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Diaz - Don't Clean Up This Blood

  • 2012
  • 16
  • 2 Std. 7 Min.
IMDb-BEWERTUNG
7,3/10
4159
IHRE BEWERTUNG
Diaz - Don't Clean Up This Blood (2012)
Drama

Eine Nachstellung der letzten Tage des G8-Gipfels von 2001.Eine Nachstellung der letzten Tage des G8-Gipfels von 2001.Eine Nachstellung der letzten Tage des G8-Gipfels von 2001.

  • Regie
    • Daniele Vicari
  • Drehbuch
    • Daniele Vicari
    • Laura Paolucci
    • Alessandro Bandinelli
  • Hauptbesetzung
    • Claudio Santamaria
    • Jennifer Ulrich
    • Elio Germano
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,3/10
    4159
    IHRE BEWERTUNG
    • Regie
      • Daniele Vicari
    • Drehbuch
      • Daniele Vicari
      • Laura Paolucci
      • Alessandro Bandinelli
    • Hauptbesetzung
      • Claudio Santamaria
      • Jennifer Ulrich
      • Elio Germano
    • 12Benutzerrezensionen
    • 21Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 15 Gewinne & 23 Nominierungen insgesamt

    Fotos79

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    Topbesetzung99+

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    Claudio Santamaria
    Claudio Santamaria
    • Max Flamini
    Jennifer Ulrich
    Jennifer Ulrich
    • Alma Koch
    Elio Germano
    Elio Germano
    • Luca Gualtieri
    Davide Iacopini
    Davide Iacopini
    • Marco
    Ralph Amoussou
    Ralph Amoussou
    • Etienne
    Fabrizio Rongione
    Fabrizio Rongione
    • Nick Janssen
    Renato Scarpa
    Renato Scarpa
    • Anselmo Vitali
    Mattia Sbragia
    Mattia Sbragia
    • Armando Carnera
    Antonio Gerardi
    Antonio Gerardi
    • Achille Faleri
    Francesco Acquaroli
    Francesco Acquaroli
    • Vinicio Meconi
    Paolo Calabresi
    Paolo Calabresi
    • Francesco Scaroni
    Alessandro Roja
    Alessandro Roja
    • Marco Cerone
    Eva Cambiale
    • Donata Stranieri
    Rolando Ravello
    • Rodolfo Serpieri
    Emilie de Preissac
    Emilie de Preissac
    • Camille
    Mica Bara
    • Karin
    • (as Micaela Bara)
    Sarah Marecek
    • Inga
    Lilith Stangenberg
    Lilith Stangenberg
    • Bea
    • Regie
      • Daniele Vicari
    • Drehbuch
      • Daniele Vicari
      • Laura Paolucci
      • Alessandro Bandinelli
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen12

    7,34.1K
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    Empfohlene Bewertungen

    10carlo-sanguineti

    Fortunately somebody DID this movie

    Sometimes you see a movie about something was really happened. And you were there, at that time. And you don't want to forget. You want nobody will forget. I think this movie is well done, maybe not a real artistic masterpiece, but I don't think this was the target for the director. The real target was just to document real fact as they happened. And if facts were not really that way the director and the producer would surely have problems with law. No problems happened. Sadly, I would prefer to know that this film was fictional and the policemen did their job in the right and humane way. I would really like "Diaz" was just a fiction. But it is not. By the way, I'm from Genova and I was there at the time. Not inside Diaz school, fortunately.
    9JvH48

    Diaz raid in Genoa in 2001 shown with violent visuals in full force. Much more than a documentary due to personal stories behind the dire event

    The film "Diaz – Don't clear up the blood" had its world premiere in Berlin, as part of the Berlinale 2012 film festival, in front of a full house with an estimated 1,750 viewers. The screening ended with an overwhelming applause, that lasted for an unusual long time. A considerable part of those involved in making this film was present. In his introduction the director mentioned that several victims of the raid were among them. He admired their preparedness to relive the dire event.

    The film title has two parts. The first (Diaz) part refers to the name of the school where the raid took place. The police thinks it is a nest full of "black bloc", allegedly being the core of demonstrations around the G8 summit in 2001 in Genoa (Italy). The second (Don't clean...) part refers to a hand made sign that was written on the wall after the raid, actually asking to keep intact what was left behind. That included large blood stains all over floors and walls, very useful as indisputable contradictory statement against the police PR.

