Wakolda

A simple Argentinian family makes a fresh start by reopening a hotel in the Pategonian mountains left behind by the mothers parents.

Their first guest is a well spoken foreign man, who seems as mysterious as he is intelligent. His interest in this family and his further activities in the nearby town make us wonder about the double agenda he is keeping.

As the family starts to doubt his motives, and other characters also start to show their true colors, we are presented with an intricate tale of mounting tension and international mystery. Of course we know who we are dealing with, and this type of story would work even better if that detail was unknown, but it still works so well as it remains, for the biggest part, fiction. So anything can happen. The fact that we are dealing with THIS monster just gives the whole film an extra layer of creepiness.

The film, to me, didn't come across as Argentinian at all, but I guess the mountainous (and snowy) surroundings and bilingual dialogue caused that. However this didn't matter as these surroundings where pretty spectacular and almost a character of their own.

Sollid acting, all around. Particularly the doctor and the girl, but really everyone involved. As said, beautiful surroundings and locations and always nice to watch a period based story (eventhough some details may not have been entirely right). And above all, great storytelling. Nicely built up tension, never too sensational and it thankfully steers clear of the expected clichés dealing with a character of such history.

Great, engaging, emotional, old fashioned, must see film 8/10

A stranger, with a foreign accent, asks if he can follow a family on the road towards the South. The father agrees, though everyone look at him warily. Everyone but Lilith, the 12 year-old girl who looks 8, fascinated by this man fixing his gaze on her.

Lucia Puenzo is known for exploring difficult and unusual relationships, and this particular feature makes her movies quite appealing. Add to that, beautiful landscapes, solid directing and you've got one of the best thrillers of 2013.

Also interesting to see, the way South America coped with ex-NSDAP members and how they continued to live and work amidst general indifference.

Some things seem like never ending, and as such this movie truly acts like a spell.

"The German Doctor" is an Argentinean film based on real events. Interestingly, the man who wrote the novel, Lucía Puenzo, also wrote the screenplay, produced AND directed this movie. It's also really worth your time, as Puenzo shows a very deft hand helming this interesting picture.

The story is set in Argentina in 1960*. A family has decided to move into the Patagonian countryside and open up a bed guesthouse. Their first customer is a handsome and genial German man who is very easy to like. The daughter in particular spends a lot of time with this man. This is because he is a doctor and claims he might be able to help the girl. After all, although she's 12, she appears to be about 9 years- old and the kids at school make fun of her because of this. With the mother's permission, the good doctor tests out his new formula which might help her to grow. They have no idea exactly what he's giving her, but the formula does seem to help. In addition, since the doctor is such a nice man, he offers to help the pregnant mother who soon learns from the doctor that she's going to have twins. Unfortunately, it turns out that the doctor isn't who he says he is...he's Joseph Mengele-- the notoriously evil Nazi who worked at Auschwitz. And why was he so notorious? Because he performed all sorts of ungodly experiments on people...and his subjects of choice were twins. And, according to the film, his wicked experiments continued long after the war had ended.

While I would love to tell you that the film has a happy ending**, it didn't. After all, this psychopath was one of the most important Nazi war criminals to escape prosecution. So, if you are the type that expects or needs a happy ending, then you just might want to pick another movie. Nevertheless, it is exquisitely crafted and not excessively sad nor graphic--at least in regard to what you see and hear during the course of the film. It's much more thought- provoking than anything else--and a movie that is well worth your time.

*Although I loved the film, the attention to period detail was poor. The film was set in 1960 but many of the cars are late 1960s vintage. **My daughter saw this in the theater and was shocked to hear several people complain about the film because it did not have a happy ending. I hate to think that they wanted them to change history and have the doctor captured and shot. While satisfying, this just isn't what happened to the guy!

more than a movie , it is an experience. a special puzzle from many historical details and a thriller who seduce at whole. because all is at perfect place - the acting, the script, the music. and the cold feeling about the evil essence. a remarkable film for the smart use of past shadows. and for the manner to explore each. Alex Brendemuhl does one of his great roles as one of post war legends. Natalia Oreira is far by soap opera classic circle. and the landscapes are ideal tool to suggest, to define the atmosphere. a movie for reflection. because its message remains universal. and it seems be more and more important. against forgetting. and as brilliant example of precise movie about past stains.

Filmed in the rolling landscapes of Patagonia, Argentina, WAKOLDA is a truly harrowing story of the Nazi doctor who continued to practice his experiments well after the Second World War had ended.

In exile and among a group of Nazi sympathizers, Josef Mengele (Àlex Brendemühl) lives under an assumed name, and ingratiates himself with a family running a hotel. Befriending the young daughter Lilith (Florencia Bado) he claims to be able to increase her growth and thereby prevent her from being teased at school for being the smallest in the class. She readily agrees; as do her parents. This provides the pretext for Mengele to continue his macabre researches that actually do more harm than good.

Lucía Puenzo's film contrasts the domestic world of Lilith with the world of the Nazi sympathizers congregating in a local German school. They still practice the salute, and forge a regimented atmosphere guaranteed to impose order on the unwilling learners. Lilith is sent to the school, in the hope of receiving a good education - although remaining largely unaffected by Nazi ideology, she is made painfully aware of her lack of height, which only encourages her to seek Mengele's help even more.

Set in 1960, WAKOLDA draws a direct parallel between Mengele's work and the doll-manufacturing practiced by Lilith's father Enzo (Diego Peretti). At first Enzo makes all the toys himself; but with Mengele's investment the venture is transformed into a small cottage industry, where all the dolls' faces are identical and they are given tiny mechanized beating hearts. We are made painfully aware that Mengele treats humanity with just the same indifference as the factory workers treat their dolls - as material for experimentation rather than living breathing personae.

The film maintains a cool, detached tone throughout; although Israeli agents pursue Mengele with the same enthusiasm as with other ex- Nazis (notably Adolf Eichmann), they fail to capture him. But this is not really the film's concern: director Puenzo is far more concerned with Mengele's terrible plausibility as a practicing doctor taking unwitting victims into his confidence and subsequently abusing them.