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Catch .44

  • 2011
  • 16
  • 1 Std. 34 Min.
IMDb-BEWERTUNG
4,6/10
18.234
IHRE BEWERTUNG
Bruce Willis, Forest Whitaker, and Malin Akerman in Catch .44 (2011)
For Tes and her cohorts Kara and Dawn, the job sounded simple enough: intercept a double-cross drug shipment for their crime boss Mel at an isolated diner. But when an unstoppable chain of events unfolds, everyone soon realizes no one is who they seem and the job may be something other than eliminating the competition.
trailer wiedergeben2:03
7 Videos
30 Fotos
ActionThriller

3 Frauen werden geschickt, um um 3 Uhr morgens einen großen Drogenhandel in einem Diner abzufangen und das Geld zu bekommen. Ganz einfach - mit Ausnahme von Murphy's Gesetz: Alles, was schie... Alles lesen3 Frauen werden geschickt, um um 3 Uhr morgens einen großen Drogenhandel in einem Diner abzufangen und das Geld zu bekommen. Ganz einfach - mit Ausnahme von Murphy's Gesetz: Alles, was schief gehen kann, wird schief gehen.3 Frauen werden geschickt, um um 3 Uhr morgens einen großen Drogenhandel in einem Diner abzufangen und das Geld zu bekommen. Ganz einfach - mit Ausnahme von Murphy's Gesetz: Alles, was schief gehen kann, wird schief gehen.

  • Regie
    • Aaron Harvey
  • Drehbuch
    • Aaron Harvey
    • Diego Garzon
  • Hauptbesetzung
    • Malin Akerman
    • Nikki Reed
    • Deborah Ann Woll
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,6/10
    18.234
    IHRE BEWERTUNG
    • Regie
      • Aaron Harvey
    • Drehbuch
      • Aaron Harvey
      • Diego Garzon
    • Hauptbesetzung
      • Malin Akerman
      • Nikki Reed
      • Deborah Ann Woll
    • 107Benutzerrezensionen
    • 44Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Videos7

    U.S. Version
    Trailer 2:03
    U.S. Version
    Catch .44
    Clip 1:08
    Catch .44
    Catch .44
    Clip 1:08
    Catch .44
    Catch .44
    Clip 1:20
    Catch .44
    Catch 44: Strip Club
    Clip 1:17
    Catch 44: Strip Club
    Catch 44: Meeting Mel
    Clip 1:20
    Catch 44: Meeting Mel
    Catch 44: Diner
    Clip 1:48
    Catch 44: Diner

    Fotos30

    Poster ansehen
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    + 24
    Poster ansehen

    Topbesetzung20

    Ändern
    Malin Akerman
    Malin Akerman
    • Tes
    Nikki Reed
    Nikki Reed
    • Kara
    Deborah Ann Woll
    Deborah Ann Woll
    • Dawn
    Forest Whitaker
    Forest Whitaker
    • Ronny
    Bruce Willis
    Bruce Willis
    • Mel
    Shea Whigham
    Shea Whigham
    • Billy
    Jimmy Lee Jr.
    Jimmy Lee Jr.
    • Jesse…
    Brad Dourif
    Brad Dourif
    • Sheriff Connors
    Jill Stokesberry
    Jill Stokesberry
    • Francine
    P.J. Marshall
    P.J. Marshall
    • Deputy Elmore
    Dan Silver
    • Businessman David
    • (as Dan Sliver)
    Michael Rosenbaum
    Michael Rosenbaum
    • Brandon
    Edrick Browne
    • Davon
    Christopher Alan Weaver
    • Male Diner Patron
    • (as Christopher Allen Weaver)
    Amanda Bosley
    Amanda Bosley
    • Female Diner Patron
    Ivory Dortch
    • Strip Club Waitress
    Jon Dainty
    • Bar Patron
    Kevin Beard
    Kevin Beard
    • Mel's Driver
    • (Nicht genannt)
    • Regie
      • Aaron Harvey
    • Drehbuch
      • Aaron Harvey
      • Diego Garzon
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen107

    4,618.2K
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    Empfohlene Bewertungen

    1tomgprs

    lose all hope

    I am only thankful that I have the option of turning off a film when my eyes begin to bleed. I have the feeling that Bruce Willis is either contractually obligated to make these films, or that he is desperate for work. I have been a big fan of Forest Whitaker for a long time and his performance is the only aspect of this nightmare on stilts that is not contemptible to the nth degree. Giving nothing away, let me just say that watching three airhead bimbos acting like tough guys for an hour and a half is an objective and honest summation of this "film". Willis has very minor scenes-where he is "less" than usual- and the rest is a haphazard mix of of terrible acting on the parts of our three "heroines". The actresses are all snotty and so dumb that it seems like the producers deliberately made a bloody gangster film for angry teenage drama queens. I do not mind ultra-violence, but targeting children - the way this movie seems to do- is reprehensible. Where are all the good writers. Why cant we put the art back into "blown apart"?
    6anders-kanten

    Could have been a new Pulp Fiction

    This film had the potential to be the new pulp fiction, but it misses certain things. It got cool actors, a good plot and great music.

    It is worth seeing, but the opening scenes made me hope for a super-great unforgettable movie, it was a little disappointing. The director borrows a lot from Tarantino and that is a good thing. I would like to see more speech action between the actors.

    The ending could also have been a little more open.

    Anyway, go see it. Cooler than a lot of other rubbish I have seen lately.

    This director will probably make greater films in the future!
    3traianracu

    What a mess...

