Der Richter - Recht oder Ehre

Robert Duvall's performance as an irascible old man dying of cancer in the title role both got an Oscar nomination for Best Supporting Actor and is the highlight of the film. Duvall who is now 84 years old puts a lifetime of learning and experience into this role, a part he literally aged right into.

Robert Downey, Jr. plays Duvall's estranged son, a very successful Chicago criminal attorney who gets a call from his brother Vincent D'Onofrio that their mother has just passed on. Right in mid trial he gets a postponement and flies to the small Indiana town where he grew up to be with his brothers and dad.

While still in mourning a man is run down by a car identified as Duvall's and he's arrested. Turns out to be a man he gave a break to in his court who came back and pulled a horrible crime. He'll need a good lawyer, but Duvall won't make the obvious choice.

There's a whole lot issues separating Duvall and Downey making a gulf as wide as the Pacific Ocean. As he proudly points out Downey commands some big fees in Chicago. My favorite scene in the film is Duvall insisting that local attorney Dax Sheppard be his lawyer. Sheppard is a part time lawyer and a full time antique dealer who got his law degree at a school Valparaiso, Chile, good old Valpo as he calls it. Downey is beside himself at this guy's incompetence.

Grace Zabriskie has a short but memorable performance as the mother of the man who was killed. Years of rage and hate come out at Duvall. As Downey points out when you're a town judge like that for 35 years you will make rulings and have a lot of people you ruled against hate you. In fact as we meet Duvall there's a great example of that when he orders this redneck deadbeat to cough up child support by giving title to his brand new truck over to his esteemed wife so she can sell it. In that world that's like ordering castration. You will make enemies with decisions like that. It kind of makes you wonder about all those old Andy Hardy movies where Lewis Stone was beloved by all in Carvel.

Downey and Duvall have a special dynamic working in The Judge. Their last scene together is exponentially poignant.

A whole lot of family dirt is exposed when the rug is lifted in The Judge. For fans of both Downey and Duvall this is a must.

I don't usually write a review, but I feel compelled to defend this film against critics who, I feel, have unfairly given it a low rating. While its premise is not necessarily unique and it has its fair share of clichés, The Judge is a deeply moving film that showcases the acting powerhouse that is Robert Duvall and the undeniable versatility and magnetic screen presence of Robert Downey Jr. There are also strong supporting performances from Vera Farmiga (she and RJD have great chemistry), Billy Bob Thornton, Vincent D'Onofrio, and Jeremy Strong. I dare anyone who has dealt with family issues not to be affected. Forget the critics - they don't know everything - and do yourself a favour and watch The Judge. You won't regret it.

I saw this film twice at TIFF and was quite impressed! It's getting some harsh reviews, undeservedly. Yes, it's too long and yes, director David Dobkin needs to work on his tone and pacing, but the story is great and the performances are fantastic!

Not a simple courtroom drama at all, the story is more about Hank Palmer (Downey)'s struggle to understand his relationship with his father and to accept where he came from. It's about identity, family, and all the messiness and contradictions of life.

If you are a teenager who can't sit still through a more-than-two-hours long movie, or expect some type of John Grisham or Iron Man-like action from this film, you will be disappointed. If you are a true film lover who revels in watching great actors practice their craft, you will not be disappointed by The Judge.

This movie is definitely worth sitting through for amazing performances by both Downey and Duvall, who could both be up for Oscar nominations for their roles as the son and father, respectively. There are many very funny moments as well as many touching moments between father and son, brother and brother. The audience I sat with at Roy Thomson Hall loved it, frequently expressing their appreciation with laughter. See for yourself on October 10--don't let a few critics spoil it for you.

Firstly I have to say that the trailer I saw for The Judge advertised it as a courtroom/family drama with some comedy thrown in. Who doesn't love the family feud type films, where the black sheep of the family returns home for a funeral/wedding/divorce etc? And I was looking forward to seeing Robert Downey Jr in a different role from Tony Stark/Iron Man. What I didn't expect was a bit of a tearjerker.

The story itself is fairly clichéd. A lawyer (Robert Downey Jr) in the middle of a messy separation returns home for his mother's funeral. His estranged father (Robert Duvall) doesn't want anything to do with him. He rekindles romance with an old flame (Vera Farmiga). It's the performances though that make it engaging and stop it from potentially being just another straight to DVD release.