    A clever scenario circles around what happened, rather than treating events chronologically. An important feature of the film is that we were introduced to miscellaneous persons having specific roles later on. This served as a binding element, elevating the film above a simple documentary. As the director said: due to these minor roles, you better remember the events afterwards. We see for example an elderly tourist, who got detached from his bus tour and was only looking for a place to sleep. Another example is a journalist from a right-wing magazine, taking leave to report from the inside out. Many more such personal stories develop along the line, working out exactly as the director mentioned.

    We were also offered an impression how average policemen stand in this. The tone is set in a scene where we see how a police car gets lost in some neighborhood they better stay out. They are immediately surrounded by angry citizens calling them "murderers", the result of a recent event where one person was killed in the course of a demonstration. The policemen feel threatened but escape unharmed.

    Also from a law enforcement viewpoint, but on a different level, we observe several decision makers (district attorney, police commanders, city council, etc). They had to depend on biased reports from police officers, finally deciding to proceed on very weak grounds, but "we must do something". Various evidence was planted to support their decision, or declared solid evidence later on. Benign empty bottles were allegedly stocked there for making Molotov cocktails. The PR aftermath from the police was evidently biased too, Best example were remarks about prepared wounds, said to have already existed before the raid, with express intent to blame the police later on. Of course, speaking of obvious bias is easy for us to say; we had ample chance to see the general picture from both sides.

    The actual raid is visualized in full force, about halfway the two hours running time. What we see before and after this core scene, continuously circles around it by showing whereabouts of victims and bystanders, and how they got involved. All are clearly innocent of the bad things the police attributed to them. They all happened to be at the wrong place at the wrong time. These personal stories, however small and trivial in the context of what is happening, work very well to elevate this film above a dry documentary that only states facts.

    I could not help wondering how useful it is to show the raid in every nasty detail. One important reason is that pictures speak one thousand words. We can expect the impact on the average viewer to be much greater than only words. A second reason could be that the film clearly shows the needlessly exaggerated amount of police power put into force, just for a relatively small unarmed group. A perfect illustration was the scene were everyone was standing with hands above their heads, apparently believing that an explicit show of being unarmed and defenseless would suffice, but the police bulldozed over them regardless.

    We witnessed a meeting of city council and law enforcement decision makers, giving a clear insight how it could come that far. The proof that lefties (not my words) were gathering was very thin (long hair, hoodies, what further proof do we need?). Also noteworthy was a statement from the police commander that he would be unable to control his men once in action. After that we saw a rather sketchy briefing for the policemen in the field, merely amplifying already dormant feelings that Diaz housed very illegal, near-terrorist actions. After such a biased preparation the heavily visualized police brutality within Diaz becomes a bit more understandable. The instructions to the policemen conveyed an image of illegality, with adversaries determined to plan demonstrations and other unlawful actions.

    Part of the final credits were some statistics about policemen and other officials convicted for involvement in the action. That is how "the system" works, but I'm certain it took years to come to final convictions. And above all, it leaves us with doubts whether it will improve future decision making. And last but not least, it won't repair the (internal and external) wounds of the victims having to live on with the consequences.

    All in all, an impressive document about the raid, providing very useful insights in what happened before and after. The various personal stories bring it to a much higher level than just a documentary. Also very interesting is that we see both sides, and the mechanisms involved how things like this get out of control.
    7lasttimeisaw

    Diaz: Don't Clean Up This Blood

    A KVIFF viewing, an Italian film from director Daniele Vicari, the film undertakes a sticky task to recount the fierce police assault on the so-called black-bloc group (mostly foreigners, students, journalists) after some protesters' affray in the final days of 2001 G8 Summit in Genova.

    The film's chief characteristic is its visual language, shockingly bold and deadly savage, which inevitably will be shunned by the demography of those are intolerable of graphic violence. One must admit, we are now in the era where news generally fade away in a 48-hour rotation, there are myriads of mostly recent "unfortunate incidents" have been erased from our mind, so as to this film takes a quite extreme measurement to remind us such horrifying and atrocious events did actually exist only a decade ago in a developed western country, with government authorities holding the reins.