    Bad, bad, bad... It was a waste of time. The only thing that deserves attention is Forest Whitaker's play (versus the disappointing old Willis). But it wasn't enough to save the movie. The impression left is that this is trying to be a smart/modern/atypical movie. It kept on trying' all the time but, unfortunately, it never succeeded.

    There are a lot of much better movies full of blood and empty of mind.

    After the disaster named "The Evil Woods",it seems that Aaron Harvey tried to save his career as a director. He fails. And for me it's enough to avoid him and his..."operas" in the future...

    It's such a pity that actors like Willis or DeNiro haven't played in a good movie for so long time...

    Be smart and avoid this mess.
    3messiercat

    Jeebus, What A Mess

    I can only assume that the principles involved needed a paycheck, and the producers had enough on hand to have Forest Whitaker and Bruce Willis climb on board this train wreck. What began to sour me was the obvious Tarantinoesque use of banter, only between vapid Southern Cal airheads, and also the constant flashbacks, to try and set a sort of moodiness. Attempt to get through the obnoxious dialog in the first half hour without rolling your eyes and you're a far more stout film goer than I am. Seiously, repeatedly do a scene 3 times? Now I'm a forgiving kind of movie watcher, but something happened along the way here that completely derailed this train, and I don't think anybody quite knew what they were doing by two thirds of the way through. I'm watching this effort online about three weeks before it's even released in theaters. In DVD quality. Somehow I don't believe it's being distributed to Academy members for Oscar consideration next spring. It looks like it was all meant to enhance Malin Akerman's career.

    The only reason it gets a few stars is Whitaker's energy. Extremely pathetic project. Avoid.
    1RPRodgers-227-393604

    Tarentino rip off

    All the blood and gore of a Quentin Tarentino movie without the clever dialog or interesting characters. I feel sorry for any actor who has to deliver lines this insipid, forced and downright dull. I kept hoping for a likable character or someone with a trace of moral fiber to show up but it just never happened. I imagine if Tarentino had written, directed, and cast this movie it would have been at least watchable. As it is, though, this kind of imitation doesn't constitute any sort of flattery whatsoever. If it were possible to do so I would advise Quentin Tarentino to sue the makers of this film for stealing his style without doing it any justice at all.

    Bruce Willis is, as always, Bruce Willis. But they put some effort into making him appear repulsive and then give him very little to work with. Either in terms of some decent lines or actors who give him something to play off of.

    If you absolutely have to see everything Bruce Willis does than you will have to sit through this movie. But that's the only reason I can think of for doing so.

    Verwandte Interessen

    Bruce Willis in Stirb langsam (1988)
    Action
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      When the girls are heading out in the car for the first time, Malin Ackerman's character is adamant that they play a tape from the 80s. The tape she chooses is "The Return of Bruno" by Bruce Willis and a small sample of his cover of "Respect Yourself" is heard. Bruce Willis of course plays Mel, their boss, in the movie.
    • Patzer
      After Ronny shoots the cop in the head, he then steals and wears his uniform. The uniform should be a bloody mess, instead of completely clean and pristine and the uniform should be too small and tight on the heavyset Ronny, because the cop originally wearing the uniform is of normal build.
    • Zitate

      Tes: Most women apply secret number two to one thing, sex. The rest of the time we're too real. Too real because it's in our nature to be real, which ultimately is a woman's downfall. But faking it keeps you living in man's land.

      Kara: Whoa! Who the fuck wants to live in man's land?

      Tes: We're already living in it, guys.

      Kara: All right, wait wait, let me ask you a question then. Would you be faking it if you compromise? 'Cause you can't fake compromise.

      Tes: You half can.

      Kara: What the fuck does that mean?

      Tes: Compromise is half faking. 'Cause if you weren't compromising half you would have it all. In which case you wouldn't be faking, you would be taking. For example, guys compromise when they leave the toilet seat down. They do it because they know they can't win. And I'm not faking it 'cause I don't pretend not to mind when they do leave the toilet seat up - because I do.

      Kara: Slow it down. How is that a compromise on your end?

      Dawn: Yeah, and I thought you said wde *should* fake it.

      Tes: It's a compromise because I'd fake other things to get my way. Or I'd take away the pussy.

      Kara: What are you even talking about? I think you're confusing yourself.

      Tes: No no, I think it's just too complicated for you to understand.

      Kara: No, it's not at all. I get what you're saying. I just don't agree with you. To me compromising is not faking.

      Tes: [sighs] Fine. Then we'll just agree to disagree.

      Kara: Or we can agree that I'm right because that's a compromise.

      Tes: Tell you what: I'll fake it and we can agree on that.

      Kara: But you're compromising to agree on faking it. I can explain it to you if it's too complicated.

    • Verbindungen
      Referenced in Rewind This! (2013)
    • Soundtracks
      I Don't Care
      written by Brenda Burns

      performed by Toddzilla

    Top-Auswahl

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    FAQ17

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    Details

    Ändern
    • Erscheinungsdatum
      • 5. Januar 2012 (Kroatien)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Annapurna Pictures (United States)
      • Official Forum
    • Sprache
      • Englisch
    • Auch bekannt als
      • Catch .44 - Der ganz große Coup
    • Drehorte
      • Shreveport, Louisiana, USA
    • Produktionsfirmen
      • Annapurna Productions
      • Emmett/Furla Oasis Films
      • Benaroya Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 7.000.000 $ (geschätzt)
    • Weltweiter Bruttoertrag
      • 291.742 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 34 Min.(94 min)
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 2.39 : 1

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