The film is beautifully directed by David Dobkin. Downey Jr and Duvall are both excellent. Their scenes are strong and emotional. I also loved Vincent D'Onofrio and Jeremy Strong (as Downey Jr's older and younger brothers respectively). They are terrific. Farmiga, Dax Shepard and Billy Bob Thornton are all great, but I felt they were somewhat underused.

Even though I think that there was a bit too much going on and at times it got a bit too sentimental, I still very much enjoyed The Judge for the most part. It is a touching and absorbing film, that will make you laugh and cry, and if you are a fan of either Downey Jr or Duvall you'll love it.

Based on the trailer, my anticipation for seeing "The Judge" was high – – Robert Downey Jnr, Robert Duvall, Vera Farmiga, Billy Bob Thornton… great cast. And whilst the film is still good, it suffered in my view from getting rather bogged down in family melodrama.

The film opens with a series of stills of various items, all of which play a key part in the plot as it unfurls. Robert Downey Jnr plays hot-shot Chicago defence lawyer Hank Palmer who has a reputation for getting guilty clients off the rap in return for a big fee. He has a hot house, a hot wife and various hot cars. The death of his mother forces him back to his childhood home in Indiana – a place he has not been since his turbulent teenage years. A key reason for his absence is his father Joseph, the Judge of the title (Robert Duvall), with whom he has something of a difficult relationship. When on the day of the funeral Judge Palmer gets into his own brand of legal trouble, a battle ensues as to whether Hank can overturn his father's stubborn views that he is better represented by the local hick lawyer cum shopkeeper C.P. Kennedy (played extremely well by Dax Sheperd).

Surrounding this main story are the various sub-plots involving his relationship with his three brothers, his past high school flame and his hauntingly torrid past within his home town.

There is great acting on display here. Veteran actor Robert Duvall in particular is exceptional in the lead role, struggling to balance the conflicting demands of his defence with his reputation within the community. Also on top form, Billy Bob Thornton plays a devastatingly fearsome prosecution lawyer – looking like a hawk, you would hate to be in the witness box when he started on you! Robert Downey Jnr, when he gets his teeth into the meatier scenes, is also exceptional: one scene in particular with Thornton in the police station office is just riveting. However, I felt Downey Jnr sometimes drifted into being (as my son neatly put it) "a bit Tony Stark-ish in places": playing out the old disarming comedy schtick works brilliantly in the Iron Man or Sherlock Holmes films, but in this intense drama it sometimes detracted from the character of the film. The ever-reliable, and this time blonde, Vera Farmiga plays Samantha, the high school beauty he left behind who he finds still serving behind the bar of the local diner (although with a nice twist). However her role really isn't fleshed out particularly well and she feels underused in the plot and the film in general.

Where the film struggles is in the screenplay which seems to be bogged down with too much 'stuff' that needs to be worked through. The core story, albeit rather formulaic, is good and compelling and doesn't really need all the extra baggage. A more judicious (no pun intended) edit and a reduction in the running time would have helped. The film also seems to try to play a 'fish out of water' card of the hot-shot lawyer in the backwater town, but rather misses the mark. Nice try but no cigar.

Another significant criticism for me was in the sound mixing department. This might be my 50+ year old ears, but what with the fast delivery of lines and Duvall's gruff style, a lot of the dialogue didn't successfully make the short journey between ear and brain. And there were some really key lines of dialogue that I missed. If this was on the TV, I would be constantly hitting rewind to catch what was said – unfortunately they don't let you do that in the cinema.

Outstanding though was the cinematography (by the great Janusz Kaminski). The film was shot in Massachusetts (principally the town of Shelburne Falls) and it looks beautiful, with clever boom work delivering sweeping and cleverly composed shots of the town. In particular, there is one stunning shot of Downey Jnr driving into town near the start of the film which is just superb. I'm not sure how it was done, but I'm thinking possibly a drone attached to the moving car that was then untethered and flew away? Breathtaking… almost worth the ticket price alone! In summary, not a perfect film but one with enough emotion and acting talent on display to be worthy of your multiplex investment.

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