IMDb-BEWERTUNG
6,1/10
1961
IHRE BEWERTUNG
Cho-In kann die Gedanken anderer Menschen kontrollieren, wenn sie sich in seinem Sichtfeld befinden - außer einem Mann.Cho-In kann die Gedanken anderer Menschen kontrollieren, wenn sie sich in seinem Sichtfeld befinden - außer einem Mann.Cho-In kann die Gedanken anderer Menschen kontrollieren, wenn sie sich in seinem Sichtfeld befinden - außer einem Mann.
- Auszeichnungen
- 5 Nominierungen insgesamt
Gang Dong-won
- Cho-in
- (as Kang Dong-won)
Empfohlene Bewertungen
Despite the action and pacing feeling a bit lacklustre at times, I found it intriguing enough to carry my interest on from the premise. I'd say it has established itself as refreshingly different from the typical korean movies that I have so far encountered under the thriller/suspense genre. There's some charm to the grunge and isolation that they show through this film and left me curious enough to abandon my usual bent of trying to predict the ending and basing my satisfaction off of that.
Also, I usually would also refrain from mentioning but it's quite nice to see non-native actors playing actual characters this time instead of nameless filler roles. Hollywood with its self-congratulatory pride on filling out diversity quotas could take note.
Also, I usually would also refrain from mentioning but it's quite nice to see non-native actors playing actual characters this time instead of nameless filler roles. Hollywood with its self-congratulatory pride on filling out diversity quotas could take note.
You should watch this movie atleast once. Action,Thriller that have different story line, not that much, but the thrilling experience is little next level.
Haunters is a film for people who love offbeat characters and stories. One part M. Nights Unbreakable, a dash of Zebraman, yet unique enough to be its own take on the superhero genre.
Look elsewhere for a summery of story and characters, but know that nothing can prepare you for the cerebral conveyance of mood and style. Its goofy, tragic, meaningful, and absurd.
Haunters stacks several memorable scenes together, and while characters backgrounds are not fully developed, I could not help but care for them, their motives and fates. All but the antagonist reminded me of friends. The villain's motives are not without merit, but his crimes can not be rationalized or redeemed.
A couple themes revolve over and over - Why does one chase fate (?), and are others responsible for our own actions? Do we convince ourselves that others make us act and feel a certain way?
Advice I got long ago when painting is always make the corners interesting, and acknowledge the outside edges. Haunters' opening and closing are both memorable, and bookend nicely (something about emergence from restraint?). Presentation, design, look, and feel - this film is well considered with emotional and sensory depth.
Way above average 8/10
Look elsewhere for a summery of story and characters, but know that nothing can prepare you for the cerebral conveyance of mood and style. Its goofy, tragic, meaningful, and absurd.
Haunters stacks several memorable scenes together, and while characters backgrounds are not fully developed, I could not help but care for them, their motives and fates. All but the antagonist reminded me of friends. The villain's motives are not without merit, but his crimes can not be rationalized or redeemed.
A couple themes revolve over and over - Why does one chase fate (?), and are others responsible for our own actions? Do we convince ourselves that others make us act and feel a certain way?
Advice I got long ago when painting is always make the corners interesting, and acknowledge the outside edges. Haunters' opening and closing are both memorable, and bookend nicely (something about emergence from restraint?). Presentation, design, look, and feel - this film is well considered with emotional and sensory depth.
Way above average 8/10
712iq
Makes no sense
Gives 0 answers to any questions
Refuses to elaborate
Ends
What did they mean by this? None the less if you like really dumb and over the top films that are so bad they are good, this makes that cut, would make for a good watch with a group of people to make fun of the movie while watching it.
No answers as to how he gets the ability, no backstory to the protagonist, no nothing, lmao. Most of the film will have you just laughing in disbelief...... Should really add a comedy tag to it too, it does get kinda "serious" to the end but then again a few scenes later you are just laughing.
What did they mean by this? None the less if you like really dumb and over the top films that are so bad they are good, this makes that cut, would make for a good watch with a group of people to make fun of the movie while watching it.
No answers as to how he gets the ability, no backstory to the protagonist, no nothing, lmao. Most of the film will have you just laughing in disbelief...... Should really add a comedy tag to it too, it does get kinda "serious" to the end but then again a few scenes later you are just laughing.
HAUNTERS is an original take on the superhero movie. No capes, daft aerials, or superman latex costumes (why do superheroes always look and sound a bit gay?) Instead we have two young kids from the streets of South Korea. Both have a limp and both have the strange power to control other people's minds on sight. Cho-in is the bad guy, polishing his powers to live a comfortable lifestyle. Kyu-nam is the good guy, championing honesty and friendship in the face of Cho-in's merciless killing and avarice. From this simple idea, writer-director Min-suk Kim builds an intelligent, fast-paced thriller that keeps the audience wondering where it will go next. Although I wasn't entirely won over, I enjoyed it much more than the high budget but rather predicable niche into which Marvel comic super-heroes have fallen. With its fine South Korean pedigree, Haunters makes sure than people suffer realistically when they die and that blood never looks like strawberry jam.
Wusstest du schon
- WissenswertesAt the junkyard scene where the workers are eating, the scene is set up like Leonardo da Vinci's "The Last Supper" painting. There are a total of thirteen workers sitting in one row, and the man in the middle who did not pay for his lunch ticket is "Jesus Christ".
- VerbindungenRemade as Monsutâzu (2014)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Haunters - Wenn Blicke töten könnten
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Weltweiter Bruttoertrag
- 13.443.879 $
- Laufzeit
- 1 Std. 59 Min.(119 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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