[go: up one dir, main page]

    Kalender veröffentlichenDie Top 250 FilmeDie beliebtesten FilmeFilme nach Genre durchsuchenBeste KinokasseSpielzeiten und TicketsNachrichten aus dem FilmFilm im Rampenlicht Indiens
    Was läuft im Fernsehen und was kann ich streamen?Die Top 250 TV-SerienBeliebteste TV-SerienSerien nach Genre durchsuchenNachrichten im Fernsehen
    Was gibt es zu sehenAktuelle TrailerIMDb OriginalsIMDb-AuswahlIMDb SpotlightLeitfaden für FamilienunterhaltungIMDb-Podcasts
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalIMDb Stars to WatchSTARmeter AwardsAwards CentralFestival CentralAlle Ereignisse
    Heute geborenDie beliebtesten PromisPromi-News
    HilfecenterBereich für BeitragendeUmfragen
Für Branchenprofis
  • Sprache
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Anmelden
  • Vollständig unterstützt
  • English (United States)
    Teilweise unterstützt
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
App verwenden
  • Besetzung und Crew-Mitglieder
  • Benutzerrezensionen
  • Wissenswertes
  • FAQ
IMDbPro

Diaz - Don't Clean Up This Blood

  • 2012
  • 16
  • 2 Std. 7 Min.
IMDb-BEWERTUNG
7,3/10
4160
IHRE BEWERTUNG
Diaz - Don't Clean Up This Blood (2012)
Drama

Eine Nachstellung der letzten Tage des G8-Gipfels von 2001.Eine Nachstellung der letzten Tage des G8-Gipfels von 2001.Eine Nachstellung der letzten Tage des G8-Gipfels von 2001.

  • Regie
    • Daniele Vicari
  • Drehbuch
    • Daniele Vicari
    • Laura Paolucci
    • Alessandro Bandinelli
  • Hauptbesetzung
    • Claudio Santamaria
    • Jennifer Ulrich
    • Elio Germano
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    4160
    IHRE BEWERTUNG
    • Regie
      • Daniele Vicari
    • Drehbuch
      • Daniele Vicari
      • Laura Paolucci
      • Alessandro Bandinelli
    • Hauptbesetzung
      • Claudio Santamaria
      • Jennifer Ulrich
      • Elio Germano
    • 12Benutzerrezensionen
    • 21Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 15 Gewinne & 23 Nominierungen insgesamt

    Fotos79

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 75
    Poster ansehen

    Topbesetzung99+

    Ändern
    Claudio Santamaria
    Claudio Santamaria
    • Max Flamini
    Jennifer Ulrich
    Jennifer Ulrich
    • Alma Koch
    Elio Germano
    Elio Germano
    • Luca Gualtieri
    Davide Iacopini
    Davide Iacopini
    • Marco
    Ralph Amoussou
    Ralph Amoussou
    • Etienne
    Fabrizio Rongione
    Fabrizio Rongione
    • Nick Janssen
    Renato Scarpa
    Renato Scarpa
    • Anselmo Vitali
    Mattia Sbragia
    Mattia Sbragia
    • Armando Carnera
    Antonio Gerardi
    Antonio Gerardi
    • Achille Faleri
    Francesco Acquaroli
    Francesco Acquaroli
    • Vinicio Meconi
    Paolo Calabresi
    Paolo Calabresi
    • Francesco Scaroni
    Alessandro Roja
    Alessandro Roja
    • Marco Cerone
    Eva Cambiale
    • Donata Stranieri
    Rolando Ravello
    • Rodolfo Serpieri
    Emilie de Preissac
    Emilie de Preissac
    • Camille
    Mica Bara
    • Karin
    • (as Micaela Bara)
    Sarah Marecek
    • Inga
    Lilith Stangenberg
    Lilith Stangenberg
    • Bea
    • Regie
      • Daniele Vicari
    • Drehbuch
      • Daniele Vicari
      • Laura Paolucci
      • Alessandro Bandinelli
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen12

    7,34.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Empfohlene Bewertungen

    10tomas-klesken

    brutally and to point - must see to understand agressivity in people

    What happened on that day and is portrayed in the movie is nothing new.

    All of us have seen what happened in Abu Ghraib, concentration camps, even on socker matches or concerns... we all know that people behave like swine when they are given the opportunity and even worse, when they are in "authority" (in any sense).

    I have tried to read a book by psychologist Philip Zimbardo, that explains the topic of violence brought in common people if they are given an order or authority to do so... couldn't, it didn't feel realistic enough to follow. I saw the Experiment, based on his work and didn't find it realistic again - it felt like fiction.

    Than this movie came. I seriously would make it an obligatory part of police and soldier training. To show them what they can become if they don't watch themselves... I would show it on psychology lessons to make the students understand that the beast in us is very much alive. Its a movie that partly kills the "humans are nice" mindset, but sometimes it needs to be done - the risks of forgetting are too high.

