IMDb-BEWERTUNG
7,3/10
29.830
IHRE BEWERTUNG
Eine Journalistin taucht in die dunkle Schattenseite der heiligen Stadt Mashhad im Iran ein, als sie die Serienmorde an Prostituierten durch den so genannten "Spinnenmörder" untersucht.Eine Journalistin taucht in die dunkle Schattenseite der heiligen Stadt Mashhad im Iran ein, als sie die Serienmorde an Prostituierten durch den so genannten "Spinnenmörder" untersucht.Eine Journalistin taucht in die dunkle Schattenseite der heiligen Stadt Mashhad im Iran ein, als sie die Serienmorde an Prostituierten durch den so genannten "Spinnenmörder" untersucht.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 22 Gewinne & 35 Nominierungen insgesamt
Haidar Qaraeen
- Old Man at Bakery 1
- (as Haidar Qara'een)
Empfohlene Bewertungen
With the seamless performances of the cast the Holy Spider takes a radical look at the social trends, culture, policing and religion. When the story considered the mood is not that of Hollywood style. It's rawness is what induces the nauseating effect of heinous crimes we see a bored mental patient commits. Visuals are sharp and precise. The cinematic take is powerful enough to make anyone reconsider their notions about underprivileged. The political read is extremely well-done. It shows how Saeed becomes a vessel for his society's hate. Description on societal nativity is excellent. Holy Spider is a different way of looking at the known ugliness.
A killer trawls the streets of Mashhad City, shows no remorse, regret or shame, there is no pity, for the women that he kills, I'm sure he gets plenty of thrills, as a self-appointed one man vigilante. A journalist begins investigations, in a culture that's built on male foundations, but she's persistent and quite brave, to stop the girls going to graves, and to suffer prejudice, of generations.
It's a brutal depiction of events, as a disgruntled, discontented and disturbed psychopath decides to take the lives of several women who have been left with no choice but to sell themselves on the streets to survive (or not as it turns out). I thought Zar Amir-Ebrahimi was brilliant as the stubborn and relentless journalist who tenaciously puts her own life in peril to track the killer down.
It's a brutal depiction of events, as a disgruntled, discontented and disturbed psychopath decides to take the lives of several women who have been left with no choice but to sell themselves on the streets to survive (or not as it turns out). I thought Zar Amir-Ebrahimi was brilliant as the stubborn and relentless journalist who tenaciously puts her own life in peril to track the killer down.
The events that inspired this story made international news. I suspect some of what is on the screen actually happened.
A serial killer is strangling the junkies who work as prostitutes in the holy city. This is controversial, inducing terror and mistrust. No one wants to be killed or suspected, though some openly praise this illegal activity. A very determined journalist comes to town to investigate. We accompany the journalist and meet many characters whose words and actions inform us about the situation. We also learn pretty quickly exactly who is doing the killing by closely following along for some shocking incidents. Who and how is revealed, along with an uncomfortable social context. Much of the movie is an intimate visit with the journalist and the killer whose activities are being investigated, and the suspense increases. After a while the audience is led to suspect that the civil and clerical authorities might be okay with wholesale murder, under certain circumstances, and the journalist will not stop, taking crazy chances.
The artistry is first class throughout. The way all of this is presented makes us feel closer to every character, so we can better consider how we are the same or different, in our social context. Dangerously determined journalist versus homicidal maniac has been done before but this movie is exceptionally good and most entertaining.
A serial killer is strangling the junkies who work as prostitutes in the holy city. This is controversial, inducing terror and mistrust. No one wants to be killed or suspected, though some openly praise this illegal activity. A very determined journalist comes to town to investigate. We accompany the journalist and meet many characters whose words and actions inform us about the situation. We also learn pretty quickly exactly who is doing the killing by closely following along for some shocking incidents. Who and how is revealed, along with an uncomfortable social context. Much of the movie is an intimate visit with the journalist and the killer whose activities are being investigated, and the suspense increases. After a while the audience is led to suspect that the civil and clerical authorities might be okay with wholesale murder, under certain circumstances, and the journalist will not stop, taking crazy chances.
