Füge eine Handlung in deiner Sprache hinzuA detective investigates a murder, only to find that the victim is... himself. Soon, he discovers multiple versions of himself, not all of them friendly.A detective investigates a murder, only to find that the victim is... himself. Soon, he discovers multiple versions of himself, not all of them friendly.A detective investigates a murder, only to find that the victim is... himself. Soon, he discovers multiple versions of himself, not all of them friendly.
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I have seen thousands of movies. And this is in the bottom 10. I think it is possible to enjoy this movie if you are on LSD or something
Not sure if other reviewers agree, but I got a vibe of Terry Gilliam's Brazil (1985), particularly during the rants of "John Luka".
I didn't enjoy this a great deal, especially the grating and obnoxious score. It never lets up. I got the impression that the film changed direction a few times in the editing room. It was initially completed in 2014 before being re-edited over the next four years.
I must confess that with about 25 minutes to go, I paused the film to read some reviews to see if I could make sense of it. Within a few seconds of restarting, the librarian character explained everything! So hang in there if you get that far :-)
I didn't enjoy this a great deal, especially the grating and obnoxious score. It never lets up. I got the impression that the film changed direction a few times in the editing room. It was initially completed in 2014 before being re-edited over the next four years.
I must confess that with about 25 minutes to go, I paused the film to read some reviews to see if I could make sense of it. Within a few seconds of restarting, the librarian character explained everything! So hang in there if you get that far :-)
The concept of a quantum multiverse within the context of time travel is difficult to grasp for many, but when it is encased in a multi-layered highly stylized project like this, I can see why it is having difficulty finding an audience.
As the title suggests, this is loosely about time travel and the requisite paradoxes that come with such stories, but it is also about altered states of reality and perception. Judet-Weinshel uses the 'Memento' style of temporal discord with rapid jumps between points in time to keep the audience off balance, but then he layers on top of it a mix of surrealistic dialogue just to invoke a sense of the ambiguous psychosis that the protagonist is feeling. Then he throws in a mix of realist vs. fantastical style elements to deepen the complexity of the presentation.
At first I didn't understand the purpose of the fantastical technology elements ( e.g., the flying machine), then I realized that each character was associated with a different artistic stylization. Weird. I've never seen that before -- usually different stylizations are used to depict different places or sometimes different states of mind (e.g., dream sequences), but to pin a variety of styles to each of the characters is really original. This was a difficult project to choose to introduce such a new method, but most of the audience is going to be lost anyway so why not?
Great job, Gabriel! Ambitious and groundbreaking. Maybe in a decade or so the innovation in this project will be more appreciated.
Triggers: Violence - weapons, homicide by the protagonist Strobe effects Drug use
As the title suggests, this is loosely about time travel and the requisite paradoxes that come with such stories, but it is also about altered states of reality and perception. Judet-Weinshel uses the 'Memento' style of temporal discord with rapid jumps between points in time to keep the audience off balance, but then he layers on top of it a mix of surrealistic dialogue just to invoke a sense of the ambiguous psychosis that the protagonist is feeling. Then he throws in a mix of realist vs. fantastical style elements to deepen the complexity of the presentation.
At first I didn't understand the purpose of the fantastical technology elements ( e.g., the flying machine), then I realized that each character was associated with a different artistic stylization. Weird. I've never seen that before -- usually different stylizations are used to depict different places or sometimes different states of mind (e.g., dream sequences), but to pin a variety of styles to each of the characters is really original. This was a difficult project to choose to introduce such a new method, but most of the audience is going to be lost anyway so why not?
Great job, Gabriel! Ambitious and groundbreaking. Maybe in a decade or so the innovation in this project will be more appreciated.
Triggers: Violence - weapons, homicide by the protagonist Strobe effects Drug use
I watched about 35 minutes of this film and still I feel as though I gave the writer and director more time than I should have. I wish I was able to say I only gave it 20 minutes before turning it off, but I was in a good mood that day so i gave it some space to grow. Big mistake.
There is no story here at all. There's no viewer engagement, there's not on e reason to keep watching form the opening scene except curiosity to wonder if it is going to turn into something good.
It's the most pretentious load of old rubbish I've seen in years and I feel slightly embarrassed for everyone who was involved in making it.
This movie is really pretty confusing for the first 50 minutes, and yet, I could not look away, but I absolutely get why others hate it. While it seemed it was just convoluted for the sake of being convoluted, it actually has a reason, but that doesn't make it any less disorienting and confusing at times. Somebody said this isn't philosophical, wow are they wrong, this movie is incredibly philosophical, there is a lot going on here with a lot of different theories on time travel and other scientific theories that have been touched on in scifi, but I do feel this movie has a unique take, despite it's clear influences. I would argue it is more a philosophical movie than a time travel movie, but I guess, watch it and decide for yourself. This has the makings of a cult classic, it really is a very unique watch and it is absolutely not for everyone.
I am not sure why some have said the acting, cinematography, or effects were not good, I did not find that to be the case. The visual aesthetic is pretty fantastic given this movie likely didn't cost more than $50,000, if that. Yes, the music can be a bit overbearing at times, that might be the one complaint I have about it, but most of it suits the movie and gives it a unique feel, the score itself is good. The color pallet is a bit washed out and yellowish, and the settings feel very old. I am just really intrigued at how they accomplished such a unique look and feel on such a low budget, the movie looks really good.
Again, especially given the budget, I really felt they did a fantastic job. I don't know what else to say really because I don't want to ruin the story, or the numerous twists and turns.
I am not sure why some have said the acting, cinematography, or effects were not good, I did not find that to be the case. The visual aesthetic is pretty fantastic given this movie likely didn't cost more than $50,000, if that. Yes, the music can be a bit overbearing at times, that might be the one complaint I have about it, but most of it suits the movie and gives it a unique feel, the score itself is good. The color pallet is a bit washed out and yellowish, and the settings feel very old. I am just really intrigued at how they accomplished such a unique look and feel on such a low budget, the movie looks really good.
Again, especially given the budget, I really felt they did a fantastic job. I don't know what else to say really because I don't want to ruin the story, or the numerous twists and turns.
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Darius Lefaux: [narrating] They say a life can only be understood backwards, but it must be lived forwards.
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- Laufzeit1 Stunde 15 Minuten
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