Als eine Leitstellenmitarbeiterin den Notruf eines gerade entführten Teenagers entgegennimmt, erkennt sie, dass sie einen Mörder aus ihrer Vergangenheit gegenübertreten muss, um das Leben de... Alles lesenAls eine Leitstellenmitarbeiterin den Notruf eines gerade entführten Teenagers entgegennimmt, erkennt sie, dass sie einen Mörder aus ihrer Vergangenheit gegenübertreten muss, um das Leben des Mädchens zu retten.Als eine Leitstellenmitarbeiterin den Notruf eines gerade entführten Teenagers entgegennimmt, erkennt sie, dass sie einen Mörder aus ihrer Vergangenheit gegenübertreten muss, um das Leben des Mädchens zu retten.
- Auszeichnungen
- 1 Gewinn & 11 Nominierungen insgesamt
Evie Thompson
- Leah Templeton
- (as Evie Louise Thompson)
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"The Call" is a tidy little thriller, modeled, in large part, on the movie "Speed." Halle Berry plays the Southern California 911 dispatcher who's in a race against the clock to rescue a teenage girl (Abigail Breslin) locked in the trunk of a serial killer (Michael Eklund).
Director Brad Anderson keeps the action going at a breakneck pace, providing pulse-pounding, edge-of-the-seat suspense that helps us to overlook the stray inconsistency and implausibility that wander into the narrative, particularly towards the end (the movie doesn't entirely escape the Third Act curse common to the genre). There's also an unfortunate tendency towards the sadistic that spoils some of the fun.
The really distinctive feature is that writer Richard D'Ovidio has made Jordan, the dispatcher, a compelling, easily identifiable figure by emphasizing not only her strength and craftiness but her insecurity and self-doubt as she does her best to assist people in making it through sometimes unimaginable crises.
The movie is a bit overwrought at times (again, looking at you, last half hour) and it ultimately succumbs to too many serial-killer clichés, but "The Call" is a whole lot better than many of the more highly publicized, big-budget thrillers of recent times.
Director Brad Anderson keeps the action going at a breakneck pace, providing pulse-pounding, edge-of-the-seat suspense that helps us to overlook the stray inconsistency and implausibility that wander into the narrative, particularly towards the end (the movie doesn't entirely escape the Third Act curse common to the genre). There's also an unfortunate tendency towards the sadistic that spoils some of the fun.
The really distinctive feature is that writer Richard D'Ovidio has made Jordan, the dispatcher, a compelling, easily identifiable figure by emphasizing not only her strength and craftiness but her insecurity and self-doubt as she does her best to assist people in making it through sometimes unimaginable crises.
The movie is a bit overwrought at times (again, looking at you, last half hour) and it ultimately succumbs to too many serial-killer clichés, but "The Call" is a whole lot better than many of the more highly publicized, big-budget thrillers of recent times.
The Call is good solid entertainment for the first 2 acts. Until the girl is taken out of the car and into the basement, it all goes to hell. The ending makes no sense for the characters and makes me wish that I had left as soon as the hour mark hit, so I could make up my own ending. That way I wouldn't have to sit through ridiculous plot twists and generic meltdowns. Halle Berry was good but her performance in Cloud Atlas was so much better, and that is probably do to the writing and direction. Brad Anderson isn't talentless and perhaps his next film will be an improvement. But the final act just screws this movie up so much. Overall I like the film to the lowest rating I can go and still go positive but the film doesn't deserve anything higher than a 5.5/10
'The Call' is one of those movies where the feel dictates everything- Either you find yourself deeply engrossed,excitedly anticipating what's next or you feel disconnected and cant sit through it.With 'The call' it's the former.The movie wastes no time in getting things started and once they do,there's hardly a dull moment.The actors are well cast. Halle Berry plays a gutsy 911 phone agent who is desperate not to repeat a mistake made.Frankly she was amazing...way better than i expected.
The movie works because it has it's ingredients well cooked.The acting is superlative,the pace exhilarating.The background score is brilliant and adds another dimension to this thriller.The movie captures perfectly the horror and terror of being a kidnapped victim to a psychopath,the tension of being a 911 phone helper(Who needs to display equanimity,sympathize and be nimble-minded,all at the same time).It is a genuine tale,thrilling,intriguing .......and at times even scary.Definitely worth a watch.Go for it.
The movie works because it has it's ingredients well cooked.The acting is superlative,the pace exhilarating.The background score is brilliant and adds another dimension to this thriller.The movie captures perfectly the horror and terror of being a kidnapped victim to a psychopath,the tension of being a 911 phone helper(Who needs to display equanimity,sympathize and be nimble-minded,all at the same time).It is a genuine tale,thrilling,intriguing .......and at times even scary.Definitely worth a watch.Go for it.
I enjoyed this film quite a bit: it kept a good pace of tension which makes for a good thriller. The acting is good (no academy awards), and it did a good job of giving a glimpse into the operations of 911 call centers which is a fresh topic - and it did so without dragging the pace.
The main bad guy becomes ever more creepy as the plot progresses which helps build the tension. The ending takes an interesting twist which, in the moment, doesn't feel quite as out-of-character as others describe - mainly due to a good segue shot that probably took more than a few takes to get right.
The weak spots consist mainly of some CSI style technology leaps that only technology morons would buy into, and a single bit of clumsiness that just feels scripted. Unfortunately the CSI technology leaps are very popular in Hollywood (to my dismay) and the bit of clumsiness is key to the plot progression.
If one or two minor transgressions make you feel like you wasted your money, wait for it to show up on Netflix. If you enjoy a good edge of your seat thriller and can overlook the transgressions, go see it!
The main bad guy becomes ever more creepy as the plot progresses which helps build the tension. The ending takes an interesting twist which, in the moment, doesn't feel quite as out-of-character as others describe - mainly due to a good segue shot that probably took more than a few takes to get right.
The weak spots consist mainly of some CSI style technology leaps that only technology morons would buy into, and a single bit of clumsiness that just feels scripted. Unfortunately the CSI technology leaps are very popular in Hollywood (to my dismay) and the bit of clumsiness is key to the plot progression.
If one or two minor transgressions make you feel like you wasted your money, wait for it to show up on Netflix. If you enjoy a good edge of your seat thriller and can overlook the transgressions, go see it!
I really like the first half, it keeps you involved but second half has unnecessary plot. Ending could have been different.
Wusstest du schon
- WissenswertesIn the opening scene, one of the callers in the 911 center states "I think I'm having an overdose and so is my wife." The line was made famous by Edward Sanchez, a policeman who confiscated marijuana from a suspect and then made brownies with it. He called 911 when he thought he had taken too much.
- PatzerWhen Jordan stumbles upon the trapdoor access to the underground bunker, it is covered with leaves and debris. But Michael is already inside, so the debris would have fallen away when he opened the trap door.
- Zitate
[last lines]
Michael Foster: You're an operator. You can't do this!
Jordan Turner: It's already done!
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #21.105 (2013)
- SoundtracksPartly Cloudy
Composed and Performed by Ronald A. Mendelsohn (as Ronald Alan Mendelsohn)
Courtesy of Megatrax Music
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Box Office
- Budget
- 13.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 51.872.378 $
- Eröffnungswochenende in den USA und in Kanada
- 17.118.745 $
- 17. März 2013
- Weltweiter Bruttoertrag
- 68.572.631 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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