The artistry is first class throughout. The way all of this is presented makes us feel closer to every character, so we can better consider how we are the same or different, in our social context. Dangerously determined journalist versus homicidal maniac has been done before but this movie is exceptionally good and most entertaining.
I watched this film yesterday on the Golden Apricot film festival and its rating of 6.6 makes little sense to me.
It is a crafty film that takes you on a suspenseful trip with moments of well-placed humor.
The Iranian setting is somewhat overdramatized, but I believe that works for the film, rather than against it.
The important note here is that the true Spider Killer received very little to no support from the Iranian society.
The overall setting is somber, it is relatively violent, there is a lot of room given for the personal development of our characters, there is social criticism, great acting, and powerful sound design.
My only criticism is that secondary characters could have given more screen-time to act out their emotional curve, as there performances were really strong.
I strongly recommend this to anyone that loves European film and/or true crime pieces.
Easily an eight!
It is a crafty film that takes you on a suspenseful trip with moments of well-placed humor.
The Iranian setting is somewhat overdramatized, but I believe that works for the film, rather than against it.
The important note here is that the true Spider Killer received very little to no support from the Iranian society.
The overall setting is somber, it is relatively violent, there is a lot of room given for the personal development of our characters, there is social criticism, great acting, and powerful sound design.
My only criticism is that secondary characters could have given more screen-time to act out their emotional curve, as there performances were really strong.
I strongly recommend this to anyone that loves European film and/or true crime pieces.
Easily an eight!
And deeply unconfortable movie, unless youre under that jolly good feeling of being a psychopat, or your a guy simply stalking on prostitutes for a serial kill...
its a true story about the holy spider, a male serialkiller operating his little fathwa against women selling lust from the porch or the sidewalks of the streets of mashaad , iran, a dangerous lifestyle wherever you are in the world, generally more deadly in the country of persia.
A well knit together and heavily indulged acting from entire cast throws you into a turmoil of fanatism, corruption and depletion of the female nature and excistence, its filmatographic grips gives vibes of intensity of the emotion called angst.
So if you wanna taste scorching feeling of real feel crime, then the grumpy old man recommends ''holy spider'', a film with a deadly sting.
its a true story about the holy spider, a male serialkiller operating his little fathwa against women selling lust from the porch or the sidewalks of the streets of mashaad , iran, a dangerous lifestyle wherever you are in the world, generally more deadly in the country of persia.
A well knit together and heavily indulged acting from entire cast throws you into a turmoil of fanatism, corruption and depletion of the female nature and excistence, its filmatographic grips gives vibes of intensity of the emotion called angst.
So if you wanna taste scorching feeling of real feel crime, then the grumpy old man recommends ''holy spider'', a film with a deadly sting.
Wusstest du schon
- WissenswertesA few days after Zar Amir Ebrahimi won the Best Actress award at the Cannes Film Festival for her performance in this film, Iranian officials accused the Iranian-born actress and the movie's Danish-Iranian director, Ali Abbasi, of "blasphemy." Some have even gone further, calling for their executions. The Iranian Organization of Cinema and Audiovisual Affairs, which operates under the auspices of the Ministry of Culture and Islamic Guidance, released a statement calling the film "shameless obscenity," adding that it was "the product of the twisted mind of an Iranian-Danish man", and condemning the Cannes Festival for awarding the film the Best Actress award, calling it "an insulting and politically-motivated move". Ebrahimi also told CNN that she had received around 200 threats after the award ceremony at Cannes. The director of 'Holy Spider' and others involved in making this film have also received similar threats.
- PatzerIn the first scene of Rahimi and Sharifi together, style of Sharifi's sleeves repeatedly changes in different shots.
- Crazy CreditsThe title card shows up 11 minutes into the movie.
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Araña sagrada
- Drehorte
- Jordanien(as Iran)
- Produktionsfirmen
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Box Office
- Bruttoertrag in den USA und Kanada
- 307.188 $
- Eröffnungswochenende in den USA und in Kanada
- 16.376 $
- 30. Okt. 2022
- Weltweiter Bruttoertrag
- 1.706.583 $
- Laufzeit1 Stunde 58 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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