An einer internationalen Schule in Jakarta fordert ein Philosophielehrer seine Klasse mit zwanzig Abiturienten auf, zu entscheiden, welche zehn von ihnen Zuflucht in einem unterirdischen Bun... Alles lesenAn einer internationalen Schule in Jakarta fordert ein Philosophielehrer seine Klasse mit zwanzig Abiturienten auf, zu entscheiden, welche zehn von ihnen Zuflucht in einem unterirdischen Bunker suchen wollen, um die Menschheit im Falle einer nuklearen Apokalypse neu zu starten.An einer internationalen Schule in Jakarta fordert ein Philosophielehrer seine Klasse mit zwanzig Abiturienten auf, zu entscheiden, welche zehn von ihnen Zuflucht in einem unterirdischen Bunker suchen wollen, um die Menschheit im Falle einer nuklearen Apokalypse neu zu starten.
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Or not, as it turns out - because it is a classroom exercise. All the exotic settings, CGI explosions, and crisp cinematography cannot distract us from the fact that all that is at stake here is an A, B or C grade. There isn't even a mention that someone might FAIL the class - the stakes are that low! The teacher threatens the lead girl with losing her A+ in a manner that, if taken seriously, would see him fired for power harassment and incompetence. Are we meant to fear for her in this ludicrous moment? Unfortunately, that is as dramatic as this film gets.
The so-called philosophy is preachy and immature. The pupils all kind of blend into each other as characterisation is one-note. And absolutely nothing of value is tested or put at risk here. It's like The Breakfast Club was never made.
How this screenplay made it to the top of anyone's pile is a crime that should be investigated. Two stars - one for the cinematography, the other for the huge drinking game potential.
Watching the movie as a drama, it's passable. The teacher claims that they're doing a thought experiment but in actuality I would say they were playing a bad role playing game (think Dungeons and Dragons). Imagine a really nasty DM (the teacher) empowered to force others to play his game by use of his position of authority. He does most of the things that a bad DM does and for reasons consistent with most common role playing game drama. This doesn't really pull together to make a fantastic movie but it's decent.
At the start, it (very) quickly glances over some other thought experiments which involve conflicts of rationality and morality (5 people tied to one train track, 1 person tied to parallel track, train coming down track with 5 people, but you have a switch that will change the track the train goes down to the one with only 1 person on, do you flip the switch?). They're well known to anyone who's familiar with utilitarianism, but anyone who's not covered them before will probably be left confused as to how the movie concludes immediately after asking the question that the switch flippers are murderers and offering no explanation as to why. But it's at least getting people warmed up for actively participating in the thought experiment rather than just being passive observers.
The main thought experiment, deciding who should get to live, is pretty interesting at first. Rationality and logic will be most peoples tools for deciding; the people who bring the greatest benefit to humanity should live. The movie then tries to test the boundaries of how far you'll stay rational for the greater good in situations which you may find immoral. Can 'bad' actions be justified if they're for the greater good (e.g. dropping the atom bomb to end WW2)? While this is good in concept, the script and characters fail to pull it off in a convincing way. The characters put up fights on grounds of morality in such petty issues that they come across as just being whiny children throwing a tantrum rather than humans stretched to the limits of what they'll do in pursuit of the greater good and finally drawing a line in what they can bear to justify to themselves as 'the rational thing to do'.
It was the final third that really ruined the film though. Up until then it may not have been great, but it was at least trying to explore philosophical problems. But at this point the self-righteous writer who can barely spell philosophy, let alone comprehend it, takes over. They completely ignore every concept of right and wrong the film has previously been exploring. The writer goes off on their own tangent with their view of what's 'good', which doesn't seem too bad at first, except it appears to be written by someone who has never actually stopped to consider why they judge something as 'good'. There is neither rationality nor logic behind their ideas, no concept of the greater good, in fact, you'd be hard pushed to find any interpretation of morality where the final writers 'good' may fit in to. It's just selfish, unbelievably stupid and defies any kind of logic. The writer isn't trying to write a thought provoking script, he's trying to write a 'feel good' story that ignores reality and is completely unrelated to anything previously discussed in the movie. I believe the writer was trying to convey something along the lines of rationality and logic not being the gold standard when it comes to morality, but he failed in showing anyone why this might be. His attempt to show this may have actually being so poor that, inadvertently, he actually reinforced the importance of rationality.
I think the movie does deserve some credit for presenting a story that will get viewers thinking about some interesting concepts, for that I would still recommend it for people unfamiliar with philosophy, but if you are familiar with the concepts covered then I don't think it's worth watching as it will add nothing new to what you already know and will probably end up just irritating you.
As I watched the movie it came to me that the guys who wrote, directed and produced this film were in a bar one night when they decided that this was a worthwhile film. You would have to be fall- down drunk to think this film had any depth or even answered the most shallow philosophical questions of existence.
The acting was bland, the lead actress was a desert of emotions. The other actors just stood there without expression. I don't suppose that the director or the films cutter had sobered up from their night of drinking yet and I do believe that the music was written for some other movie...maybe a cartoon.
Please do not watch this film or you might hurt your artistic soul...there, I have warned you.
Wusstest du schon
- WissenswertesThe names of several of the main characters are never mentioned or shown in the movie, and are only revealed by the cast credits in the closing titles. This applies to Georgina (Bonnie Wright), Yoshiko (Natasha Gott), Utami (Cinta Laura Kiehl) and Kavi (Abhi Sinha), even though most of them had prominent roles in the movie.
- PatzerIn the bunker where they lock the teacher behind, he dies from radiation poisoning. He is then later eaten by predatory dogs/wolves.
Any creature large enough to feed on a human would have also died from the exact same radiation poisoning long before it ever got the chance to eat his body.
Even the lower radiation would have killed it on the surface if it'd had been living underground.
- Crazy Credits"James's poem to Petra by Rhys Wakefield and Sophie Lowe"
- SoundtracksLenten Is Come
Traditional
Arrangement by Robin Snyder
Performed by Briddes Roune
Published by Magnatune
[Courtesy of Magnatune.com]
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- The Philosophers - Die Bestimmung
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- Weltweiter Bruttoertrag
- 1.770.376 $
- Laufzeit
- 1 Std. 47 Min.(107 min)
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- 2.39:1