Cash versucht, ein ehrliches und ruhiges Leben zu führen, aber als Big Cat ihn zwingt, sich wieder in ihre Dienste zu stellen, ist er zu allem fähig, um die Stadt und die einzige Familie, di... Alles lesenCash versucht, ein ehrliches und ruhiges Leben zu führen, aber als Big Cat ihn zwingt, sich wieder in ihre Dienste zu stellen, ist er zu allem fähig, um die Stadt und die einzige Familie, die er noch hat, zu schützen.Cash versucht, ein ehrliches und ruhiges Leben zu führen, aber als Big Cat ihn zwingt, sich wieder in ihre Dienste zu stellen, ist er zu allem fähig, um die Stadt und die einzige Familie, die er noch hat, zu schützen.
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It is one thing to have a very good cast of stars (Bloom, McDowel,Dillahunt) to attracts viewers to your movie. It is another challenge to have a sensible, workable and engaging script that the viewer can follow with intent and delight. It is yet another aspect to have a production, directing and editing crew that ensures an engaging element to the viewing experience
Sadly, in this case, only the first aspect is present - great cast, thus the question : "Oh, Orlando... WHY!" It is heartbreaking to see such talent wasted on this triviality only for the crew to say "we had Mr Bloom in our movie!". Shame on you
It was with painful admission that I could not continue my viewing past the hour mark. It was that unhinged, uninteresting and quite simply BORING. With better directing (and editing) this movie could well have been a great 7.5. It is not about the story (we have seen this too many times) but the senselessness of wasted screen time where just nothing happens.... or the opposite to what humans normally do to be of assistance to family
As for that... if you want Mr Dillahunt to go through bottles of hard tac, then at least GIVE him some real stuff so that he can actually BE drunk and not sometimes appear quite sober after a few shots
It took me a few days to go back to see the second half.... I could not stay for the end.... Perhaps Mr Bloom's agents were a bit over eager to sign him up for this one. I am sure there are much better offers out there who would be able to work with this talented actor
Final statement : rather go watch Sesame Street with your popcorn.
Sadly, in this case, only the first aspect is present - great cast, thus the question : "Oh, Orlando... WHY!" It is heartbreaking to see such talent wasted on this triviality only for the crew to say "we had Mr Bloom in our movie!". Shame on you
It was with painful admission that I could not continue my viewing past the hour mark. It was that unhinged, uninteresting and quite simply BORING. With better directing (and editing) this movie could well have been a great 7.5. It is not about the story (we have seen this too many times) but the senselessness of wasted screen time where just nothing happens.... or the opposite to what humans normally do to be of assistance to family
As for that... if you want Mr Dillahunt to go through bottles of hard tac, then at least GIVE him some real stuff so that he can actually BE drunk and not sometimes appear quite sober after a few shots
It took me a few days to go back to see the second half.... I could not stay for the end.... Perhaps Mr Bloom's agents were a bit over eager to sign him up for this one. I am sure there are much better offers out there who would be able to work with this talented actor
Final statement : rather go watch Sesame Street with your popcorn.
Now, this is a fun, suspension-of-disbelief type film. It is so ludicrous, but I feel it only because of its setting and period. If this had been a modern take on a Spaghetti Western, I think people would take it as such and forgive its stupidity. In my imagination, I watched it as a Western; it seems to be a good story spoiled because of its setting. In the last year, there has been a shortage of good Westerns. Many cheap budget stinkers have been made, but little stands out. It has a good cast going full in and lots of blood, action, and shootouts. If you watch this as a Western (assuming you like them), you will get some satisfaction. It seems to be a recent trend of making modern set westerns in the present.
Red Right Hand (2024) is a gritty, violent, somewhat depressing film with enough understated woke elements to distract and leave audiences wondering how much better it could have been.
The film seems almost schizophrenic in attempting realism in a genre that naturally gravitates toward right wing elements. Two graphic scenes depict brutal interrogations, but conducted by the villains. The chief villain is played by a woman with an army of male henchmen and a kinky boytoy. The one good cop on a corrupt force is a black guy. There is a lot of storm-trooper style gunplay and other violence, but much of it is off-camera. A scene involving violence toward a female is handled so obliquely as to leave the audience wondering what, if anything, happened. A young girl is taught to use a rifle and a knife, but the hero often finds himself without a gun or without bullets.
