Parker

I've read some of Richard Stark (a.k.a. Donald Westlake) 'Parker' books and this movie pretty much captures the essence of the character. This is not Shakespeare folks. The morality is pretty black and white in these books and Taylor Hackford and the screenwriter captures what this character is about very well. The only thing I found awkward in this movie were the flashbacks in the first third -- but that's a screenplay structure issue, not directing issue. Acting-wise, thought everyone did very well with their roles. No, there's not a lot of depth to anyone, except for perhaps Jennifer Lopez's character who makes it clear she's stuck in a dead-end life post-divorce and needs an out. All in all, a very good, entertaining crime thriller. I won't remember this years from now, but it entertained me and kept my attention throughout. And aside from all this, Stratham makes for one good badass! If you like this, definitely check out "The Bank Job" that he starred in: he really shows his acting chops in that one.

I wanted to like this movie so much, because I really think Jason Statham has some serious acting skills and he deserves some good scripts. Also the story is based on a book, so it should have been good.

Alas, it was not to be. And it has almost nothing to do with J-Lo being in the movie. The characters are bland, illogical in almost everything they do, even Parker, the Statham's character. Worst than that: they are unsympathetic. You have a lot of greedy people, some of them evil, some of them stupid, and apart from them is Parker, who is not greedy, just stupid. He puts everybody at risk for his own principles, he gets beat up and shot a few times and somehow he still walks. It's like Crank, but without anything fun in it.

I have to say I am a fan of Michael Chiklis, from Vegas, but his role was small and two dimensional. One dimensional, really, but I was going with the cardboard metaphor. You wanna know who was the most clear cut character, the one that did the job and was consistent? Daniel Bernhardt in the role of the Mafia killing machine.

So, bottom line: a waste of time and of good actors.

As a fan of Donald Westlake's writing -- he did the Parker books under the pseudonym of Richard Stark -- I have long been bemused by the inability of film makers to adapt his work for the screen. Westlake wrote for the screen himself, and the Parker books are nothing but action and plot. Yes, there's character, but you figure it out from what Parker and his associates do.

With this, the fourth attempt to film a Parker novel, the film makers have found a practical if surprising choice for the title role. Jason Statham is not an actor of great oratorical powers, but he is a great physical actor, and he moves constantly like an angry tiger in a cage. The choice of a caper which is set largely in Palm Beach, with its artificial, pointless display of wealth and no other reason for existence is the perfect backdrop for the ferocity of Parker in his battle with Michael Chiklis' Melander; Jennifer Lopez' clueless Leslie, who gets caught up without understanding what is going on, gives the audience a good point of view.

Director Taylor Hackford is not a great director, but he is a highly competent one. Sixty years ago he would have been a major director for a studio, setting and working in the house style. Give him a story he can work with and he will hit all the notes, efficiently and effectively, and he has done so here. If the Parker of this movie is different from the Parker of the books, a bit more philosophical (although it comes down, in the end, to the tigerish "Do what I tell you and I will devour you last") we need to remember that a movie is not a book. This is not Donald Westlake's Parker, nor even the Parker I see when I read the books. However, it's still a very good one and worth your attention.

While I wasn't aware there was already a "Parker" character (in books that is), I was more drawn to the movie because of the director. Taylor Hackford has done some extraordinary work. Be it "Officer and Gentleman", "Devil's Advocate" or my personal favorite "Blood in Blood out". But you can't compare this to any of those movies of course. I was however surprised seeing him working with Jason Statham. A man more known for his action filled roles.

And while this might not be one of the better works of Hackford, it still is good action cinema. Michael Chiklis has been better though, although he doesn't get much to play with here. Jennifer Lopez gets to play in a good movie too for once (after U-Turn and Out of Sight), but don't expect to see too much of her here. This is the Statham show and that is pretty obvious.

A Taylor Hackford film, starring Jason Statham and Jennifer Lopez. The story revolves around Statham's character, the eponymous Parker, who's a high level thief, much sought after in the criminal underworld for his cool demeanour and ability to think on his feet. But then a job goes sideways and he's betrayed by his supposed partners in crime. He survives and vows revenge.

It's not the most complicated plot ever, but it has its basic building blocks in a neat row and knows what it's doing. A film like this is pretty much destined to the B movie pin, but there's something to be said about the charisma of Jason Statham. And J.Lo, for that matter.

What's most enjoyable about this film is its heist hijinks. Whenever Parker is smooth talking his way through red tape or conning people into doing whatever he wants, the film soars. Whenever it's doing anything else, it's pretty banal. J.Lo's character is admiringly grounded and you get her blight. But at the same time, she's perhaps too grounded for the film's style. If you catch my drift. I'd much rather see this type of character in a psychological crime drama or something like that.

Nevertheless, I enjoyed watching the film. A good film to check out if you're a fan of Statham or lighthearted heist films. And if you're not, it's still a pretty slick experience.