Maggie

First off I just want to say that this is my first review of any film. I attended the world premiere of Maggie last night at the Tribeca Film Festival and I am also a huge Arnold fan. It was great seeing him perform in a different (dramatic) role.

The cinematography in this film was absolutely stunning. From the location setting, the small town, old house; it was all well put together. I thought the cast was great and Arnold did a great job in his role but this film was focused on Abigail Breslin. And she stole the show. She outperformed the rest of the cast and made each viewer connected to her character very closely. Abigail had many scenes alone in this film and without giving too much away, there were times you can feel her pain and sort of understand what she was experiencing as the film progressed.

Maggie really shed new light to the zombie genre because it showed intimately how a family member was deeply affected by an outbreak. A father and daughter bond filled with love and courage and the chemistry played on screen between Arnold and Abigail was fantastic. Each character showed great passion throughout the film and it was well directed by Henry Hobson, his directorial debut.

I recommend this film to viewers who are interested in character development, great cinematography, a well written script, and a solid meaningful ending. Please don't come into this movie expecting The Walking Dead/ Zombieland type of action film because this isn't it. Hopefully Arnold will take on more of these roles in the future and from what we saw in Maggie, Abigail has a great career ahead of her. 9/10

This is in many ways a good, strange and different film, it is a zombie film, but not in the way you would expect, this is a drama about a dad finding and taking care of his daughter in her last days of an illness. The illness being she is turning into a zombie after she got bit and everything is treated in this film as it is just a terminal disease, there is no cure, there is a time frame, there is some signs to what is happening, but in the end you can't survive it.

It is a slow moving drama and really is the storyline and the characters and their interactions that is the film, we are talking a time frame of a week or so and we mainly follow Maggie and her dad and how they try to spend their last days together. We are slowly but steadily introduced to the plague that have been turning people into zombies and how people with the disease are being treated and eventually put away, because there is no cure, if you are bit, there are only three ways of going on, go to the camps where the rest of the zombies are kept, get some kind of shot that will kill you in a excruciating way or take the life of yourself by shooting, breaking your neck or other means.

It is a heartfelt movie that you really can't stop watching even though the story moves slowly ahead and it is not like any other zombie movie, it is insightful and interesting and really shows some aspects of life that has nothing to do with becoming a zombie, it could have been about any other terminal illness that can't be cured, but the zombie part is just a great twist to it all.

I was entertained and thoughtful after seeing it, it was really something other then I had expected.

Maggie is the film that finally shows an emotional side to zombie films. This movie is not about killing all the infected people in sight. I think that Maggie has a least four excellent performances. The best is definitely Abigail Breslin. It is Arnold Schwarzenegger who is going to bring people to the theatre to see this movie but it really is Breslin's film, she is really the star. Schwarzenegger however is not his normal self. The man can act, and I'm sure that this film will never receive the credit it should because Schwarzenegger is in it and people are too quick to judge it by its cover. Maggie is slow but the performances managed to keep me interested. The film is also dark which perfectly captures its tone. I think that people need to go into this movie with an unbiased mind and it could really be enjoyed.

Veteran star Arnold Schwarzenegger shows some real depth and emotion in this decent horror drama that stresses something not always seen in a zombie feature film: the human element. Arnold plays Wade Vogel, a farmer struggling to cope with a fairly apocalyptic future. Many people are succumbing to what the makers of this film call "Necroambulist Virus"; in other words, zombification. Among them is Wades' teen aged daughter Maggie (Abigail Breslin). He is determined to spend all the quality time with her that he can, while she can still appreciate it.

"The turn" into a zombie is a slow and drawn out process in this narrative, written by John Scott 3 and directed by Henry Hobson. It's painful for the loved ones of the victims to have to watch as the humanity steadily drains away. The story can be seen as a metaphor for any number of diseases, or even just the aging process itself. Ultimately, it's a yarn about learning to let go, which people like Wade find very hard to do. Some of his neighbors will go so far as to run contrary to common sense or the afflicted persons' best interests.

Suffice it to say, this is for people who want to see Arnold take on a different kind of challenge. It is nice, after all this time, to see him take more chances and grow as an actor. This isn't for fans who want to see him do bad ass things, which are few and far between. You don't even see very many zombies, or much gore, for that matter.

Set in the Midwest, but shot in Louisiana, this makes decent use of its locations, has a fine music score by David Wingo, and an appropriately drab picture quality.

Arnold does a creditable job as the star. Breslin does elicit quite a bit of sympathy. Joely Richardson rounds out the trio of Hollywood names as Wades' second wife, who is able to accept things that Wade cannot.

Arnold was also one of the many producers on this thing.

Seven out of 10.

STAR RATING: ***** Saturday Night **** Friday Night *** Friday Morning ** Sunday Night * Monday Morning

A contagious virus has spread across America that is causing the infected to slowly mutate in to cannibalistic zombies. Wade Vogel's (Arnold Schwarzenegger) daughter Maggie (Abigail Breslin) would be one such person, a young girl grimly aware of her terrible predicament. As the inevitable closes in, father and daughter bond in a final, all encompassing way, before they're drawn towards a terrifying final outcome.

After his much hyped comeback a few years ago, Schwarzenegger has achieved what can only at best be called the most hit and miss results with his new batch of explosive, '80s flavoured action films. There was still something resembling an audience, but most people's tastes have cleaned up quite a bit. And so, out of nowhere, it seems, he delivers this latest offering, which on paper comes off just like one of his regular shoot 'em up type films, with him versus zombies. But instead, he's taken such a plot line and given it a more mature angle, as a more tender and heartfelt examination of the final days of a father and daughter, that shows a departure from his usual type of fare.

As more emotionally driven as the plot is, it doesn't really have the best sense of structure or direction, and instead seems to be driven more on a moody, lingering sense of atmosphere and tension, with the lighting drained out and brightened up in subsequent shots to affect the mood. Debut feature length director Henry Hobson has shown a certain knack and sense of style behind the camera, but he needs to go back to school a little on his structural narrative abilities, and crafting a film that has somewhere to go in spite of it's heart.

So, we have it, then, Arnie's most bizarre film, ever, a totally unexpected and different effort from him that's appeared out the blue. In spite of it's strangeness, it's better than anything he's done lately, and shows a more mature and emotional side developing after so many years. ***