Mud - Kein Ausweg

14 year old Ellis (Tye Sheridan) lives with his mum Mary Lee (Sarah Paulsen) and father "Senior" (Ray Mckinnon) by the River in Arkansas. Their ramshackle boat house providing easy access to scratch a living selling fish from the mighty Mississippi.

Ellis is free to roam the bye waters in his boat with his friend "Neckbone" (Jacob Lofland) who lives with his uncle Galen (Michael Shannon). Galen keeps himself in beer by diving for oysters in the murky depths, when not loving the ladies to his favourite tunes or playing the guitar.

This is a tough, real life day to day type of existence, well away from the American lives you normally see on the big screen. It is a change to see people that are struggling, yet largely content and portrayed as loving their kids, caring about them as best they can and not turning to violence at a moments notice.

Stumbling across a boat stuck high up in the trees on a deserted island, the boys believe they have found their perfect hideout. After a while they realise they are not the first to find the boat. Notwithstanding all the possible avenues the story could take, horror or something sinister with the older man interacting with younger boys, the story takes none of the conventional routes.

Meeting "Mud" (McConaughey) we meet a perfectly formed complex character, conversing in the usual but even more pronounced southern drawl. Armed with a pistol and a strong independent survival instinct, he starts to rely or manipulate, dependant on your viewpoint, the boys to his main aim. Retaining or retrieving the love of his life "Juniper" (Reece Witherspoon), his sole reason for being is to ensure her safety away from the forces of evil, that he perceives continue to follow her.

To give too much away would spoil the film but fair to say, the story meanders and forks in the same way the Mississippi, ever present in the background, continues to do. The delicate friendships and loyalties that are built and called into question, are all beautifully and believably portrayed.

Tye Sheridan is strong yet vulnerable, experiencing the pitfalls of young love and the upheavals of his home-life require him to trust someone, whether he makes the right choices remain to be seen. McConaughey is well cast and acquits himself well, with a thoughtful layered performance that goes well beyond the stereotypes you might expect. There is a sense of loss through the movie but it is never clear what has been left behind, the ending in particular is sensitively handled. Witherspoon does not get much screen-time but makes the most of the scenes she has, portraying a character one step up from trailer trash. However she remains a constant contradiction of smarts and foolishness wrapped within a superficially simple yet complicated persona.

Matthew McConaughey has recently rescued himself from recent Rom Com hell with a string of good performances in films that actually matter, his recent collaboration with Scorsese in "Wolf of Wall Street" is a good example. It is good to see his career resurrection and start to get noticed again for his obvious acting ability. Director and writer Jeff Nichol has coaxed excellent performances especially from his young cast, whilst placing them in a believable world of which most audiences have no previous experience Complaints, the character played by Sam Shephard feels more like a plot convenience than reality and arguably Sheridan makes it hard for his co-star to shine when his performance is so strong and front and centre.

Summary

A hugely enjoyable film that perhaps defies comparisons and convention. With a story that has time to grow and confound, there are many pleasures to be had.

Like an updated Tom Sawyer novel about nothing and everything, this comes highly recommended.

Caught between childhood and teenage years, two best friends, Ellis and Neckbone, are having to navigate through the murky waters of life that has surprises at every bend. When they arrive their childhood play area - a boat that has gotten stuck in the trees during a storm - they discover an adult is now inhabiting it. Just at a time when they are beginning to recognize their own pre-adult urgings awakening inside them, they discover who is living in their tree house of sort and make friends with him. He becomes a mentor to them just when the murky waters have become too muddy to see clearly, and he tells them how his own life has been shipwrecked because of a love affair that began when he was about their age.

The man named Mud had fallen in love with a girl named Juniper when he was a kid and never recovered from the experience. Just as her name implies, she is a bittersweet, prickly creature whose fragrance has gotten into his nostrils and he thinks he can't live without her. On the other hand, she is fickle with love, not appreciating what he has to offer, and only accepting it when it's according to her whims. This mirrors the relationship that Ellis finds himself in with his "girlfriend," May Pearl.

Neckbone, on the other hand, has never had anyone love him except for an uncle whose relationships with women are on his terms and usually consist of one night, or to be more exact, one afternoon, stands. On the other hand, his uncle knows how to find the pearls others don't see, and he has found one in the boy he calls Neckbone.

Ellis can't help comparing his father's relationship with his mother to his new friend, who will do anything to defend the honor of this woman, even if it means going to jail for the rest of his life, and his father is falling short in his estimation. On one hand, his father is telling him how bad women can be and on the other hand, he has this friend telling him that they are worth everything. This conflicts Ellis, and he finds himself in his own set of conflicts as he defends the girl in his life.

Mud's stories are larger than life, and one wonders what is real and what is not. Juniper calls him a liar, but is he really? By the conclusion, one begins to see that Mud's actions are not as murky as they at first seem. In the end, will the river of life lead them to larger horizons where they can grow from their experiences?

