Jahreszeit des Nashorn

This is a masterpiece, much is written before me by a friend from UK. It now falls in the coveted list that i possess of , ashes and snow, the fountain, book 1, tree of life, outside Satan, and much much much more for that if you have reached till here and found me and are hungry for true art then ping me on abhinavsaxena31@gmail.com . This movie is perfect do you understand cinematography coupled with aesthetics and a gloom of lost love, waiting and patience.This has it all. I am no fan of poetry but this piece it is visual poetry. I am in love with this work unfortunately there is not much cinema from this geography in India and i only get it from net. I want to watch more work like this and i guess even the director will agree what he made is heavenly. Watch it again when you feel like. The poetry is the soul. Its a sublime fabric of mystic understanding of creative life. there is a horse which enters a car window, there are turtles there is some sex which will leave you ever smitten because it is m.b the goddess herself. all in all there is no message of god here but pure art... Cheers to creative flame of life

"Fasle Kargadan" strides gracefully into my 7/10 rating, and I must say, I liked it. The acting in this Iranian drama is both moving and authentic, painting a vivid portrait of familial bonds and human resilience. The film editing carefully weaves together parallel narratives, revealing the strength and weaknesses of its characters as they confront life's harsh realities. Its strength lies in its portrayal of the enduring spirit of a family amidst adversity, offering a message of hope in the face of despair. The music underscores the emotional depth of the story, and the cinematography captures the stark beauty of Iran's countryside. "Fasle Kargadan" is a heartfelt exploration of love and sacrifice, a reminder that even in the most trying of circumstances, the human spirit can soar, and my liking for it is as enduring as the film's touching tale.

Presented by Martin Scorsese, 'Rhino Season' is the 6th full-length film by Bahman Ghobadi. Following his success with 'No One Knows About the Persian Cats' which earned him international recognition, Ghobadi's first non-Iranian production features an international cast. Old-timer Iranian Superstar, Behrouz Vosoughi returns to the screen after more than 20 years off the grid. He is joined by Italian Femme Fetale Monica Belucci, and a number of Prominent Turkish Actors and Actresses, namely Yilmaz Erdogan.

Shot entirely in Turkey, the movie follows the ordeals of Sahel, a Kurdish-Iranian Poet, whose poems were misconstrued by the post-revolution regime of Iran as political, and landed him in Jail for 30 Years. After he is released from Jail, he travels to Turkey in search of his wife (played by Monicca Belucci) who is now remarried.

It's loosely based on a true story, and the movie paints a realistic picture of a post-revolution Iran, in the hands of the vengeful servants of the Shah regime. Even Sahel's jail sentence is revealed to have had little to do with his poetry.

The movie's primary language is Farsi, but there is little dialog going on altogether. Monica Belucci speaks a few lines of Farsi quite decently, but Yilmaz Erdogan doesn't do a great job. Obviously the reason behind his wasn't his Farsi-Speaking skills, but the fact that no Iranian actor hoping to keep his permission to act inside Iran, would ever consider doing a movie that depicts a half-naked Belucci. Behrouz Vosoughi's role has even less dialog, and mostly consists of smoking a cigarette in various gorgeous scenery.

The locations were chosen brilliantly, and the camera work is exceptional. Several scenes in the movie are shot solely for the purpose of accompanying an off-camera poetry recital, and are perhaps of great appeal to poetry lovers.

Other than that, the story unravels with a slow pace, and leaves the ending entirely up to the viewer. The acting is decent minus the Farsi accents, and the Soundtrack, while minimal, creates an appropriate atmosphere. If you enjoyed most of Ghobadi's work, you will enjoy this one too, but most people can agree that it's not his best. Nothing is particularly wrong with this movie, but nothing is particularly right either.

There are so many fascinating and compelling aspects to this movie which I have now watched twice.

First of all, it has nothing to do with Rhinos or indeed with Martin Scorcese. It says he presents the movie, whatever that means. He is no way involved with the directing of this movie which is directed by a man named Bahman Ghobadi who left his native Iran in 2010 and has never returned.

This is a love-triangle, a husband and wife and a third party (the driver)centred not so much around the poetry of the husband but around the fixations of love of the driver for the wife and its consequences over a 30 year period. Ghobadi has publicly stated that if he were in the shoes of Sahel, he could not tell his wife he was still alive after 30 years if she believed him to be dead.

This is a far more meaningful film than 'Argo' in reference to the 1979 Iranian Revolution and its aftermath but I do not think the film is really about that, it is not a political movie in any way though politics played its part in the storyline.

You will want to watch the film more than once for sure - to ponder who is/was the father of the two young girls, did Sahel really sleep with one of them, how come Sahel could not recognize the man who was Mina's driver, the marvellous short scene when leeches were used to suck blood from Sahel and his associates, the prison sex scenes, the turtles scene, and what pact, if any, was horrifyingly agreed between Sahel and the driver towards the end.

Bear in mind this that whereas 'Argo' was a Hollywood blockbuster produced with a huge budget,'Rhino Season' was not, an independent production on low budget and to such degree that none of the actors involved, including Monica Bellucci, were paid for their work.

The participation in the film of Monica Bellucci and of the man who played Sahel is remarkable in itself. Sahel's Actor, Behrouz Vossoughi, is himself a man in exile for more than 30 years. He barely if ever speaks in this movie but his acting is evocative enough.

I still wonder who Mina was meeting and the boy who rode the motor cycle, the same boy Sahel played a game with in the Cafe.

It is not clear why the film is called 'Rhino Season' but there are clues throughout for the viewer to make up their own mind. Alas, Persian Cats and Turtles in two previous films is indicative of the mindset of a Director who loves animals more than people (so he apparently said anyway.

'Not without my Daughter' was a while back and 'A Separation' was another Iranian movie worthy of praise. This movie is something else. It is no blockbuster but it is beautifully filmed and directed, well acted and produced and in my opinion it is a mastercraft of a movie. It is such a pity that the movie has not been exposed to a wider audience.

I do wonder who the movie is aimed at. Most people outside of Iran have perhaps never heard of the Iranian Poet Sahel Fauzan and know little if anything about the 1979 Iranian Revolution. Even if they have heard of him, they know nothing of his poetry and will not readily relate reference to the title 'Rhino Season'. People in Iran will not be able to watch it inside their own country. Perhaps only Muslims or anyone associated with Islamic culture will truly understand the ultimate message of the film.

Yes, it is a slow, boring movie but that should not belie the fact that everything about this movie is of the highest standard and do not always judge a book by its cover.

This is easily Ghobadi's best film--the metaphors and imagery pull together his other films into what is his masterwork. Very haunting, somewhat surreal-as the former prisoner tries to find his wife the events of his life are accompanied by metaphors from his poems brought to life. Bellucci is incredible. I never expected such a subdued and dignified performance from her. Perhaps one of the best scenes is when the young poet is tied up and tortured and a rain of turtles falls from the sky. Caner Cindoruk is also quite good as the young poet--and his rival and tormentor Yilmaz Erdogan is convincing as the man obsessed with his wife--despite his evil (he is the source for the poet's family's suffering), he manages to be both loathsome and sympathetic at the same time.