Ein sklavendrehender Gladiator befindet sich in einem Wettlauf gegen die Zeit, um seine wahre Liebe zu retten, die mit einem korrupten römischen Senator verlobt wurde. Als der Vesuv ausbrich... Alles lesenEin sklavendrehender Gladiator befindet sich in einem Wettlauf gegen die Zeit, um seine wahre Liebe zu retten, die mit einem korrupten römischen Senator verlobt wurde. Als der Vesuv ausbricht, muss er kämpfen, um seine Geliebte zu retten, während Pompeji um ihn herum bricht.Ein sklavendrehender Gladiator befindet sich in einem Wettlauf gegen die Zeit, um seine wahre Liebe zu retten, die mit einem korrupten römischen Senator verlobt wurde. Als der Vesuv ausbricht, muss er kämpfen, um seine Geliebte zu retten, während Pompeji um ihn herum bricht.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 9 Gewinne & 4 Nominierungen insgesamt
- Milo's Mother
- (as Rebecca Eady)
Empfohlene Bewertungen
"Pompeii" is a full of action and dull romance in the tragic environment of the last days of Pompeii. Disaster movies were popular in the 70's ("Airport", "The Towering Inferno", and "Earthquake" among others) and Paul W.S. Anderson returns to the genre after "Titanic". The entertaining story is silly with poor lines and dialogs, but never boring. Kit Harington, the "Jon Snow" from "Games of Thrones", makes it worth to see at least on DVD. My vote is six.
Title (Brazil): "Pompeia" ("Pompeii")
It's fast paced, has some great action scenes and is an overall pretty decent. Nowhere near as bad as others are making out to be. I wish Emily Browning would make more big budget movies.
But you know a movie is bad when it ends with a scene that is supposed to be emotional and tragic, and the whole theater bursts out laughing.
I feel like there's no point in me going over how poorly written the characters were, because I'm sure everyone else has already done that. The romance was extremely random. It's like they didn't even care about the story.
To be fair, the visual effects were great, but really, today there are so many movies with great visuals, this one does nothing new. Although it turns out that the filmmakers did their research for this film and the set designs and the eruption were very true to fact (except for the lava bombs and the tsunami) and even the ash-figures we see at the end were based on (stress on based on) actual figures that were discovered. So that raises the film a bit in my respect.
Also,
Atticus: Which bastard will be the one I kill today? Me: Ned Stark's bastard.
Sorry. :P
The above phrase contains all one needs to be aware with regards to Pompeii. Brilliant and breathtaking spectacle marred by superficial storyline.
We live the last days of Pompeii leading to the eruption of Vesuvius. A slave arrives in town in order to fight for his life as part of a spectacle for a senator from Rome. He befriends another gladiator and the daughter of the town's governor falls for him.
On the one hand, a great job has been done to escalate the audiences tension as we await for Armageddon to hit and the visual climax does not disappoint. The effects are spectacular and the destruction is displayed to its full core.
Sadly, whilst these men who were treated like animals and were an object of sport for their slave owners had a chance to escape they put everything to jeopardy for a girl crush who was also part of the system that oppressed them. Had this been presented from the angle of a friendship between two men that were to fight one another to death it would have some resonance but for some cheesy romance it proved a major anticlimax in the otherwise impressive high point leading to sheer indifference as to whether any of them survived or not.
It was watchable, but don't be expecting a fabulous plot that you haven't seen dozens of times in other better movies. The bad writing had most of the actors come off sounding like lifeless wooden statues that would say and do very unbelievable things just to keep the story going. Everything was very predictable. So predictable, in fact, there were a couple of moments I could have sworn I did see it before!
This was a good example why I typically do no like 3D movies. Having some good 3D effects is not a valid excuse for making a bad movie!! This definitely could have been much better!
Wusstest du schon
- WissenswertesThe thumbs-up/thumbs-down gestures which stem from gladiatorial events had different if not opposite meanings to what they do today. A down-turned thumb by an official symbolized the winner burying his sword in the sand and the loser's life spared; an upturned thumb expressed delivering the killing stroke, symbolizing a slit throat. The actual gesture remains unknown - our belief in the thumbs-up/down stem from a painting by Gerome (pollice verso - with turned thumb) the surviving descriptions 'Infesto pollice' (with hostile thumb) and 'pollice premere' (with thumb pressed down) are too ambiguous to conclusively state what gesture was used in reality.
- PatzerCorvus has a bust of the Emperor Hadrian on display in his military tent. Hadrian was emperor from AD 117 - 138, and would have only been three years old at the time.
- Alternative VersionenThe UK release was cut, the distributor was advised that the film was likely to receive a 15 classification but that their preferred 12A classification could be obtained by making some changes. The distributor was advised to reduce stronger moments of violence where there was a dwelling on particular acts and to reduce the emphasis on blood on bladed weapons. When the film was formally submitted, changes had been made which addressed these concerns. Consequently, the film was classified 12A.
- VerbindungenFeatured in Someone Has to Review It!: Pompeii (2014)
- SoundtracksHouse of Delights
from Spartacus: Gods of the Arena (2011)
Written by Joseph LoDuca
© Starz Entertainment, LLC.
Courtesy of Warner/Chappell Music Canada, Ltd.
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Pompeya
- Drehorte
- Pompeii, Neapel, Kampanien, Italien(some exteriors)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 100.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 23.219.748 $
- Eröffnungswochenende in den USA und in Kanada
- 10.340.823 $
- 23. Feb. 2014
- Weltweiter Bruttoertrag
- 117.831.631 $
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1