The Painting

This is a very earnest but fun film which uses paintings to make a compelling, if also fairly vague, social statement. I got it because I was intrigued by the connections it would make between paintings and animation, and thought my kids would find this interesting. I later realized that the film's main premise, that paintings are "alive" like animation, and can even escape their canvas, was actually not new, but lifted directly from The King and the Mockingbird-a dependence which is not surprising given that The Painting was produced in France and Belgium. While that film used paintings to comment on the medium of animation, The Painting delves deeper into the painting itself, which it uses as an allegory for society. One premise is that paintings are a snapshot of an active world, which is moving behind the scenes; the other is that paintings are strictly hierarchical: some characters are fully colored ("all dones"); others are still in need of some coloring ("halfies"); and, at the bottom, are the mere sketches. The idea is that the painting is unfinished, but one could equally imagine that certain layers/characters have been abandoned and overpainted. The movie is, at its heart, a morality tale speaking out against the abuse of power by some of the "all dones," especially against the sketches, which could be applied to many situations; the idea that the halfies and sketches efforts to find the painter to complete themselves is misguided sends a much more ambiguous and mixed message. In any case, my kiddos enjoyed it and talked about it a lot afterwards.

The Painting is not a film for everyone. Despite being an animated film, this French film is definitely not designed for kids. And, it's also not for everyone else—just folks who can admire its artistry and style. As I sat and watched this one with my daughter, she clearly became bored with the film—though she admitted that the film was visually stunning. As for me, I could agree that the film has slow moments, but it's one you need to keep watching, as it becomes more and more spectacular as you watch.

The film begins within a painting where all the characters in the painting are alive and there is its own little world. It's also a highly prejudiced world and there is a clear caste system. At the top are the Alldunns—characters who are completely painting by the artist. They feel superior and look down on the others. Next come the Halfies— those who are painted but who have not had all their colors applied. And, at the bottom, come the Sketchies—primitive sketches and nothing more. Within this world is a problem, as an Alldunn has fallen in love with a Halfie—and his fellow Alldunns are NOT pleased! So what are the young lovers to do? Yep…they're going in search of the artist himself to get him to finish the painting and make everyone equal! Along the way, the girl gets lost but her boyfriend continues the trip—along with a very brave Halfie girl and a poor Sketchie. While this all sounds very weird, it does get weirder. Eventually, the trio manage to get to the edge of the painting and then…they pass through it to the outside world. They find themselves in the artist's studio. He isn't there…but many of his paintings are. Amazingly, they find that they can enter these paintings as well—and soon they make friends with a young soldier named Magenta. What's next? See the film—it is rather amazing.

The first 15 or so minutes of the film is stuck on the original painting. It is a rather garish land—much like a Gaugin painting. Most of the characters weren't very interesting, the colors are garish and I wish that less time had been spent here. However, I urge you to sit tight and keep watching! The other paintings often have a different look (such as Modigliani and Cocteau)—as if they were done by an artist trying various styles. Some of these are quite arresting—as it is seeing the characters from the paintings walking in both a CG world (the studio) as well as into the real world itself at the very end! Additionally, because the film is made by using computer graphics, they are able to achieve a wonderful 3D look that is completely unique. Sure, some of Aleksandr Petrov's shorts are prettier when it comes to the paintings (especially since Petrov does it without computers), but he couldn't achieve exactly the same sort of look and style—nor could he bring the real world into the computer graphics world.

So did I adore the film? No. I agree with my oldest daughter that the film does have some slow moments and forgettable characters. It also might improve if it was a bit shorter and tighter. But, I still recommend you see it because it is so unique and clever. It's a film for anyone wanting something different or who has a love of both animation and art films.

a beautiful film. not complex script. not extraordinary story. but the memory of colors, the lovely simplicity, the freshness warm flavor of childhood, the emotions who are mixture of old images, adventure spirit, religious lesson and philosophical crumbs is like a kind of music. the result - an useful meeting. seductive, refreshing, delicate, a not ordinary animation who represents more than entertainment, a window to a splendid universe. the sense of well known world, the game of colors, the animation as a kind of delicate invitation to self discover are virtues of a film with not high ambitions but for this reason admirable way to remember the basic fundamental things.

good animation. or religious film. original characters. and seductive lesson about art. it has different sides. but it remains a beautiful show. not only for the wonderful art, for the wise mixture of love, tension, mystery and crumbs of history, for references to literature and history, for the final meeting or for the status of parable. but for its admirable manner to translate emotions and realities and desires. for the game of events and for the need of certitude of characters. for idealism. and for the grace of details. a film who remains different. for the science to explore old things in the inspired light. nothing more. only a story, a trip and a revelation. few characters. and the questions. short, one of stories who remains seductive for the art to reuse old problems in the right style.

This animated movie is a good surprise. With an innovative setting - a painting, it is filled with the intention to speak about art and creation. The animation by itself area celebration of the old handmade classics vs the new 3D-computerized trend. It reminds me a bit of "Le roi et l'oiseau" in some ways. Plus, of course, a few well-known painters through different figures. That common theme, art and creation, is kept intellegently the whole movie - thanks to the painting first and then the search of the painter, and, thus, the meaning of a piece and its future. Fortunately, the movie doesn't stop there and adds a layer for the adults in depicting a layer society - here based on the care you were getting from the painter - not too far from ours. Finally, there is adventure, that makes it a movie for everyone.

Not everything is perfect though and I do agree with some reviewers pointing some weak moments (I would also have loved some "Alice in Wonderland" crazyness) and weak characters that pales in front of their quest. Would have ended it before too.

But these weaknesses are not that big they will prevent you enjoying this movie.