Orlando Bloom is excellent playing a backwoodsman with a lot of conflicts. He delivers a highly credible, nuanced performance. Garret Dillahunt also delivers a very credible performance as the preacher/sidekick. Andie MacDowell plays the antagonist in an over-the-top two-dimensional comic-book mode. None of the male characters seem to have any current romantic partners, although one spends a lot of time pining over his dead wife. What passes as the B-story love angle is the platonic relationship between Cash (Bloom) and his niece, which occupies a lot of screen time without managing to be particularly interesting.
Production values are adequate. Scenery and costumes seem authentic. Overall, the movie is watchable, but not truly satisfying. It's too timid for action fans, but perhaps too gritty for drama fans. The lack of any romantic angles leaves the characters seeming incomplete.
The film seems almost schizophrenic in attempting realism in a genre that naturally gravitates toward right wing elements. Two graphic scenes depict brutal interrogations, but conducted by the villains. The chief villain is played by a woman with an army of male henchmen and a kinky boytoy. The one good cop on a corrupt force is a black guy. There is a lot of storm-trooper style gunplay and other violence, but much of it is off-camera. A scene involving violence toward a female is handled so obliquely as to leave the audience wondering what, if anything, happened. A young girl is taught to use a rifle and a knife, but the hero often finds himself without a gun or without bullets.
Orlando Bloom is excellent playing a backwoodsman with a lot of conflicts. He delivers a highly credible, nuanced performance. Garret Dillahunt also delivers a very credible performance as the preacher/sidekick. Andie MacDowell plays the antagonist in an over-the-top two-dimensional comic-book mode. None of the male characters seem to have any current romantic partners, although one spends a lot of time pining over his dead wife. What passes as the B-story love angle is the platonic relationship between Cash (Bloom) and his niece, which occupies a lot of screen time without managing to be particularly interesting.
Production values are adequate. Scenery and costumes seem authentic. Overall, the movie is watchable, but not truly satisfying. It's too timid for action fans, but perhaps too gritty for drama fans. The lack of any romantic angles leaves the characters seeming incomplete.
I guess acting is called acting for a reason but when Brits and Australians are acting as rednecks thugs it's almost laughable. The script is completely over the top and unbelievable and unfortunately the 2 hours you waste on this movie will never be returned to you. For the love of god is it too much to ask for an original story from Hollywood rather than the same old stories being regurgitated? I realize that the IQ level of the target audience for this movie is not very high blood lately the U. S. movie makers have been churning out nothing but diarrhea in terms of storytelling as well as acting.
ONCE in a lifetime means I will only watch this movie ONCE in my lifetime. If I could take it back a couple of hours that number would be nonce in a lifetime.
All previous great respect for Andie MacDowell instantly destroyed.
The plot we have seen endlessly The characters (bad guys) were so over the top it seemed like every single one of them was on the high end of the psycho scale, with their tendancies for torture and their delight in the process.
They even throw in the compulsory gum chewing moron.
As we see again and again... a decent storyline ruined by delusions of grandeur from the director(s) It had promise to be a good movie... a bit of subtlety, a bit of realism, a whole lot less manure.
All previous great respect for Andie MacDowell instantly destroyed.
The plot we have seen endlessly The characters (bad guys) were so over the top it seemed like every single one of them was on the high end of the psycho scale, with their tendancies for torture and their delight in the process.
They even throw in the compulsory gum chewing moron.
As we see again and again... a decent storyline ruined by delusions of grandeur from the director(s) It had promise to be a good movie... a bit of subtlety, a bit of realism, a whole lot less manure.
Wusstest du schon
- WissenswertesThe man on the phone in the parking lot when Finney is threatened, is the current Pastor of the church.
- PatzerAt 28:12, one of the characters takes a swig of "bourbon" revealing a full head of white bubbles as he does so, something no bourbon or whisky of any sort does. However, this is a characteristic of ice tea.
- SoundtracksWhen I Get There
written by Dune Butler, Kate Dinsmore & Peter Donovan
performed by Up & Over feat. Kate Dinsmore
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Pacto de sangre
- Drehorte
- Lexington, Kentucky, USA(Production Agent: Paracorp Incorporated 828 Lane Allen Road #219 Lexington, KY 40504)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 35.368 $
- Eröffnungswochenende in den USA und in Kanada
- 18.135 $
- 25. Feb. 2024
- Weltweiter Bruttoertrag
- 153.552 $
- Laufzeit1 Stunde 51 Minuten
- Farbe
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