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God Bless America

  • 2011
  • 16
  • 1 Std. 45 Min.
IMDb-BEWERTUNG
7,1/10
73.397
IHRE BEWERTUNG
Tara Lynne Barr in God Bless America (2011)
On a mission to rid society of its most repellent citizens, terminally ill Frank makes an unlikely accomplice in 16-year-old Roxy.
trailer wiedergeben2:21
2 Videos
99+ Fotos
ParodieSatireSchwarze KomödieDramaKomödieKriminalität

Auf der Mission, die Gesellschaft von ihren abstoßendsten Bürgern zu befreien, macht der unheilbar kranke Frank die 16-jährige Roxy zu einer unwahrscheinlichen Komplizin.Auf der Mission, die Gesellschaft von ihren abstoßendsten Bürgern zu befreien, macht der unheilbar kranke Frank die 16-jährige Roxy zu einer unwahrscheinlichen Komplizin.Auf der Mission, die Gesellschaft von ihren abstoßendsten Bürgern zu befreien, macht der unheilbar kranke Frank die 16-jährige Roxy zu einer unwahrscheinlichen Komplizin.

  • Regie
    • Bobcat Goldthwait
  • Drehbuch
    • Bobcat Goldthwait
  • Hauptbesetzung
    • Joel Murray
    • Tara Lynne Barr
    • Mackenzie Brooke Smith
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,1/10
    73.397
    IHRE BEWERTUNG
    • Regie
      • Bobcat Goldthwait
    • Drehbuch
      • Bobcat Goldthwait
    • Hauptbesetzung
      • Joel Murray
      • Tara Lynne Barr
      • Mackenzie Brooke Smith
    • 258Benutzerrezensionen
    • 228Kritische Rezensionen
    • 56Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 5 Nominierungen insgesamt

    Videos2

    Greenband Version
    Trailer 2:21
    Greenband Version
    God Bless America
    Trailer 2:17
    God Bless America
    God Bless America
    Trailer 2:17
    God Bless America

    Fotos165

    Poster ansehen
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    + 160
    Poster ansehen

    Topbesetzung99+

    Ändern
    Joel Murray
    Joel Murray
    • Frank
    Tara Lynne Barr
    Tara Lynne Barr
    • Roxy
    Mackenzie Brooke Smith
    Mackenzie Brooke Smith
    • Ava
    Melinda Page Hamilton
    Melinda Page Hamilton
    • Alison
    Rich McDonald
    Rich McDonald
    • Brad
    Maddie Hasson
    Maddie Hasson
    • Chloe
    Larry Miller
    Larry Miller
    • Chloe's Dad
    Dorie Barton
    Dorie Barton
    • Chloe's Mom
    Travis Wester
    Travis Wester
    • Ed
    Lauren Benz Phillips
    Lauren Benz Phillips
    • Donna
    • (as Lauren Phillips)
    Guerrin Gardner
    Guerrin Gardner
    • Tampon-Throwing Tuff Gurl
    Kellie Ramdhanie
    • Melissa Tuff Gurl
    • (as Kellie Marie Ramdhanie)
    Aris Alvarado
    Aris Alvarado
    • Steven Clark
    Romeo Brown
    Romeo Brown
    • John Tyler
    Sandra Vergara
    Sandra Vergara
    • American Superstarz Judge
    Jamie Harris
    Jamie Harris
    • American Superstarz Judge
    Alexie Gilmore
    Alexie Gilmore
    • Morning Show Host
    James McAndrew
    James McAndrew
    • Morning Show Host
    • Regie
      • Bobcat Goldthwait
    • Drehbuch
      • Bobcat Goldthwait
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen258

    7,173.3K
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    Empfohlene Bewertungen

    7bluestemz

    "No one has any shame anymore, and we're supposed to celebrate it."

