Zwei kämpfende Kumpels kleiden sich als Polizisten für eine Kostümparty und werden zu Nachbarschaftssensationen. Aber wenn sich diese neu gewonnenen "Helden" in einem realen Netz von Gangste... Alles lesenZwei kämpfende Kumpels kleiden sich als Polizisten für eine Kostümparty und werden zu Nachbarschaftssensationen. Aber wenn sich diese neu gewonnenen "Helden" in einem realen Netz von Gangstern und schmutzigen Detektiven verheddern, müssen sie ihre gefälschten Abzeichen auf die Li... Alles lesenZwei kämpfende Kumpels kleiden sich als Polizisten für eine Kostümparty und werden zu Nachbarschaftssensationen. Aber wenn sich diese neu gewonnenen "Helden" in einem realen Netz von Gangstern und schmutzigen Detektiven verheddern, müssen sie ihre gefälschten Abzeichen auf die Linie bringen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
- Todd Cutter
- (as Jon Lajoie)
- Dave
- (as Randall P. Havens)
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"New Girl" co-stars Jake Johnson and Damon Wayans Jr. reteam for this film as Ryan and Justin: two of the biggest losers ever put onto the big screen. Their performances were good, granted the fact that absurd comedy is perhaps the easiest to do well in a film. Johnson specifically took on the role of a loser very well leaving you with the amount of distaste for his character which was needed to tell the story. Wayans did an excellent job of grasping the ridiculousness of the film and putting it into his character at the correct times. Ryan and Justin were not nearly as funny as they could have been, but for the budget this film was given Johnson and Wayans did an excellent job of providing very funny performances that are very necessary for a film like this to work. Also among the cast were James D'Arcy as the stereotypical villain, Nina Dobrev as the stereotypical girlfriend, Keagan-Michael Key as an over the top gang member, Rob Riggle as the only person who gets anything done, and a surprising appearance from Andy Garcia as the stereotypical gang leader.
When it comes to making a comedy of this style there is a precise formula that is easy to follow, works very well, and as a result is done very often. Director and co-writer Luke Greenfield clearly decided early on to stick with this formula and it can be seen throughout the film: We start with two guys. Both are over the top, both are good-for-nothings, both are funny, but are ten times funnier when they are together. Enter a ridiculous plot which they innocently get mixed up in and is way out of their league, usually something that comes up a lot in other films and TV shows. Add a creepy villain here, a girlfriend for one of them there, and a scene where they drop the comedy and say something deep and profound. Finish it up with a moment of true courage, cut quickly to another stupid joke before the credits roll, and you're set! A guaranteed twenty-five million dollars on opening weekend.
I'm not saying I dislike the formula, it works. It's irritating, but it works. At least some credit is due for that. It does bother me, however, that the films that follow the formula are often extremely successful and well-known, when there are so many really good films that take huge risks and are only seen by a select number of people. On its own scale though, this movie was fairly delightful. A good percentage of the jokes were very funny, there were numerous cringe-worthy moments, but it worked because somehow a laugh will always win that battle. The film also featured an excellent climax which was funny and even slightly suspenseful.
If you do decide to go see this film, which I don't think I'd immediately recommend, go in as I did. Have zero expectations. In fact, have low expectations. You're not going to find a "Dumb and Dumber" or a "Bridesmaids" in this movie, but it isn't a terrible thing to waste an hour and forty minutes on if you go in with very low expectations. I enjoyed it for the brief bit of my life, but I do know that I don't ever want to see it again. So as I walked out of the theater, I was ready to move onto the next thing.
I give "Let's Be Cops" a 5.8/10.
What people really need to know about Let's Be Cops is that it's not a dim-witted comedy. Dim- witted comedies are like Strange Wilderness, Brothers Soloman, and Dude, Where's My Car? Those are plagued with dumb characters and a lack of intelligence and heart. Jake Johnson and Damon Wayans Jr. are the main characters who are much smarter than the average dim-witted character. Johnson is pretty close, but not quite. I will admit this movie isn't very funny, nor funny as a typical dim-witted comedy. Perhaps it would have been funnier if it had more dim- witted elements and characters. Perhaps not.
Let's Be Cops is about two thirty-year-old best friends, Ryan O'Malley and Justin Miller (Johnson, Wayans), who live in Los Angeles for opportunity, but think it's time to go back to Ohio. Justin works at a video game company where he is a big pushover; Ryan doesn't work and and aspires to nothing, just wishing he could play pro-football. When they intercept real police uniforms, they act like real cops, then get involved in a high-profile drug case. The first little bit when they dress up as cops and start acting like them is pretty funny because we all know everybody would try to abuse their privilege. Then the funniness starts to die down, but that is when the brains of the movie come.
What makes Let's Be Cops so appealing that so many people miss is what the police work does to Ryan and Justin. For Ryan, it gives him a sense of enjoyment and pride which he hasn't had in a long time. For Justin, it gives him confidence and helps with his assertiveness. That is what the movie is all about: finding your true self. Is the movie unrealistic and silly? Of course, but that's what makes it a nice watch. Two losers put on police outfits and something changes inside themselves. They find the respect they've always longed for.
3/4
Well, this film is neither intellectual nor cheesy. It has a really nice core story about these two great guys who have had very little success in life, but then they realise how powerful they are just by wearing police uniforms. The story seems simple, but the two main actors play it just right and it doesn't go over the top, but produces a really humorous film that kept be riveted. One of the best comedies I have seen, simply because it gets the balance right and is light, exciting, fun, has a little depth, and made me laugh despite my grumpy mood. Thoroughly recommended to everyone! No 'shocking'/rude comedy, simply excellent fun.
Wusstest du schon
- WissenswertesJake Johnson, Damon Wayans Jr., Jonathan Lajoie, Rob Riggle and Keegan-Michael Key, who are all stand-up comedians, improvised a lot of their dialogue.
- PatzerWhen Ryan's cop car chases the kids across the lawn, the tires squeal as if on pavement.
- Crazy CreditsAnother montage of Ryan and Justin posing as cops is shown during the end credits.
- SoundtracksI Want It That Way
Written by Andreas Carlsson (as Andreas Mikael Carlsson) & Max Martin
Performed by Backstreet Boys (as The Backstreet Boys)
Courtesy of RCA Records
By arrangement with Sony Music Licensing
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Agentes del desorden
- Drehorte
- Atlanta, Georgia, USA(as Los Angeles)
- Produktionsfirmen
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Box Office
- Budget
- 17.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 82.390.774 $
- Eröffnungswochenende in den USA und in Kanada
- 17.813.722 $
- 17. Aug. 2014
- Weltweiter Bruttoertrag
- 138.224.951 $