400 n. Chr., in einer vergessenen Zeit des alten Amerika, muss ein einsamer hebräischer Flüchtling die Geschichte seiner gefallenen Nation bewahren, während er von einem skrupellosen Tyranne... Alles lesen400 n. Chr., in einer vergessenen Zeit des alten Amerika, muss ein einsamer hebräischer Flüchtling die Geschichte seiner gefallenen Nation bewahren, während er von einem skrupellosen Tyrannen gejagt wird.400 n. Chr., in einer vergessenen Zeit des alten Amerika, muss ein einsamer hebräischer Flüchtling die Geschichte seiner gefallenen Nation bewahren, während er von einem skrupellosen Tyrannen gejagt wird.
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The Oath
Like most films I've seen lately, I either don't know anything about it, or I've only seen a teaser trailer. I had no idea that this was a near literal interpretation of the believed texts that formed the Book of Mormon.
I have no problem with religious films. There are the most amazing theories posed in even the greatest of fiction that touch on divinity and faith, so why not enjoy a writer's perception of non fiction, and see where it goes?
Well, in this film, it goes absolutely nowhere. This movie could have been 10-15 minutes long. The overly dramatic acting of Moroni is so bad that even Billy Zane's character smirks and rolls his eyes. I don't really think he was acting when that happened.
The plot isn't bad, in theory. The usual Romeo and Juliet-esque love affair unfolds between two warring sects, ending in tragedy. It's really the acting and the cinematography in which lies the flaws.
I did enjoy the music as the composer did a great job working with a really bad script. I know that the lead actor, director, writer (all the same person) feels he did a heartfelt interpretation, because he says so before the movie starts, but my goodness did this flop.
Go and see for yourself, especially if you are of the Mormon faith. Maybe you'll see more than I did.
Like most films I've seen lately, I either don't know anything about it, or I've only seen a teaser trailer. I had no idea that this was a near literal interpretation of the believed texts that formed the Book of Mormon.
I have no problem with religious films. There are the most amazing theories posed in even the greatest of fiction that touch on divinity and faith, so why not enjoy a writer's perception of non fiction, and see where it goes?
Well, in this film, it goes absolutely nowhere. This movie could have been 10-15 minutes long. The overly dramatic acting of Moroni is so bad that even Billy Zane's character smirks and rolls his eyes. I don't really think he was acting when that happened.
The plot isn't bad, in theory. The usual Romeo and Juliet-esque love affair unfolds between two warring sects, ending in tragedy. It's really the acting and the cinematography in which lies the flaws.
I did enjoy the music as the composer did a great job working with a really bad script. I know that the lead actor, director, writer (all the same person) feels he did a heartfelt interpretation, because he says so before the movie starts, but my goodness did this flop.
Go and see for yourself, especially if you are of the Mormon faith. Maybe you'll see more than I did.
I contributed to this movie, was so excited to go and see it! But what a disappointment it was! I was expecting an actual story from the Book of Mormon only to find a fictional made up love story about Moroni that was at some moments literally laughable. I'm embarrassed to say "go and see it." Darin Scot is from my home town in Utah and is also related to me through by mother's side of the family and I wish I could say great job cousin! But it felt like he centered the whole movie around himself and furthering his career instead of on a feature film about a true story from the Book of Mormon. I am very disappointed in a fictionalization about a true person, Moroni, the angel who stands atop of many of our temples. He was all alone for how long, we do not know. To me it is a disgrace to his name to create this type of fictionalized storyline.
I really want a good film adaptation of the Book of Mormon. I REALLY want to see one. Because this film is... not that.
On a technical level it's not terrible. I mean, the cinematography, blocking, and editing usually make things more confusing. And a lot of the visual effects are things I recognized as nearly-unmodified stock assets from After Effects. But moment to moment it doesn't look bad.
It's clear Darin thought he was making a powerful movie. After all, it wears its influences on its sleeve (especially the ending, ripping off Braveheart and Gladiator back to back). SO many slow shots of Darin staring wistfully into the sunset.
But everything just feels a little too, well, ego driven. The whole story and everything in it only exists to make the main character look like a chad. And, like, freedom stuff.
Ultimately, for all the times the main character mentions God or Jesus Christ, the movie feels strangely devoid of any real spirituality. It's never clear what "the oath" is meant to refer to, or what the plates mean to him, or how he is in any way a prophet. He's just... a guy with big arms and massive main-character syndrome.
The Book of Mormon deserves so much better than this.
On a technical level it's not terrible. I mean, the cinematography, blocking, and editing usually make things more confusing. And a lot of the visual effects are things I recognized as nearly-unmodified stock assets from After Effects. But moment to moment it doesn't look bad.
It's clear Darin thought he was making a powerful movie. After all, it wears its influences on its sleeve (especially the ending, ripping off Braveheart and Gladiator back to back). SO many slow shots of Darin staring wistfully into the sunset.
But everything just feels a little too, well, ego driven. The whole story and everything in it only exists to make the main character look like a chad. And, like, freedom stuff.