    The very first scene, is a backward slow-motion of a protester slinging an empty bottle toward the police vehicles which are deliberately passing by the area, in order to procure a professed pretext to carry out the subsequent battery, so allegedly the entire action is ruthlessly plotted to set an example and to hector the masses. Two-thumbs up to the valor of the film, which fearlessly exposes the dark side of the government and the powerlessness of individual. But when the said slow-motion has been exploited multiple times, a dwindling impact inexorably occurs each time it recurs.

    Due to the fact the approach of depicting this scandalizing event in a multi-reflective manner, it entails a wide range of characters, local volunteers, various foreigners (among those are many innocent victims and the real peace-breakers who ironically evade the brute force), policemen who execute the operation, The numerous cast diffuses one's concentration while most roles are underwritten and loosely connected or fragmented, nevertheless Jennifer Ulrich gives a gutsy impression as a victim traumatized both outside and inside, Claudio Santamaria, also stands out among the bulk of cast, as the righteous Italian policeman who is more of a reluctant witness than a government's henchman or heavy.

    Anyway, with excellent editing, sound effects and a steady camera eye, the film is a quite mature work, on which one definitely could ruminate and alert oneself to be more conscious of the tragic happenings, they are just around us, be wise and be careful.
    8onlinebirgit

    Well made movie, but heavy to watch

    When you ever wished you had participated in a happy leftie mass event - watch that movie. The camera gave me the whole time the feeling of being part of the crowd on the screen, just there in the school building, between all the funny people - the guy who plays flamenco guitar, some Manu Chao song, the pop-up band, people just dancing - all of them who want to make the world a better place. A lot of languages are used all over the movie, people act like like real people do, it's just fine. This is the first part. Everything afterward, as we know, is of extreme brutality, and I was happy that I had never been part in that leftie mass event. I really liked the movie how it was make, technically. It's only a pity that a lot of answers are not given. It would have been helpful to work out more of the backgrounds. The extreme force of the police, where did it come from? There must have been a lot of hate and fear a long time in advance. We don't get to know much about the really violent left wing and how far the police was able or willing to make a difference between them and the average wild-haired, guitar-playing and further peaceful demonstrators. So, I missed some different points of view besides just the picture of peaceful lefties. But when you realize that everything really has happened like this, the the world is maybe less subtle some times. And that makes me shiver.
    8kosmasp

    Cleaning up

    The movie says: Don't clean up the mess, as in let the world see what happened. As you can tell by that, the movie is based on true events. Very harrowing and very powerful. The performances are pitch perfect. Small events enroll and you can see that something big will happen. The movie emphasizes that one scene is very important (one event if you wanna call it that) and it gets repeated. Now don't judge the movie on the bad cgi in that scene, if you can.

    And as the other reviewer has said, it might have its flaws, but its message is very clear and it should have played at the big screen at the Berlin International Film Festival. The other reviewer also stated there's another movie called Summit, which I know will seek, which seems to be reveal even more of what happened, but more in a documentary style. This one reminded me a bit of the American movie "Battle in Seattle" ...

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    Handlung

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    • Wissenswertes
      Director Daniele Vicari watched 700 hours of video footage for research.
    • Soundtracks
      Evolution, Revolution, Love
      Performed by Tricky

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    Details

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    • Erscheinungsdatum
      • 13. April 2012 (Italien)
    • Herkunftsländer
      • Italien
      • Rumänien
      • Frankreich
    • Offizieller Standort
      • Official Facebook
    • Sprachen
      • Italienisch
      • Deutsch
      • Französisch
      • Englisch
      • Spanisch
    • Auch bekannt als
      • Cuộc Bạo Động Đẫm Máu
    • Drehorte
      • Bukarest, Rumänien
    • Produktionsfirmen
      • Fandango
      • Le Pacte
      • Mandragora Movies
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    Box Office

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    • Budget
      • 6.453.637 € (geschätzt)
    • Weltweiter Bruttoertrag
      • 2.621.201 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      • 2 Std. 7 Min.(127 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1

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