Eines Tages wacht Dolph Springer auf und muss feststellen, dass er die Liebe seines Lebens, seinen Hund Paul verloren hat. Während er versucht, Paul (und dessen Leben) zurückzuerlangen, verä... Alles lesenEines Tages wacht Dolph Springer auf und muss feststellen, dass er die Liebe seines Lebens, seinen Hund Paul verloren hat. Während er versucht, Paul (und dessen Leben) zurückzuerlangen, verändert Dolph das Leben anderer Menschen und muss ständig um seinen Verstand bangen.Eines Tages wacht Dolph Springer auf und muss feststellen, dass er die Liebe seines Lebens, seinen Hund Paul verloren hat. Während er versucht, Paul (und dessen Leben) zurückzuerlangen, verändert Dolph das Leben anderer Menschen und muss ständig um seinen Verstand bangen.
- Auszeichnungen
- 7 Nominierungen insgesamt
- Painting Guy
- (as Zia Harris)
- Colleague Hugo
- (as a different name)
Empfohlene Bewertungen
5/10
The first hitch: it's directed by the same guy who brought you "Rubber." I HATED "Rubber." I wanted to like it, but I just didn't get it. I knew it was requiring me to think outside the box, but I went into thinking it was a horror comedy about a killer tire and nothing more. I shouldn't have to think any harder than that, and it made me mad that it wasn't what I expected. At least this time the description was a little closer to the truth, and I was better prepared. I thought.
It stars Jack Plotnik-who I generally like-as a confused man who has lost his dog, Paul. That's the only easy part to explain. The rest involves weird characters, rain inside office buildings, dog detectives, a crazy nymphomaniac pizza business girl, an aggressive cop and absolutely nothing makes ANY sense. So if you demand logic from your movies, just move along-otherwise you're just going to be frustrated.
But I was determined to try and appreciate what the others who highly rated this saw in it. And some of their insights really helped-especially the person who felt that all of the weirdness was a manifestation of Plotnik's sense of complete loss. They may be on to something. However, getting all the way through that weirdness is the hard part and why it's hard to review. Because it's not a bad film. It really isn't. It's well shot with decent performances. It is fascinating even if you're totally confused. By the time I reached the third act I was okay as it seemed a little less gloomy, and the ending was satisfying.
But it DOES take patience and an open mind. If you have neither, this will not be for you. This is not a comedy but it's not exactly a drama, either. It is a well made film, but certainly in a catagory that's hard to define.
Most of what you see in Wrong is wrong! If you try and make sense of it you'll just be frustrated, trust me. But amongst the weirdness of the stuff that's wrong there is a very good, humorous, story.
Its hard to compare Wrong to any other film... I'd put it in the same category as films like The Chumscrubber 2005, Lucky 2011, Careless 2007, etc... so if you like weird comedies that are filmed well on a lowish budget, this is one to watch.
Wrong avoids alienating the audience by virtue of the great characters, they're actions given the context of the film seem perfectly understandable and you will identify with them.
Also, the film has made me reconsider my relationship to my dog, in a way that no other film has done before.
I cried.
Jack Plotnick stars as a seemingly regular guy who wakes up one day to discover his beloved dog gone. With such a casual premise Dupieux sets out into a very weird journey, trying to deny everything the viewers would think they knew about storytelling. Through a series of bizarre encounters with increasingly insane characters and situations, the protagonist finds himself more and more lost, as the movie grows more and more illogical and surrealist. Jack Plotnick is well-suited for the role of a neurotic guy always on the edge of losing his mind.
But don't be fooled, "Wrong" is not just about wacky characters and non sequiturs (even if it IS very funny). Dupieux never loses the satiric edge, the writing never feels boring or forced, instead it's always quite witty and original. To Dupieux life a nothing but a series of chaotic unpredictabilities, strange inconsistencies, pointless formalities and surreal misunderstandings, all rarely explored in your typical movie, and even if you don't quite share this almost paranoid notion, I think Dupieux' vision is so strong and ingenious, it's very hard not to embrace it.
Wrong is a very unique movie that shows a lot of promise for Quentin Dupieux's future work. I'm actually quite excited to see what he does next, as I found this movie to be a surprisingly big improvement over his previous movie, "Rubber", especially in terms of writing. He really has found his unique style, which I could describe as Monty Python meets Michel Gondry.
Verdict: a pretty funny movie.
Wusstest du schon
- WissenswertesIn the dog's bed, a Flat Eric puppet is visible. Flat Eric is a character created by Quentin Dupieux in 1999, with Janet Knechtel and Jim Henson's Creature Shop, and has been featured in commercials for Levi's, episodes of The Office (2001), and several shorts.
- Zitate
Master Chang: ...I only realized I loved my face after it have been burned with acid. But it was too late. Before it was just my face! I didn't know I loved it! I only started loving it again when it have partially disappeared. Do you follow?
Dolph Springer: Not really.
Master Chang: Man gets accustomed in all to things rapidly. He gets used to everything. When you get a new jacket you are happy to wear it but that weal wears off. You get accustomed and after a few days, that jacket doesn't bring you any joy at all. On the other hand... if that jacket is stolen from you... desire ignites again inside of you. All of the sudden, you miss that jacket, and you love that jacket again. Same goes for shoes.
- VerbindungenReferenced in Wrong Cops (2013)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- Sai Lầm
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Box Office
- Bruttoertrag in den USA und Kanada
- 46.021 $
- Eröffnungswochenende in den USA und in Kanada
- 20.424 $
- 31. März 2013
- Weltweiter Bruttoertrag
- 106.425 $
- Laufzeit
- 1 Std. 34 Min.(94 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1