My Old Ass

Not a bad movie, charming in parts, but I found the conversations between future self quite boring, quite often they are just talking about what we've just seen on screen, so it's quite repetitive. The whole chad mystery isn't particularly exciting either.

It's a little bit hard to care that much about her journey of discovery that her incredibly nice family are actually nice to hang out with. Or that her area is incredibly beautiful and that hanging out on a boat is quite fun and she might miss it.

That being said I didn't hate it, lots of charming moments, the actors are really good, the setting is beautiful.

My Old Ass is a genre-bending coming-of-age story with a wild twist, directed by Megan Park. The film follows free-spirited Elliott (Maisy Stella), a teenager whose life takes an unexpected turn during her 18th birthday when a mushroom trip introduces her to a time-traveling version of herself-her 39-year-old "old ass" (played by Aubrey Plaza). What begins as a surreal encounter quickly turns into a hilarious and heartfelt journey as Elliott's older self starts dishing out unsolicited advice on love, family, and life choices, forcing young Elliott to rethink everything she thought she knew.

Park, following up on her strong debut The Fallout, dives into absurdity with this sophomore film, blending stoner comedy, sci-fi, and emotional drama with just the right touch of Hallmark-style sentimentality. The small-town lake setting of Muskoka, Ontario, adds a postcard-perfect charm to the otherwise wacky narrative, creating a warm contrast to the film's offbeat humor and time-bending antics.

Maisy Stella's portrayal of young Elliott captures the essence of teenage uncertainty and angst, while Aubrey Plaza's older Elliott injects the story with her signature dry wit and offbeat energy. Plaza's performance, which could have easily overshadowed the film, instead complements Elliott's more earnest journey, striking a balance between humor and heartfelt moments. Together, the two create a compelling dynamic that elevates the film beyond its quirky premise.

While the film's surreal elements could have derailed into chaos, Park masterfully keeps things grounded, using the bizarre premise to enhance the emotional stakes. Elliott's internal struggles about growing up, love, and identity hit hard, and even though the film dips into melodrama, it maintains a level of authenticity that resonates.

The supporting cast adds depth to the film, though some characters feel underutilized. Elliott's best friend Ro (Kerrice Brooks) is unfortunately relegated to the role of a sounding board, and her story arc feels a bit underdeveloped. Percy Hynes White's charming portrayal of Chad, Elliott's summer love interest, brings added tension as Elliott's older self warns her against pursuing him, creating a tug-of-war between her past and future desires.

Despite a few familiar tropes, My Old Ass delivers a delightful mix of laughs, emotional beats, and chaotic energy. The film's exploration of identity, time, and the messy transition into adulthood strikes a chord, and Park's playful mixing of genres keeps the ride enjoyable, even if not every element perfectly lands.

With its mix of sci-fi weirdness, heartfelt moments, and stoner comedy, My Old Ass will appeal to those looking for something unconventional but relatable. It's a sweet, funny, and sometimes nostalgic trip that punches with emotional force, often without you even realizing it. Though the film wraps up a little too quickly, it leaves a lasting impression-a fun, surprising, and emotional journey into the complicated world of growing up.

If you had the chance to speak with your future self, what would you discuss? That's the opportunity unexpectedly presented to 18-year-old Elliott (Maisy Stella), the daughter of a Canadian cranberry farmer who's about to leave her rural home to attend college in Toronto, a new chapter in her life that she anxiously awaits. To commemorate the occasion, Elliott and her two best friends (Kerrice Brooks, Maddie Ziegler) decide to celebrate by imbibing in festivities involving a brew of magic mushrooms. However, much to her surprise, while in her altered state of consciousness, Elliott meets her 39-year-old self (Aubrey Plaza), who provides the teen with an insightful look into her future. Much of their conversation focuses on things that her younger self could stand to work on, but, perhaps the most significant topic of discussion centers on a warning to avoid involvement with an as-yet-unmet young man named Chad (Percy Hynes White). Not long thereafter, though, Elliott meets this mysterious stranger, who just happens to be a field hand hired to work on the farm for the summer. She quickly becomes smitten with the charming newcomer and wonders why her elder self so vehemently cautions her from getting to know him, advice she promptly ignores. This, of course, raises many pertinent questions, such as must we obediently accept such supposedly prophetic proclamations as gospel? Is our future indeed written in stone? And, even if our destiny is allegedly unalterable, should we unquestioningly abide by any cautions associated with it, or should we follow our gut instincts even knowing what the consequences might be? These are among the themes thoughtfully addressed in writer-director Megan Park's second feature, a sweet coming of age tale with a twist, one punctuated with gentle humor, heartfelt emotions, astute realizations and more than a few intriguing revelations. The picture is also beautifully filmed in the picturesque lake country surrounding Muskoka, Ontario, providing audiences with views of some spectacularly gorgeous scenery reminiscent of "On Golden Pond" (1981). However, despite these strengths, the film feels a little underdeveloped in several regards, particularly when it comes to various supporting characters and subplots, as well as some back story aspects of the elder Elliott's future existence. Given this offering's relatively short 1:29:00 runtime, it's somewhat baffling why the filmmaker didn't take a little extra time to more fully flesh out these elements (after all, it's not like the picture is overlong or tiresomely tedious). Nevertheless, those shortcomings aside, "My Old Ass" is a pleasant, inoffensive way to spend some time at the movies watching an uplifting, enlightening little story that nicely warms the heart and tells a story with an earnest message about how to approach living our lives. And it's hard to find much fault with that.

This 69 year old straight white male absolutely loved this film. It has been years since I have been so moved by a film. I have never been a huge Aubrey Plaza fan. She has a lot of people that really love her. I just like her and she was very good in this, but the two young leads Maisy Stella and Percy Hynes White were just terrific.. I have always loved coming of age stories. There are going to be a lot of haters that give this a one cause they thought they were going to the Reagan movie in the theater next door, but I call this maybe the best Romantic Dramedy that I have ever seen . Truth be told I was grappling between a 9 and a 10 but decided to add the star tot counteract the haters. Sometimes with reviews I.worry that I am going to give spoilers. Let me just say that if you have a good heart you will love this film. I did not think much of Megan Park's first film "The Fallout" but she.wrote and directed a wonderful little film here and probably deserves the biggest kudos of all.

My Old Ass is an emotionally authentic, fantastical trip on a wave of good vibes. Director Megan Park has done something special here, juxtaposing a surreal concept on some very real dynamics of a young Elliott (Maisy Stella) growing up; and it is a fun, scenic trip worth taking. Without offering any spoilers, this wonderfully crafted transportation into the "what ifs" in the rear view of life, is propped up by a stellar cast - with a ride on the suspension of disbelief expertly kept afloat by Aubrey Plaza. It has a feeling of nostalgia that resonates across generations. The authentic connections between Elliott, Chad (Percy Hynes White), and her friends (Maddie Ziegler, Kerrice Brooks), and family moments solidly hit home - poignant scenes with brother Max (Seth Isaac Johnson) as a social conscience, whimsical Spencer (Carter Trozollo) , and with her mom (Maria Dizzia) and dad (Alain Goulem), bring surprising emotional depths on a vehicle of relatable, and well delivered comedy. We came in for a short trip, and wound up wishing we could hang out longer inside this unexpected cinematic, treat.