The East

The East: an environmentalist group following the philosophy of an eye for an eye. The movie follows Sarah, an agent trying to infiltrate The East. The movie was almost always exciting, but showed more of the emotional side of the characters.

I had a lot of fun with this one. At times I found myself holding my breath, and couldn't figure out why. The movie had a good flow to it, with enough exciting parts to keep you from falling asleep. My biggest complaint with the movie is it didn't go as deep into the emotional sides of things and felt like it wanted to be more of a mainstream movie because of it.

Certainly a good subject and a touchy one. We have several movies treating this subject, the environment, the corruption. When I left the cine I asked me the question : Could this be true and yes, certainly. And that its all about, if you leave the cine and keep on thinking about the subject and discuss it with others. I didn't knew that much about Brit Marling and this film awakened my interest. Good acting and she has many opportunities to go as actress, writer or director. The movie is a must see, but ... it is not that much of a thriller, the action scenes are rather short and don't ask that much of attention and that is what it is meant to be, because the movie target is to show us how Brit Marling integrates in the East, her feelings, her changes in ideas. But also in the emotional part I find this movie rather general. It seems that they don't want to go a bit in depth on the subject, keep it simple for the spectator, the client. Keep it mainstream. So, it is not an action movie, but either enters in difficult matters. The subject is although unique and a must see. The end of the movie. Seems that it was time to finish and so they did, a bit in a rush.

Just saw this movie courtesy of the San Jose Camera Cinema Club. This is a well-acted, thought-provoking movie that asks many questions about the balance between the excesses of corporate America and the excesses of violent anarchist groups fighting against them. (Think Weather Underground and the SLA.) The protagonist is a young woman working for a top private security company in the Washington DC beltway on behalf of those corporations. She's assigned to infiltrate an anarchist group called "The East" to prevent damage to her company's corporate clients. The ensuing exposition of the anarchist group's actions ("jams") makes for a very suspenseful and credible movie with many plot twists and turns including the ending of the movie, which is diffused with the credits. Nothing is as it seems, just like a good spy movie ought to be. So go see the movie and don't leave until the credits finish rolling.

Without going into a lot of detail, this is the perfect movie for a summer day. And it just keeps on growing on you. The fact that there is another movie on this topic waiting to be made, well, that is often the case. The really exciting part of this is that Britt is not, drum roll, a star, but now she is. It can always be said that a film that is a stunning star vehicle for an actress, well, that only seems to come along every few years. And this ranks right at the top of those. Britt is not only beautiful and charismatic, but she obviously has a deep intelligence and creativity that is a perfect mix for this day and age. I say -rush out a see this, do not read about it, and try to remember one thing, great actresses are like great bottles of wine, they get better and better for a long time. Looking at what is coming for her, she is already very busy. And the fact that she hit this out of the park, is a great career lift off. Brit, this is your time.

Since 2011's Another Earth landed at Sundance and nabbed the Special Jury Prize, Brit Marling has quickly cemented herself as one of the most exciting and challenging new talents. When she feels a genre hasn't been explored to its full potential, she takes it further. When she notices women her age are typecast in boring roles, she writes her own. She's a visionary filmmaker with something to say and the talent and ambition to make sure she's heard - her second collaboration with director and co- writer Zal Batmanglij, The East, is no exception, and is perhaps the peak of her already illustrious career so far.

The film follows Jane Owen (Marling), an undercover security agent, as she leaves behind her doting boyfriend (Jason Ritter) to infiltrate an eco-terrorist group known as The East, who have publicly targeted massive corporations for their covered-up crimes against humans and nature. In between reports to her icy, amoral boss (Patricia Clarkson), Jane slowly grows fascinated with the group, its morals and goals, and its core (Alexander Skarsgard, Ellen Page, Shiloh Fernandez, Toby Kebbell), observing with a mix of horror and infatuation as they execute their violent "jams" on the corporations' key members.

The East will inevitably draw comparisons to Sean Durkin's Martha Marcy May Marlene because of the subject matter and its ingenue leading lady.The East is not as much of a psychological profile, but there are interesting similarities - like Durkin, Batmanglij and Marling never really villainize or condemn their subects; instead, they make a point of showing the East's appeal. We, the audience, begin to understand why these troubled young people would find solace and purpose in what is essentially a band of guerrilla terrorists, and, in turn, why Jane is so hypnotized by them. It makes for an uncomfortably provocative watch: as we learn more about the characters, their backgrounds, and the corporations' crimes (which are based in fact), it's hard to determine who the "bad guys" are. I saw the film at a festival where Batmanglij gave a short Q&A after and he revealed that he, Marling, and Page had lived with similar groups (without the terrorism) before and were sympathetic with the East's cause, if not their methods. The sympathy shows in the writing and most of the time that's a good thing, but there are times when it gets closer to bias and muddies otherwise brilliant storytelling - but these are blips in the overall outstanding product.

Marling is, as always, enigmatic and hypnotizing, but she is an observer and lets the other characters do the talking; it takes highly skilled actors to command empathy for villains and the cast doesn't disappoint. Alexander Skarsgard is incredibly charismatic and persuasive, and he fills in the blanks admirably whenever his development is cut short. Patricia Clarkson surprises in an unusual role for her - she hints that her character might be more evil than any of the terrorists she is hunting. Jason Ritter and Hillary Baack are affecting in their small roles, and Julia Ormond dominates her five minutes of screen time - her last scene is perhaps the most haunting in the film. Ellen Page gives a career-best performances and reminds us that she's a force to be reckoned with if only she were given the chance to show off more often. She commands the screen with intimidating animosity from the second she walks on screen and has some genuinely heartbreaking moments later on.

In spite of occasional misfires, the screenplay is exceptional especially in its efficiency: there is so much going on that there isn't much time to devote to individual characters or relationships - Marling and Ritter's suffers the most - but Marling and Batmanglij make every second count as each line is weighted with enough subtext to tell us the stories implicitly and thoroughly nevertheless. The major characters are very well-drawn; even though we only get glimpses into Skarsgard, Page and Kebbell's pasts, we feel we know them inside and out. The film moves along at a fluid, adrenaline-pumping pace and the tension is genuine and organic rather than forced - the audience's investment in the story grows from affection for the characters and connection with their ideals rather than cheap editing tricks, manipulative music and stylized lighting or sound. Music is used so sparsely that when The National's "About Today" plays over a silent montage of Marling's character breaking down, its emotional weight surprises and stuns. The ending is comparatively underwhelming, but the overall package is one of the best, most provocative thrillers in years and firmly establishes Batmanglij and Marling as a sensational and important pairing.