    When I left the cinema I was thinking if there is anything that can be done from MY side to prevent such things from happening... All i came to was to be good - to spread the feeling of connection with strangers, to try and make any matter personal. This movie made me consider joining the police just to see and try to not allow anything like this to happen. Thank you for this, I don't know what will be my role, but movies like this make me realize, that living for my own self is just not enough (one day I might be sorry for doing so.. if I find myself on the wrong end of the baton).
    8kosmasp

    Cleaning up

    The movie says: Don't clean up the mess, as in let the world see what happened. As you can tell by that, the movie is based on true events. Very harrowing and very powerful. The performances are pitch perfect. Small events enroll and you can see that something big will happen. The movie emphasizes that one scene is very important (one event if you wanna call it that) and it gets repeated. Now don't judge the movie on the bad cgi in that scene, if you can.

    And as the other reviewer has said, it might have its flaws, but its message is very clear and it should have played at the big screen at the Berlin International Film Festival. The other reviewer also stated there's another movie called Summit, which I know will seek, which seems to be reveal even more of what happened, but more in a documentary style. This one reminded me a bit of the American movie "Battle in Seattle" ...
    10catacomb-kitten

    I never cried in a film before

    Seriously. I walked out of it somewhat disorientated and still shaken. I saw 'Diaz - Don't clean up this Blood' about a month ago at its Berlinale Screening and it still haunts me. I could tell that most of the audience shared my feelings and some even left the cinema, because they couldn't bear what they were seeing. Nevertheless the applause was extraordinary.

    We have all seen our fair share of violence and cruelty in the movies. But this is a completely different pair of shoes. The non-fictional background of the film plot concerns me personally, both as a human being and as an European citizen. It's hard to imagine this happened ten years ago in a Western European country and yet it DID happen and it could - and probably will - happen again. That's why it is so important to deal with the topic of police violence instead of ignoring it or playing it down. The film crew and cast did a great job capturing the horror of this disastrous event. And that's what 'Diaz' mainly seems to be about: re-creating and contextualizing the occurred violations of human rights in 2001 in Italy as authentic and accurate as it can be done in a feature film.

    It obviously wants you to be shocked, but with good reasons: it describes shocking incidents, which should not be trivialized. If you do some research, you'll find out that the film indeed does not exaggerate anything. But it does NOT inform you about the political background, you have to inform yourself. And I think you will, after you've seen it.

    'Diaz' is not entirely flawless, but it could be a film of great significance, provided that it motivates the audience to read up on the subject.

    If you're interested in a less gripping, but much more informative approach on the matter, check out the documentary "The Summit" (2012).
    9imc_nessuno

    I was at Diaz

    In Late April 2009, I got a call in London to come to Genova to meet several mystery guests who wanted to meet me and several of the other Diaz victims. I was coming anyway to see Dr Zucca (The Genova prosecutor) but I was intrigued to find out who the mystery guests were. I met Domenico Procacci and Daniele Vicari in Genova at the Via San Luca office (where the Diaz case is archived) in late May for a 'secret weekend meeting' after the Cannes Film Festival.

    At the time, I did not know who Procacci and Vicari were but I was told they were the best film producer and director in Italy and they wanted to make a movie of the raid on Diaz during the G8. I had seen Gomorrah, Procacci's mafia film and thought it was brilliant. Using this film as a comparison, I listened to what Domenico wanted to say to all of us present. Procacci explained to us that he had wanted to make a multi-million euro film about the raid for a long time but had been prevented because the trial process against the police.

    He was willing to risk a lot of money on the project and we could all see that Domenico and Daniele were committed to making the movie. I personally told them that whilst I had a lot of personal confidence, I thought the Diaz police would try and stop the project or the right ring politicians like Berlusconi or Fini my sue Fandango. I also told them that Diaz is still live court case and that they had to do a lot of research.

    After all of us from Diaz consulted with each other, we gave Domenico Procacci and Daniele Vicari permission to make the film. All of us were taking a risk allowing a production company like fandango access to the video evidence & photos and documents involved in the trial. However, we all felt that the story of the raid and what we had lived through had to be told to the rest of the world.

    What is unusual about the Diaz movie was that there was no script in existence, so Fandango commissioned Laura Paolucci to spend two years writing a script. The end result is a pulp fiction style film which is 80% true to the story of Diaz. Obviously, Vicari could not go into detail about the entire G8 which forms the backdrop for the beginning of the film but I think Vicari has done an almost perfect job of marrying together true events with a few high drama fictional characters.

