Choneungnyeokja

Despite the action and pacing feeling a bit lacklustre at times, I found it intriguing enough to carry my interest on from the premise. I'd say it has established itself as refreshingly different from the typical korean movies that I have so far encountered under the thriller/suspense genre. There's some charm to the grunge and isolation that they show through this film and left me curious enough to abandon my usual bent of trying to predict the ending and basing my satisfaction off of that.

Also, I usually would also refrain from mentioning but it's quite nice to see non-native actors playing actual characters this time instead of nameless filler roles. Hollywood with its self-congratulatory pride on filling out diversity quotas could take note.

Review In One Breath: A man who can control people's minds (as long as they are within his line of vision) encounters a person who is immune to his powers. After an unfortunate death, they square off against each other. Within the opening 15 minutes you'll know that this one is gonna be crazy. Realism is not a priority, which means that this roller-coaster ride aims simply and solely to entertain. The premise allows for some very unique sequences that are refreshingly different, shocking, and damn exciting. The psychic's victims move in a slow, methodical, creepy manner that creates an ominous mood.

I'm quickly becoming a fan of Dong-won Gang, who starred in "Woochi", "M", "Secret Reunion" and a few other films. Here he plays the villain with panache and charisma. The scriptwriting in "Haunters" could have added more character development, but it's still a lot of fun to watch. My favorite scenes are the car chase and the office balcony sequences. The premise itself is fascinating and the film did a good job in terms of executing some thrilling interaction between the protagonist and antagonist, which does get over-the-top at times but is charming so.

Some have complained that the origins of the characters' special abilities were not explained, but what kind of ridiculous explanation should we expect? Another generic biological mutation that we see in superhero movies? Sometimes it's better just to leave the exposition alone because any attempt at a scientific explanation would be flat out preposterous anyways. I think it's best to approach this film like one would approach those old school Hong Kong action flicks that throw logic into the wind while focusing on pure entertainment. Sit back with a cappuccino and relax. You'll enjoy it.

Not a bad film at all. Very interesting ride that kept to a nice pace. I enjoyed the story and I liked the actors. It felt a bit like anime so I wouldn't be surprised if it was based off of an anime story. I enjoyed it.

Haunters is a film for people who love offbeat characters and stories. One part M. Nights Unbreakable, a dash of Zebraman, yet unique enough to be its own take on the superhero genre.

Look elsewhere for a summery of story and characters, but know that nothing can prepare you for the cerebral conveyance of mood and style. Its goofy, tragic, meaningful, and absurd.

Haunters stacks several memorable scenes together, and while characters backgrounds are not fully developed, I could not help but care for them, their motives and fates. All but the antagonist reminded me of friends. The villain's motives are not without merit, but his crimes can not be rationalized or redeemed.

A couple themes revolve over and over - Why does one chase fate (?), and are others responsible for our own actions? Do we convince ourselves that others make us act and feel a certain way?

Advice I got long ago when painting is always make the corners interesting, and acknowledge the outside edges. Haunters' opening and closing are both memorable, and bookend nicely (something about emergence from restraint?). Presentation, design, look, and feel - this film is well considered with emotional and sensory depth.

Way above average 8/10

Superheroes don't always need to come in the form of Marvel or DC Comics characters; rather, they can just be everyday individuals with special powers living regular lives. Perhaps one of the best films to expound on this was M.Night Shyamalan's "Unbreakable", a story of two individuals coming to terms with who and what they are, as well as their place in the world relative to each other.

Kim Min-suk's feature debut owes more to Shyamalan's "Unbreakable" than it does to the superhero Marvel or DC Comics blockbusters. It grounds its two characters- one the hero, and the other the villain- in commonplace circumstances, and thereby injecting a healthy dose of realism into the movie. On one end is Kyu Nam (Ko Soo), a former scrapyard worker turned pawnshop manager; and on the other, Cho (Kang Dong Won), a disturbed young man with a troubled childhood and innate mind control abilities.

The alternative English title for this movie is "Psychic" and it is Cho that this title is referring to. In the film's opening scene, a young Cho is seen blindfolded while his father berates his mother for letting their child live- until the blindfold slips and his father kills himself by snapping his own neck backwards. His mother tries to kill him upon witnessing his terrifying powers, but fails. Twenty years later, Cho gets by through robbing pawnshops while making everyone else around 'freeze' as if time had stopped.

Kyu Nam however turns out to be immune to Cho's psychic abilities, and when he tries to stop Cho from robbing his boss' pawnshop, Cho responds by killing his boss in a particularly gruesome manner. Just like that, Min-suk sets up the feud between Kyu Nam and Cho at the centre of the movie. It is their conflict that drives the rest of the narrative, as both of them are pushed to understand their place opposite each other.

Through Kyu Nam, Cho discovers a newfound fallibility to his apparent invincibility; while through Cho, Kyu Nam discovers a greater sense of purpose as the counterbalance to Cho's heinous ways. The showdowns between the two are inevitable, and Min-suk stages a few thrilling exchanges- in particular, one of them that takes place in a crowded subway station is especially gripping to watch.

Cho's blatant disregard for human life however may be disturbing to some, especially since some of his victims tend to meet their deadly fates a little too casually for comfort. The only levity the film provides is in the form of Kyu Nam's buddies- one from Ghana, and the other from Turkey, both of whom can speak perfect Korean. Their banter with the simple Kyu Nam provides some much-needed comic relief in a movie that can turn deadly serious very quickly.

Both Ko Soo and Kang Dong Won turn in compelling performances, even though one may naturally prefer Ko Soo's more empathetic one. He makes his character's apprehension felt keenly, especially when Min-suk clearly sets him up as being mismatched against Cho's superpowers. On the other hand, Dong Won cuts a chilling presence as the villain, giving his character an intensity that you can't quite help but be enraptured by.

Those expecting some form of answers as to the origin of Cho's abilities, or Kyu Nam's, should however be prepared to be disappointed. Min-suk offers none, preferring that his audience accept it as part of the nature of mankind and the inherent differences between individuals. This is only Min-suk's second movie, the first as a co-writer on Kim Jee-woon's kimchi western, The Good the Bad the Weird, and it proves his strengths as a helmer. Gripping and never for one second less than interesting, "Haunters" is one unique Korean movie you shouldn't miss.

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