    Bobcat Goldthwait's latest feature as writer & director is a hilarious & articulately written black comedy commentary on contemporary American culture, or lack thereof. Yes, mass media's influence on the devolution of society has been tackled before (Oliver Stone's Natural Born Killers & Euros Lyn's Fifteen Million Merits, for example) and the script has it's issues (which are plausibility/suspension of disbelief related IMO) but the dialogue does have monologues & diatribes that I think really do shine. The acting is FTW, and the whole small budget meets meaningful repartee feel of the piece threw me back to Mark Osbourne's 2000 film "Dropping Out". Most definitely catch it if you can! 8D
    8Stanstyman

    Don't analyse....enjoy

    The problem with many reviews is that we seek to 'analyse' and not just accept. We look for hidden agendas instead of just taking something at face value. This film is a gem...the main character and his life were easily acceptable and plausible and his outlook on modern American life whilst predictable, knowing the movie's theme...was perfectly understandable. There is a wonderful dark humour running throughout the story and whilst it does stretch the imagination boundaries at times you think to yourself 'so what ..I'm enjoying it'. I could not think of one victim in this film that I also wouldn't have minded bumping off and Tara Lynne Barr is perfect as Frank's young accomplice. One of my favourite scenes involved Frank's visit to his doctor but then I always did have a twisted sense of humour. I recommend you watch this if only as a release valve for your pent up frustrations with modern society and TV talent shows.
    8axlrhodes

    I wonder what Simon Cowell would make of it?

    Written and directed by American comedian Bobcat Goldthwait comes this tale of Frank (Joel Murray), a downtrodden sad sack of a man whose miserable and lonely existence away from an estranged wife and daughter is accompanied by insomnia, noisy neighbours, reality television in all it's most evil manifestations and an ever increasing lack of patience. After losing his job and discovering he has an inoperable brain tumour, Frank decides he's had enough of the ignorance and general lack of moral principles he sees permeating through everyday American life and sets about directly addressing the problem…with a gun. Aside from the overly graphic and wanton violence, this is a film with a lot to say. It's almost as if writer Goldthwait is himself getting stuff off his chest that's been festering for years. Much of the dialogue is indeed bitingly funny, including some incisive rants about the pernicious nature of American Idol type singing competitions. The film does sometimes forget itself (one holiday montage sequence seems a loose fit) and some of the murders which Frank and his willing side-kick Roxy (Tara Lynn Page) carry out might threaten to cancel out the more intelligent aspects of the message for some. What is certain is that God Bless America will divide opinion. Frank's a walking contradiction, a liberal man who fights his cause with right-wing methods to find a stage to air his liberal views. This is a film for everyone who's imagined but would never carry out. For those who want to instantly silence that barking dog down the street that's preventing valuable sleep before that big presentation at work the next day. It's for those of us who sit silently in cinema seats respecting other people's right to enjoy the experience only to have ignoramus's gibbering on mobile phones or kicking the back of your seat. While the film might draw criticism for it's depictions and excessive"preachiness", i found it agreeably acerbic. I wonder if Simon Cowell feels the same way.
    7agrising

    I really wanted to love it

    Instead, I liked it and would gladly watch it again. God Bless America had so much potential. Its first half an hour or so goes as you expect, over the top dark humor with non-stop truth hitting relentless social commentary and then...Roxy walks into the movie. From this point on, unfortunately, without saying much, the movie falls into several paradoxes and loses its focus.

    At its core, GBA is a good social satire with nonstop commentary on the problems with pop culture and society, but on the same coin, the movie tries so hard that it feels like a rant by an angry liberal rather the good satire it initially set out to be. Furthermore, Roxy becomes one of the characters you want dead as the movie goes and her character, along with her and Frank's relationship, appears so idealized and forced, that it just affects the movie for the rest of its running time.

    The good, however, lies in the great shooting scenes, some of the great commentary made by Frank (most of what Roxy says makes you roll your eyes if not question what in the world the movie was going for), the dark humor, the targets for satire, the over the top story, its entertainment, and overall its a solid 9/10 movie but...

