Ein paar Polizisten kommen aus dem Ruhestand, um den berüchtigten Outlaws Bonnie & Clyde zu fangen.Ein paar Polizisten kommen aus dem Ruhestand, um den berüchtigten Outlaws Bonnie & Clyde zu fangen.Ein paar Polizisten kommen aus dem Ruhestand, um den berüchtigten Outlaws Bonnie & Clyde zu fangen.
- Auszeichnungen
- 3 Nominierungen insgesamt
Josh Caras
- Wade McNabb
- (as Joshua Caras)
Empfohlene Bewertungen
It's 1934. Bonnie Parker helps Clyde Barrow escape a Texas prison work gang. Governor Miriam "Ma" Ferguson (Kathy Bates) faces public pressure. Frank Hamer (Kevin Costner) is recruited to be a highwayman with orders to take down the rampaging fugitives. He and his partner Maney Gault (Woody Harrelson) are former Texas Rangers which was disbanded in those more civilized times. The duo tracks the fugitives to their ultimate ambush deaths in Louisiana.
Netflix seems to be taking over these medium sized films. This one tackles Bonnie & Clyde but from the other side. It's fascinating that Bonnie & Clyde were and continue to be media sensations. There are countless versions of them on the small screen and the big screen. They are cultural icons. They're basically shorthand for criminal Romeo & Juliet. They are cool and hot. They are the excitement and the romantic. Almost nothing is given to those who hunted and killed them. So it's really fascinating to see these icons with the eyes of their pursuers. Whether it's Costner, the time period, or the criminal icons, this reminds me of a harsher and less glossy The Untouchables. Bonnie & Clyde are more like side characters. They are the shark in Jaws. This paints a heroic weary picture of Hamer and Gault. These are old gunslingers from the Ole West. The truth is a little muddier. The ambush is interesting which does something more than the usual. The production is pretty good although I was concerned about authenticity at the beginning. It is closer than most Hollywood production. These are great characters. Costner and Harrelson are well within their elements. This is an engaging movie as a companion piece to the countless Bonnie & Clyde movies.
Netflix seems to be taking over these medium sized films. This one tackles Bonnie & Clyde but from the other side. It's fascinating that Bonnie & Clyde were and continue to be media sensations. There are countless versions of them on the small screen and the big screen. They are cultural icons. They're basically shorthand for criminal Romeo & Juliet. They are cool and hot. They are the excitement and the romantic. Almost nothing is given to those who hunted and killed them. So it's really fascinating to see these icons with the eyes of their pursuers. Whether it's Costner, the time period, or the criminal icons, this reminds me of a harsher and less glossy The Untouchables. Bonnie & Clyde are more like side characters. They are the shark in Jaws. This paints a heroic weary picture of Hamer and Gault. These are old gunslingers from the Ole West. The truth is a little muddier. The ambush is interesting which does something more than the usual. The production is pretty good although I was concerned about authenticity at the beginning. It is closer than most Hollywood production. These are great characters. Costner and Harrelson are well within their elements. This is an engaging movie as a companion piece to the countless Bonnie & Clyde movies.
Well, it's a hunt. And not much of it at that. The story lies within a very narrow confine of our two lead characters. There's enough background to make sense. Screenplay is mostly taut and the direction is good. But it is Harrelson and Costner that bring it all to mean much more than its mere sum. Both are excellent ... especially Costner who takes to westerns and baseball flicks like duck to water. Watch it for these two for there's not much else that you cannot gather from wikipedia.
Nevertheless one of the better addition to Netflix. Nice!
Nevertheless one of the better addition to Netflix. Nice!
We all saw the movie Bonnie und Clyde (1967) directed by Arthur Penn. In France, we all heard the eponymous song (Brigitte Bardot and Serge Gainsbourg, 1968). The Highwaymen is a mirror version with two retired Rangers in pursuit of the infamous outlaws Clyde Barrow and Bonnie Parker, considered as Robin Hood and his beloved wife by the plebs. A dead or alive hunt, in the 30's. Knowing that dead is a priori more practical, we suspect from the outset, even if we do not know the story, that it will probably be the chosen solution. In many aspects, I perceive the atmosphere of Erbarmungslos (1992) directed by Clint Eastwood, with its predictable and ineluctable ending, with cars and heavy machine guns instead of horses and Remingtons.
The actors, the photography, the costumes, the cars, the atmosphere of the post-1929 Great Depression, the rhythm, the dialogues, the soundtrack, ... This is an excellent movie! As a synthesis: 8/9 of 10.
The actors, the photography, the costumes, the cars, the atmosphere of the post-1929 Great Depression, the rhythm, the dialogues, the soundtrack, ... This is an excellent movie! As a synthesis: 8/9 of 10.
The cinematography, sets and costumes were all, first rate. It's this kind of attention to detail which sets this movie apart from some others.
Woody Harrelson is the stand-out performer to me, but Costner more than carries his weight. The atmosphere of austerity in the Western States is palpable.
Once again Netflix has nailed it, keep it up guys.
This story is told from the other perspective that we are used to see. Two aged, recommissioned(or, actually half-recommissioned) Texas Rangers take on Bonny and Clyde and hunt them in the end using same tactics that B&C used to kill lawmen. The tempo is slow at the beginning and builds up gradually until the climax. The sedate style of storytelling is intentional to give it a more realistic feel. The director Mr. Hancock achieves that masterfully! Set-design is excellent! Camerawork follows the happenings from the perspective of Pancho and Manny, and you get a clear idea of what they are facing while dealing with such criminals. There are some intense moments that will keep you on the edges of your seats!
Finally, the acting. Superb! A plus straightaway! The screen chemistry of Costner and Harrelson works like magic, and their banter wont let you feel that you are actually watching a hunting party involving some deep criminals. The last scene is simply impeccable! I'd say its a solid eight-outta-ten!
Wusstest du schon
- WissenswertesWhen Texas Ranger Frank Hamer was earlier portrayed by Denver Pyle in Bonnie und Clyde (1967), he was characterized as an incompetent fool, prompting his widow Gladys to sue Warner Brothers for defamation of his character. In 1971 an out-of-court settlement was reached.
- PatzerDuring When Frank Hamer's talk with the gas station attendant, the attendant says that Bonnie and Clyde "only rob banks" . While it is true they did rob banks, they actually robbed more stores and gas stations by far.
The station attendant's statement-while factually incorrect-was most likely meant to reflect popular misconceptions that began while Bonnie and Clyde were alive and have persisted to the present day. Due to their less spectacular nature (and generally lower body counts), the Barrow Gang's numerous robberies of gas stations, grocery stores, and assorted small businesses were under-reported at the time, with some not being attributed to the gang until months or even years after they occurred.
- Zitate
Maney Gault: Clyde might be king, but I'm a Texas Ranger, you little shit.
- Crazy CreditsDuring the first part of the closing credits, photos are shown of the real people and scenes portrayed.
- VerbindungenEdited from The George Burns and Gracie Allen Show (1950)
- SoundtracksAfraid to Dream
Written by Mack Gordon and Harry Revel
Performed by Benny Goodman and His Orchestra
Courtesy of RCA Records
By arrangement with Sony Music Entertainment
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Biệt Đội Xa Lộ
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 49.000.000 $ (geschätzt)
- Laufzeit
- 2 Std. 12 Min.(132 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen