Die Heineken Entführung

Having watched the American version of the same incident, it is tough to say which one you should prefer. Obviously both have their limitations, but also strong points. It's the same story, but the weight lies on different things with those movies. While this feels more like a cold, going through what happened movie, the American version was a bit flashier.

This also relies even more on Heineken himself (the character/personal life) and the aftermath, which was handled fairly quickly in the US version. So both can be watched under different aspects and sort of work as companion pieces.

Rutger Hauer in great shape, as he has but a few lines, as Alfred Heineken bullied by a young criminal, who in fact build a scary career afterwards. Story well told, much better than the English remake. Heineken never fully recovered, not all the money was traced. More interesting, I admit, once you know what happend afterwards. Not every kidnapper managed to grow old. The young criminals sister, a lawyer, later wrote a book on him, that shocked the a Dutch readers. On basis of her testimony, incl recorded phone calls, he was convicted. With Hauer on screen, there' s a strange effect, he draws your attention, even when he is silent. Sad he is no longer among us.

Going on the knowlegde of the original story I was looking forward watching this. But what a disappointment. This might possible be one of the worst Dutch productions of the last years. No suspense, rushing plot line, bad acting, bad cinemography. The only highlight was seeing Hauer in action again.

Especially in the middle part where there was opportunity for some suspense and story building, the movie seemed to speed up like crazy. Therefor the moment between ransom and captioning the bad guys was ridiculously fast paced.

I struggled through the last hour to even finish it. 2 hours of my life I'm not getting back :)

Freddy Heineken was with his namesake company for almost 50 years, eventually becoming the president. He was the driving force behind Heineken becoming an international brand. He married Lucille Cummins, an American from a bourbon family. He was at the pinnacle of Dutch corporate life.

In 1983, six years before retirement, he and his chauffeur Ab Doderer were kidnapped and held for ransom by a gang of Amsterdam petty criminals: Cor van Hout, Willem Holleeder, Jan Boelaard, Frans Meijer and Martin Erkamps. They demanded and were paid a ransom of 35 million guilders. They successfully escaped to France, where they were eventually caught and extradited back to the Netherlands to do time. Some of the money was never found. Meijer escaped for a while to Paraguay, but he too was caught eventually.

Holleeder served his time and was released in 1992. (Hey, this is the Netherlands.) He emerged wealthy and well connected in the Dutch underworld and was later convicted of another famous crime. In the eyes of the Dutch media he has become notorious, the country's best known criminal.

Dutch director Maarten Treurniet has made a film about this very famous crime. However, like in most Dutch historical movies, telling a good story is paramount, so the film is deliberately not quite historically accurate. For example, Heineken's wife is portrayed as Dutch. Holleeder and others have complained about the inaccuracies in the film, Holleeder even litigating from prison to object at how he was portrayed and the inaccurate details. Holleeder has been renamed "Rem" in the film.

Even if the story wasn't totally accurate, it brought the whole affair to life for me. I thought it was a good film. The story, pace, acting, technical aspects all worked well. The melodrama you often see in Dutch movies was toned down.

The movie hinged on the personal relationship between Heineken and Holl..., er, Rem. Civilisation is a thin veneer. None of us, even the rich, are ever that far away from the Darwinian world of the schoolyard. The movie Heineken doesn't take kindly to being terrorised by Rem, but Rem understands the impact of physical violence. The movie unexpectedly humanised Holleeder for me, at one point trying to show that bad boy Rem himself was the victim of circumstances.

Rutger Hauer's performance was superb: he WAS Freddy Heineken. Reinout Scholten van Aschat (who really looks like the young Holleeder) brought the character to life. He projected both the physical magnetism and mean spirit of the narcissistic bully.

I enjoyed this movie for what it was. For me, it was one of the best Dutch movies in a while, and still is. I recommend this film.

This was a film I came to in a very circuitous route. There was a wonderful piece in The New Yorker in August 2018 entitled "How a Notorious Gangster was Exposed by His Own Sister" by Patrick Radden Keefe. It was about the events leading up to what was the biggest court case at the time and one that had the attention of all of the Netherlands. The article was so well written and interesting that I picked up Astrid Holleeder's book Judas while in Aruba (the translation to English is disappointing as it would have done better to have the story told by an actual writer/storyteller vs. Astrid herself. Also, Astrid seems to have no remorse for living off of the money begot from crime...making her a very unsympathetic character.) After reading the book and feeling very let down, particularly about details of the Heineken kidnapping, I sought out this film to watch.

Rutger Hauer does an excellent job playing the esteemed businessman Heineken, he had just the right amount of smart savvy that exposed the "criminal masterminds" for what they were...crazy and poorly coordinated. It is sad when there is so much work put in to ill begotten gains.

Decently told kidnapping story, worth watching, based on the real-life kidnapping of Freddie Heineken that was masterminded by the infamous Dutch gangster known as "De Neus".