I was pretty engaged in this film, particularly in the day-to-day existence of the boys who are at the center of it. It has an element of the "Stand by Me" mentality. The boys are bright and real and find themselves having to make decisions on a moral code that they have made for themselves. They are, for the most part, realistic about things, but the culture they are in is so boring and so lacking in stimulation that when the intriguing figure of Mud comes along, they are ready for adventure. Unfortunately, there are simply so many things that just aren't believable. Their access to everything they need when they need it. The ease of transport. The lack of suspicion from others (I know there is some). They also have an incredible amount of mobility. Then there is the contrived "High Noon" conclusion that is bound to happen. It is, itself, pretty demanding of our suspension of disbelief. Still, it keeps us entertained, the acting is quite admirable, particularly the supporting characters, but I expected a little more.

Ellis (Tye Sheridan) lives on a houseboat in Arkansas with his parents; Mary Lee (Sarah Paulson) and Senior (Ray McKinnon). Their marriage is falling apart as they scrounge for a living. He and his best friend Neckbone, who lives with his uncle Galen (Michael Shannon), find a boat high up in a tree on an island. They meet Mud (Matthew McConaughey).

This is a perfect little movie. This is probably the most complete and deepest character Matthew McConaughey has ever played. Yet it's the outstanding work of newcomer Tye Sheridan that holds the whole thing together. This is only his second movie after 'The Tree of Life' and he absolutely shines here. This movie has a great sense of place. The actors are all great. Importantly, the characters are all deep and complex. It is a truly intriguing little movie.

Two boys make their way along the Mississippi River to an island where they find a boat up a tree, however they quickly discover that they are not alone. A mysterious man is living on the island and when they encounter him, their adventure gets a lot more serious.

The setting for this film is the Mississippi River. It dominates this film as it dominates the lives of the main characters in this film. This is not a film about small-town America. There is a small town, in which everyone knows everyone, but most of the action takes place out of town, out on the river, and out in the uninhabited areas of the river's ecosystem. The two fourteen year old boys and their families, are river people, making a precarious living from the river. Life is hard but the people are hard-working, honest and resourceful. If Mark Twain was writing now, and had not been seduced into doing graphic novels, these are the people he would be writing about. In fact, this film does homage to Mark Twain; Huckleberry Finn was based on a childhood friend of Mark Twain's called Tom Blankenship, the name of a character in this film. This film then, essentially, is a modern up-date of that genre.

The two boys are played superbly by Ty Sheridan and Jacob Lofland. Their characters are fourteen-years old, hardened and matured by their environment. The two actors seem believable and natural in their roles. Chris Pine was originally considered for the role of the mysterious stranger, and with his blue eyes and young looks, he would have looked attractive and charismatic as he encountered the boys. I bet he wishes he had been in this well-scripted film. However Pine's loss is Matthew McConaughey's gain. Robinson Crusoe was never like this. I doubt if Pine could play this as well as McConaughey, who lives this role. Actor? This guy looks like he has done nothing, but, live on the river, all his life. You totally believe he is living on this island. If there was a Best Eating Baked Beans Oscar, he would get it! A totally convincing performance! All performances were great. Not just of McConaughey and the two boys, but of all the supporting actors too. At first you are unsure who is who in the families. They seem a little cold but as the film progresses the characters develop. All are believable. The female roles, there are three, are all strong and well developed. The lovely Reese Witherspoon, star of 'Legally Blonde', like Sharon Stone in 'Casino', shows here that she can play a gritty role. Youngest actress, Bonnie Sturdivant, like the boys, got it just right. Older actors too were great; Sam Shepard, who played his role with some depth, and it was good to see Joe Don Baker in a small role.

All actors played their roles convincingly. As said, their lives are hard; they are plain-speaking people, however the occasional bit of laconic home-spun philosophy, will also be said.

This movie is beautifully filmed, lovely rich colours. The river is filmed lovingly, so too the way of life. The film is a homage to the life and the river. However while we see beautiful scenes of the river, we see too the grittier scenes of urban decay and dereliction and waste. All filmed well.

The UK rating of this film is 12A, though this reviewer thinks it unsuitable for anyone under 14 years of age. There are many different threads and themes to this film and it is unclear what will be resolved. Friendship, family, life and death, love and violence are all explored. The adult themes are not hidden. The boys have to try figure out the truth and act accordingly. The film is very much seen through their eyes. However we do see a little bit more than the boys see. What is the truth? What to do? The truth is not very clear, clear as mud, perhaps. No real judgement is made about the truth, or the characters, or their decisions. Their lives are too rich and complex for that sort of simplistic verdict.

So at the end of this film, a fourteen year old boy may have learnt something, and others, so too may you. 10/10.