Ultimately, for all the times the main character mentions God or Jesus Christ, the movie feels strangely devoid of any real spirituality. It's never clear what "the oath" is meant to refer to, or what the plates mean to him, or how he is in any way a prophet. He's just... a guy with big arms and massive main-character syndrome.
The Book of Mormon deserves so much better than this.
I'm directing this at the creator, director, producer, lead actor Darin Scott, because he will clearly read these. I wanted to like this, I was telling all my friends to go see it, then I saw it. Other reviewers have been spot on with their negative assessments, so I'll try to be constructive as well.
1. Darin, it's nice you got into shape for this movie, but apparently the whole movie is just a glamor shot for you.
2. What's with the girl bosses? The sisters don't make sense as characters, and terrible actors.
3. What was the point of having another language spoke a little bit? The ones that speak the Nephite language don't have an accent, except for Billy Zane, who sounds like Mr. Krabs 4. The soundtrack. OMG. It's well done, but it is relentless, it never stops, it's this somber, overbearing sonic landscape that never gives you a break.
5. This story had almost zero to do with Moroni other than burying the plates.
6. Darin, your acting is one note. You use pregnant pauses and slomo for effect. You don't use it constantly.
7. The editing is weird as hell. Things just jump back and forth with no connection. Like, what's with the black dog? That didn't make sense.
8. Training montage? Really? Come on dude. I guess you needed to show the breath holding training to support your escape later, but I think you just want people to see you in a speedo.
Anyone interested in Mormonism, do NOT see this movie. It won't teach you anything. The story is total fiction. This looks like a high school film project. It might have worked as a 15-20 minute short, but if I'd been watching this at home instead of spending $30 at the theater, we would have turned it off. My wife flat out fell asleep and I almost did.
Do better.
1. Darin, it's nice you got into shape for this movie, but apparently the whole movie is just a glamor shot for you.
2. What's with the girl bosses? The sisters don't make sense as characters, and terrible actors.
3. What was the point of having another language spoke a little bit? The ones that speak the Nephite language don't have an accent, except for Billy Zane, who sounds like Mr. Krabs 4. The soundtrack. OMG. It's well done, but it is relentless, it never stops, it's this somber, overbearing sonic landscape that never gives you a break.
5. This story had almost zero to do with Moroni other than burying the plates.
6. Darin, your acting is one note. You use pregnant pauses and slomo for effect. You don't use it constantly.
7. The editing is weird as hell. Things just jump back and forth with no connection. Like, what's with the black dog? That didn't make sense.
8. Training montage? Really? Come on dude. I guess you needed to show the breath holding training to support your escape later, but I think you just want people to see you in a speedo.
Anyone interested in Mormonism, do NOT see this movie. It won't teach you anything. The story is total fiction. This looks like a high school film project. It might have worked as a 15-20 minute short, but if I'd been watching this at home instead of spending $30 at the theater, we would have turned it off. My wife flat out fell asleep and I almost did.
Do better.
The Room. Samurai Cop. The Oath. These three films stand in a class of their own.
No matter which way you look at this, it's very amateur. Right off the bat, it was obvious the editing was very shoddy, and there is hideously overdone color correction throughout the entire thing. Besides some drone footage, the camera work is very bland, and there is a frustrating lack of deep focus shots, leaving any scenery just a blur in the background. The worst thing is it's irredeemably boring. Almost nothing happens, and scene to scene things are repetitive. The camera doesn't do anything interesting, and neither do the characters. The writing is as weak as the editing. It was very forced and cringey, and more than once I groaned audibly from something akin to physical pain. Lastly, and I mean no offense to the guy, but I was getting tired of seeing Darin Scott's face; he just doesn't have the charisma to justify that amount of screen time (or the number of thirst traps he wrote in for himself...).
I'm happy that the guy got to make his movie in the exact same way I'm happy for Tommy Wiseau.
No matter which way you look at this, it's very amateur. Right off the bat, it was obvious the editing was very shoddy, and there is hideously overdone color correction throughout the entire thing. Besides some drone footage, the camera work is very bland, and there is a frustrating lack of deep focus shots, leaving any scenery just a blur in the background. The worst thing is it's irredeemably boring. Almost nothing happens, and scene to scene things are repetitive. The camera doesn't do anything interesting, and neither do the characters. The writing is as weak as the editing. It was very forced and cringey, and more than once I groaned audibly from something akin to physical pain. Lastly, and I mean no offense to the guy, but I was getting tired of seeing Darin Scott's face; he just doesn't have the charisma to justify that amount of screen time (or the number of thirst traps he wrote in for himself...).
I'm happy that the guy got to make his movie in the exact same way I'm happy for Tommy Wiseau.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 509.470 $
- Eröffnungswochenende in den USA und in Kanada
- 232.833 $
- 10. Dez. 2023
- Weltweiter Bruttoertrag
- 509.470 $
- Laufzeit1 Stunde 44 Minuten
- Farbe
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