Undercover

Personally I like the show very much. The main character Martin/Zahariev is great looking guy, very well chosen for the role and yet he leaves me frustrated because he has such a good appearance but very poor acting skills. I believe with some help he can improve though.Sunny is no good sorry is devastating how stiff she is. Djaro/Bilalov on the other hand is great I've never thought it's possible. If this was an American show he can be most definitely considered for Emmy nomination. As for Ivo/Baharov...well I can't think of anything bad to say for him either! He is sexy, bad...every woman's fantasy. His acting is very convincing. When a bad character makes you root for him that definitely means he's doing his job very well. Popov, Kosuma, Kukata are also great characters in the show, very memorable. As for the story I would not change a bit of it. Every Bulgarian knows that's like a true story. I sure hope that more people will be able to see it in the future. I can't wait for the 3th season!

The series are great. The plot, the conception, everything. Except one HUGE thing.

The main character is portrayed by an actor that clearly doesn't even look like a criminal or act like one. That baby face, that ridiculously bad acting and that lack of realness in his character kills a big part of the whole idea. They should have switched him for Zdravko "Kosam" Kiselov actor (Alexander Sano). It would have been a perfect 10 !

Under cover (Pod prikritie) are a real top world class TV series. The only real problem for it to become hit in other countries is that it's in Bulgarian language. That's not actually something that I consider as "bad".

The plot of the movie is quite classical - there is a mafia organization and there is a cop which is undercover. What makes it really different than other "hollywood" movies is: 1. There is no "absolute" (good or bad) characters. Everybody has his own good and bad characteristics. You can see corrupted cops and corrupted judges on the side of the "good guys" and you can see good sides of people in the mafia side.

2. The connections between the different groups is at a very deep level. The series have a good plot.

3. There is always a surprise! The scenarists are definitely feeling what the audience thinks and they are taking well-balanced notes. They definitely know when one character is exhausted and they know when to take it off (killed).

As a summary - the first season is awesome. Very realistic. The second season is not worse, despite the little moving away from the realism. The third season focused more on the action (shootings, chases, etc). It's definitely for a little bit different audience taste, but again - it's not worse than others. What could make a little bad impression in the third season are the "hidden" advertisements. They are not too "hidden" at all...

It's surprising how the producers managed to keep the top level of the series for such a long time with such a low budget. That's a production which deserves to be watched!

OK, first things first - these TV series are Bulgarian. This is very important, since, even if at some point you are able to find a localized (translated) version, maybe you will understand the plot, but won't be able to feel the movie and re-live (some) of the story. Unless you come from a post-communist Eastern Bloc country.

The plot is a classical gangster action-drama, similar to "The Godfather" or "Brigada". It features nice, realistic, almost fully believable characters - actually, most of the Bulgarians can easily recognize someone they know in the movie characters: Be it the mighty, well-connected boss; or his spectacularly sexy wife; or his lieutenants, fit with the appropriate black SUVs; or maybe the cops, filled with hatred for the world they can't understand. The series don't lack action - on the contrary - in every episode there is some eye-candy: for example a hot pursuit or gun-fight. Not too much, but still enough to take you out of the theater-style in-room-only dialog drama. Actually I love the way it was shot - combined with the intriguing plot it can be considered the best Bulgarian-made production ever.

The only downside of the series is the persistent desire of Bulgarian actors to over-do and over-act and over-pronounce. Especially if compared to a Hollywood-style counterpart, the differences in the acting are just annoying. For example, all the characters use excessively heavy grammar structures and just so perfectly correct pronunciation, even in the most intimate or action-filled parts - which might be applicable to the 8 o'clock news, but simply destroys the credibility of the scene. Leaves you thinking about the bad acting, not the story, not the plot, not the intrigue. This is such a major fault for me, that the movie would get 6/10 if it wasn't Bulgarian. That is some kind of chauvinism - but I believe the otherwise almost flawless "Под прикритие"'s creators should be encouraged to keep up the lovely work.

All in all, if you are Bulgarian, you are going to love it. Otherwise, it is very probable that you will at least enjoy it.

There is a scene in the sixth episode of the first season where the character 'Ivo' is explaining to his boss, the seasoned mafia don 'Djaro', the step-by-step procedures of the preparation for a daring heist that is worth millions. The scene is set in a gymnasium hall with large mat in the middle used for martial arts practice. As 'Ivo' is sitting down on a chair just by the mat, 'Djaro' disapprovingly looks at his shoes which are partly resting on it. 'Ivo' duly takes his feet off the mat. Why is this significant, you may ask? Well, it doesn't contribute much to the plot, but what it is, is a nod from the director: 'I know what I'm doing'. The beauty is in the detail and in nearly every scene in Pod Prikritie, there is something which functions to make it memorable, whether it be the camera angle/positioning, the lighting, the set, or a simple gesture by one of the actors. All the while, the brilliant score provides the necessary emotional backdrop against which the characters' sentiments can be played out.

A few of the reviews here take a highly critical approach towards this series, without providing much evidence to justify it. Pod Prikritie deserves so much more than this intellectual myopia. For starters, the acting, with perhaps one single exception, is marvellous. For me personally, the jewel in the crown is Mihail Bilalov who is simply magnificent in the role of 'Djaro' - Pod Prikritie's primary antagonist. Think of him as a more menacing, less humorous version of Jack Nicholson's character 'Frank Costello' from The Departed. From his facial expressions to his body language, he is a master of his role and creates a character who is both believable as a human being and as the emblematic face of Bulgarian mafia.

Pod Prikritie's realism is undisputed, and as much as that is a compliment, it is also ironically the point of contention for most Bulgarians. They know this reality; they see it on a daily basis. So why watch it on TV as well? That said, many of the characters have gathered a cult following, while quite a few of their lines have entered the standard Bulgarian lingo.

Coming back to The Departed, Pod Prikritie has often been compared to Scorsese's Oscar-winning crime feature. In many ways it is better: less stylized and more convincing. It is hardly surprising that so many foreign distributors have expressed a genuine interest in showing it in other countries. No doubt, the universal appeal of the crime genre always helps, but Pod Prikritie is as good a representative of it as any production you can think of, be it on the silver screen or on television.