    The bad lies in the second act, on Roxy's faulty and forced character, its endless rants between our two main character that makes you want them to kill themselves as the next person on their killing spree, the people targeted (whats wrong with high fives and country music? When did this movie become about taste rather than appropriate satire part?) and so on...it just bit itself in the tail.

    I really wanted to love this movie. I almost did. Instead every time I went to smile and applaud the commentary, something matter of taste or the character discontinuity got in the way...good movie, definitely one everyone should watch, but sadly, for what it could have been and set out to be, very flawed.
    9Sherief941

    this movie made me weep for America,and I am not even an American

    This movie is great,intelligent,funny at times,saddening at other times.

    Acting by Joel Murray was brilliant.I don't recognize Ms Tara Lynne Barr but I predict for her a bright full acting career.

    The movie asks why American people turned into aggressive,mean,unrelenting,hellbent on hurting others creatures.

    And why American children became ill-behaved,spoiled,nightmare begins.

    It may force to think about things in live,or it may not.it all depends on your character,your way of life.

    But believe me,you should watch that movie.

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    Handlung

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    • Wissenswertes
      When Frank is buying the AK-47, the dealer describes it as "The very best there is. When you absolutely, positively got to kill every motherfucker in the room, accept no substitutes." This is the same way Samuel L. Jackson's character describes an AK-47 in the beginning of the Quentin Tarantino film Jackie Brown (1997).
    • Patzer
      When Frank steals his neighbor's car and heads to Virginia, he can be seen driving north on Interstate 81 in Syracuse when he should be going south.
    • Zitate

      Frank: Oh, I get, and I am offended. Not because I've got a problem with bitter, predictable, whiny, millionaire disk jockeys complaining about celebrities or how tough their life is, while I live in an apartment with paper-thin walls next to a couple of Neanderthals who, instead of a baby, decided to give birth to some kind of nocturnal civil defense air-raid siren that goes off every fuckin' night like it's Pearl Harbor. I'm not offended that they act like it's my responsibility to protect their rights to pick on the weak like pack animals, or that we're supposed to support their freedom of speech when they don't give a fuck about yours or mine.

      Office Worker: So, you're against free speech now? That's in the Bill of Rights, man.

      Frank: I would defend their freedom of speech if I thought it was in jeopardy. I would defend their freedom of speech to tell uninspired, bigoted, blowjob, gay-bashing, racist and rape jokes all under the guise of being edgy, but that's not the edge. That's what sells. They couldn't possibly pander any harder or be more commercially mainstream, because this is the "Oh no, you didn't say that!" generation, where a shocking comment has more weight than the truth. No one has any shame anymore, and we're supposed to celebrate it. I saw a woman throw a used tampon at another woman last night on network television, a network that bills itself as "Today's Woman's Channel". Kids beat each other blind and post it on Youtube. I mean, do you remember when eating rats and maggots on Survivor was shocking? It all seems so quaint now. I'm sure the girls from "2 Girls 1 Cup" are gonna have their own dating show on VH-1 any day now. I mean, why have a civilization anymore if we no longer are interested in being civilized?

    • Crazy Credits
      The character that tries to buy Roxy at the diner is listed as "The Pancake Eating Pedophile".
    • Verbindungen
      Featured in WhatCulture Originals: 9 Awesome Films That Never Got The Cult Following They Deserved (2021)
    • Soundtracks
      Beat the Devil's Tattoo
      Written and performed by Black Rebel Motorcycle Club

    Top-Auswahl

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    Details

    Ändern
    • Erscheinungsdatum
      • 31. Mai 2012 (Philippinen)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Official Facebook
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Chúa Ban Ơn Nước Mỹ
    • Drehorte
      • Syracuse, New York, USA
    • Produktionsfirmen
      • Darko Entertainment
      • Jerkschool Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 122.550 $
    • Eröffnungswochenende in den USA und in Kanada
      • 27.308 $
      • 13. Mai 2012
    • Weltweiter Bruttoertrag
      • 393.880 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 45 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.35 : 1

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