    I think the combination of powerful high impact footage, recreated scenes and the chance of lifting the lift on the inside of the anti-globalization movement makes Diaz the movie a special film. The 2001 G8 was the biggest and worst riot in Europe in 60 years. To complete the film, Vicari has combined the usual high quality style of Italian film screening to capture this important moment of history, making it one of the best, most talked about and most controversial films to come out of Italy in 20 years.

    Only after the film had premiered in Berlin did I learn that Procacci had said that Diaz had been his most challenging and complicated film to make…with Vicari in agreement.

    My story is played by an Italian actor Pietro Ragusa and my almost death is one of the penultimate scenes in the movie. Because I ran out of Diaz, I took the full force of Canterini's unit, the 7th Mobile heavy riot unit that had specially trained for the Genova G8 summit. Pietro's part is almost as it exactly happened and I am very happy despite the scene is one of the most harrowing.
    8onlinebirgit

    Well made movie, but heavy to watch

    When you ever wished you had participated in a happy leftie mass event - watch that movie. The camera gave me the whole time the feeling of being part of the crowd on the screen, just there in the school building, between all the funny people - the guy who plays flamenco guitar, some Manu Chao song, the pop-up band, people just dancing - all of them who want to make the world a better place. A lot of languages are used all over the movie, people act like like real people do, it's just fine. This is the first part. Everything afterward, as we know, is of extreme brutality, and I was happy that I had never been part in that leftie mass event. I really liked the movie how it was make, technically. It's only a pity that a lot of answers are not given. It would have been helpful to work out more of the backgrounds. The extreme force of the police, where did it come from? There must have been a lot of hate and fear a long time in advance. We don't get to know much about the really violent left wing and how far the police was able or willing to make a difference between them and the average wild-haired, guitar-playing and further peaceful demonstrators. So, I missed some different points of view besides just the picture of peaceful lefties. But when you realize that everything really has happened like this, the the world is maybe less subtle some times. And that makes me shiver.

    Mehr wie diese

    A.C.A.B.: All Cops Are Bastards
    6,6
    A.C.A.B.: All Cops Are Bastards
    Tu nichts Böses
    7,1
    Tu nichts Böses
    Auf meiner Haut
    7,3
    Auf meiner Haut
    Romanzo di una strage
    7,2
    Romanzo di una strage
    Die Mafia mordet nur im Sommer
    7,1
    Die Mafia mordet nur im Sommer
    Morgen ist Schluss - Der Anfang
    7,0
    Morgen ist Schluss - Der Anfang
    Romanzo criminale
    7,2
    Romanzo criminale
    Die süße Gier
    7,2
    Die süße Gier
    Il Traditore - Als Kronzeuge gegen die Cosa Nostra
    7,1
    Il Traditore - Als Kronzeuge gegen die Cosa Nostra
    Mia
    6,9
    Mia
    Sie nannten ihn Jeeg Robot
    7,0
    Sie nannten ihn Jeeg Robot
    Die Ahnungslosen
    7,3
    Die Ahnungslosen

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Director Daniele Vicari watched 700 hours of video footage for research.
    • Soundtracks
      Evolution, Revolution, Love
      Performed by Tricky

    Top-Auswahl

    Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
    Anmelden

    FAQ17

    • How long is Diaz - Don't Clean Up This Blood?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 13. April 2012 (Italien)
    • Herkunftsländer
      • Italien
      • Rumänien
      • Frankreich
    • Offizieller Standort
      • Official Facebook
    • Sprachen
      • Italienisch
      • Deutsch
      • Französisch
      • Englisch
      • Spanisch
    • Auch bekannt als
      • Cuộc Bạo Động Đẫm Máu
    • Drehorte
      • Bukarest, Rumänien
    • Produktionsfirmen
      • Fandango
      • Le Pacte
      • Mandragora Movies
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 6.453.637 € (geschätzt)
    • Weltweiter Bruttoertrag
      • 2.621.201 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 2 Std. 7 Min.(127 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1

    Zu dieser Seite beitragen

    Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
    • Erfahre mehr über das Beitragen
    Seite bearbeiten

    Mehr entdecken

    Zuletzt angesehen

    Bitte aktiviere Browser-Cookies, um diese Funktion nutzen zu können. Weitere Informationen
    Hol dir die IMDb-App
    Melde dich an für Zugriff auf mehr InhalteMelde dich an für Zugriff auf mehr Inhalte
    Folge IMDb in den sozialen Netzwerken
    Hol dir die IMDb-App
    Für Android und iOS
    Hol dir die IMDb-App
    • Hilfe
    • Inhaltsverzeichnis
    • IMDbPro
    • Box Office Mojo
    • IMDb-Daten lizenzieren
    • Pressezimmer
    • Werbung
    • Jobs
    • Allgemeine Geschäftsbedingungen
    • Datenschutzrichtlinie
    • Your Ads Privacy Choices
    IMDb, ein Amazon-Unternehmen

    © 1990-2025 by IMDb.com, Inc.