into a store by shooting a handgun through the window. When the window conveniently falls into a billion pieces, the character leaps through the open space and steals some stuff. Then he and his pal and girlfriend roar off, tires squealing. The event is presaged by nothing and leads to nothing. One is left only with a sense of mystification that anyone (even a film director) would think that a logical way to commit a burglary would be to shoot out the front window of a store with a gun. The rest of film is like that. One silly contrivance piled on another to create a nonsensical melodrama.
It's a story where the characters aren't sympathetic and seem to create all their own problems. None of their problems are all that involving either. So what's to care about? The script is poorly structured taking to long to set up the situation while at the same time failing to set up some key characters that come into play in the rushed final part of the film.
Quaid is very good, sometimes a bit mannered though he's supposed to be playing a kind of obnoxious salesman so that's part of the film can be accepted as being done on purpose. I heard the director speak after a preview screening and he mentioned the influences that kind of create the problem with the film. DEATH OF A SALESMAN meets THE LAST PICTURE SHOW with some Robert Altman thrown in. If you know either of these classic pieces of writing you might guess this isn't up to either of those standards and it's not. If you don't know those films it won't make it a better film. The film wastes too much time setting up the characters all of whom are unlikable selfish jerks for much of the film. The key dramatic incident comes too late--and won't be revealed here--and is left dangling at the films end. The one son, played with no depth, by Zac seems to be the focus of the story for too long and then is kind of pushed back and other characters take over. Aside from him there is little to fault with any of the acting.
One other key character, Quaid's Dad, appears out of nowhere in the film--you'll actually think he's been dead for years and years the way people talk about him until he suddenly shows up, and Heather Graham's character just pops up and pops out of the story with little logic aside from some kind of possible sexual interest, though there is no nudity in the film and the story doesn't go in that direction ultimately. Both of these characters need more thought on a screenplay level.
Some odd details here and there successfully touch on Robert Altman but those are just minor details of how modern farming works amid a messy script.
There is just little to hold your interest for far too long in the screenplay. Digital photography is OK but has a bit of a video edge to it and doesn't do the actors any favors in close up either. The film could use more and a better music score. The film ultimately is forgettable.
Quaid is very good, sometimes a bit mannered though he's supposed to be playing a kind of obnoxious salesman so that's part of the film can be accepted as being done on purpose. I heard the director speak after a preview screening and he mentioned the influences that kind of create the problem with the film. DEATH OF A SALESMAN meets THE LAST PICTURE SHOW with some Robert Altman thrown in. If you know either of these classic pieces of writing you might guess this isn't up to either of those standards and it's not. If you don't know those films it won't make it a better film. The film wastes too much time setting up the characters all of whom are unlikable selfish jerks for much of the film. The key dramatic incident comes too late--and won't be revealed here--and is left dangling at the films end. The one son, played with no depth, by Zac seems to be the focus of the story for too long and then is kind of pushed back and other characters take over. Aside from him there is little to fault with any of the acting.
One other key character, Quaid's Dad, appears out of nowhere in the film--you'll actually think he's been dead for years and years the way people talk about him until he suddenly shows up, and Heather Graham's character just pops up and pops out of the story with little logic aside from some kind of possible sexual interest, though there is no nudity in the film and the story doesn't go in that direction ultimately. Both of these characters need more thought on a screenplay level.
Some odd details here and there successfully touch on Robert Altman but those are just minor details of how modern farming works amid a messy script.
There is just little to hold your interest for far too long in the screenplay. Digital photography is OK but has a bit of a video edge to it and doesn't do the actors any favors in close up either. The film could use more and a better music score. The film ultimately is forgettable.
Not impressive. But more than good. That kind of film about family, values, expectation of father and the option of sons who seems traditional but it is real useful for remind, in simple and precise manner, elementary things. Dennis Quaid did a great job and Zac Efron sustain in nice way his Dean. But, sure, Kim Dickens , giving the fair traits to Irene Whipple is admirable.A film about competition, ambition and wisdom. And, in my case, Clancy Brown presence was a good return to the years of Carnivale. So, a honest story.
At Any Price shows the nasty little ordinary things we do to get us ahead of others, and the not so ordinary or little.
The good. It's a frank view of what industrial farmers go through in regards to GMOs. You also really get into the shoes of the father.
The actors. It's was difficult for me to see Dennis Quaid, who usually plays heroic figures, if only family ones at time, give life to such a flawed character. To his credit, he did it very well.
The bad. There's a number of scenes where we don't relate very well to what's happening. The director doesn't make us feel or understand what's on the screen.
Ugly. Lack of depth in most secondary characters. The B and C stories are too thin.
The good. It's a frank view of what industrial farmers go through in regards to GMOs. You also really get into the shoes of the father.
The actors. It's was difficult for me to see Dennis Quaid, who usually plays heroic figures, if only family ones at time, give life to such a flawed character. To his credit, he did it very well.
The bad. There's a number of scenes where we don't relate very well to what's happening. The director doesn't make us feel or understand what's on the screen.
Ugly. Lack of depth in most secondary characters. The B and C stories are too thin.
This film tells the story of a seed seller whose life is turned upside down due to a series of devastating events.
"At Any Price" tells a touching story about a man striving to achieve at work. He does not put as much effort into his family, and his family falls apart. It is touching to see the wife hoping to do something to reconcile the situation, but sad that she is quickly dismissed by the husband. Then, one thing after another, the family's problems spirals out of control. Denis Quaid is great as a troubled father, while Zac Efron is surprisingly good and is convincing as a rebellious son.
The situation towards the end is very touching for a prolonged period. For many minutes I was touched to the verge of tears. The story is a big tragedy, and I was really feeling the family's pain and guilt. One can only hope there is sunshine after the rain. I hope there would be a sequel about redemption and atonement.
"At Any Price" tells a touching story about a man striving to achieve at work. He does not put as much effort into his family, and his family falls apart. It is touching to see the wife hoping to do something to reconcile the situation, but sad that she is quickly dismissed by the husband. Then, one thing after another, the family's problems spirals out of control. Denis Quaid is great as a troubled father, while Zac Efron is surprisingly good and is convincing as a rebellious son.
The situation towards the end is very touching for a prolonged period. For many minutes I was touched to the verge of tears. The story is a big tragedy, and I was really feeling the family's pain and guilt. One can only hope there is sunshine after the rain. I hope there would be a sequel about redemption and atonement.
Wusstest du schon
- WissenswertesThe last movie that Roger Ebert rated 4/4.
- PatzerWhen Dean is driving in the ARCA race at Iowa Speedway, it shows him shifting in his race car. On oval tracks like that, the drivers do not change gears at racing speed, only when entering and exiting the pits.
- Zitate
Henry Whipple: Am I a happy man? How can I not be?
- SoundtracksI Remember You
Written by Jorge Harada, Danielle Ruby Philippa, Elizabeth Ann Smith, Peter Evan Smith, Francis Warren Lewis
Performed by Ruby Dee and The Snakehandlers
Published by North of Bakersfield Music (ASCAP)
Courtesy of Dionysus Records by arrangement with Ocean Park Music Group
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is At Any Price?Powered by Alexa
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 380.594 $
- Eröffnungswochenende in den USA und in Kanada
- 16.095 $
- 28. Apr. 2013
- Weltweiter Bruttoertrag
- 487.965 $
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen