Imagine

I don't know anyone who is blind and I have never interacted with blind people. Edward Hogg was a very convincing blind person (as far as my limited knowledge of blindness goes). Great actor with a lot of charisma. "They look but they don't see" - yes, that should be written on the foreheads of most of us who aren't blind. I think I will appreciate the sounds and scents of life a little bit more from now on after seeing this excellent film - a subject not many have covered in show business. What I would want to know though, is it possible for a blind person to fine tune their other senses so much that they don't need a cane or a dog?

I saw this film thinking that i was going to see a typical drama movie, but instead i found a heart-warming lesson of life.

He's a teacher who shows to the blind kids how to use their senses instead of their cane, and the funny thing is that he also is blind. He teaches the children to use their imagination to "see" the things around them, to sense with every part of their body without missing the things we usually overlooked because we are just looking not seeing. He later gets into some trouble for his particular way of teaching.

I know this movie isn't gonna like to everybody, but you must give it a chance not just to see it but for the beautiful message in it.

Again, out of nothing I chose to watch to this movie that ended up being a fantastic immersion into a slow pace sensible reality.

The technical features of the film, as intentional creations, say, the increased sounds of the environment are perfect; they invite you to be paying attention to details, no hurry, just feel.

The script though is very simple and with no highly complex layers overlapping, a directional plot being unleashed to the end in a good rhythm.

For these reasons, an 8 could be enough for rating, but I feel that for the urge for more sensible movies such as that, I can give it a 9.

We are all looking at things, and never seeing nothing. ;)

Ian, a blind man, can find his way along the streets of Lisbon on his own and without the use of a cane. He listens intently and professes to see more with his imagination than with his eyes. A school for blind children takes Ian on as a teacher, but not without deep misgivings. As Ian takes away the children's canes and leads them into the streets, evidence mounts that Ian's methods are more dangerous than they appear and even that he is a fraud. At the same time a reclusive and wary young woman at the school, Eva, decides to place her trust in Ian. Eva stands to vindicate Ian or be the final nail in his coffin.

Imagine is an unconventional and moving film. It is the kind that renews your faith in the magic of film and stories. Filmed on location in Lisbon, the scenery is a treat for those who can see. So is the story. It kept me guessing until the end. The characters are balanced; all are vulnerable, but not powerless. Despite how good Imagine is, it was not widely released in North America. I wish I knew the reason. Many people make fun of it, but that is the case with all films. Each film appeals to certain people, not everyone. I like this film because I too see more with my imagination than with my eyes, and I try to use all my senses when I take a walk in the city as well as the natural world. Those who don't agree won't like this film. Seen at the Toronto international film festival.

Avoid like the plague.

Just wanted to write a quick warning, so that you won't be deceived by the hype here, so far. On its favour, I can state the sensibility displayed and the noble cause. And, being a Lisboner myself, it is obviously a very beautiful, soulful and picturesque place to film. Nevertheless, the cinematographer Adam Bajerski did a very interesting job.

OK, that's mostly it. The acting is terrifyingly dull. Starting right with the main actor - I mean, this guy couldn't act if his life depended on it. Cringeworthy. Alexandra Lara, while far from a top-class performer, shows more than enough chops when rightly directed (vide the superb Control). Not the case here. Of course the campy, rather pedestrian dialogue never helps. And its delivery feels ever so awkward, not for once natural or credible. People just don't talk like that. I don't even want to dwell much on the script problems, but why the hell would English, french (and even a German ex-pat) blind children be doing on such a far from luxurious institution in Lisbon? Certainly all the sun and light are not the best treatment for the blind-eye - probably explaining the high blindness rates. You'll very often find yourself bumping into a blind person, whilst walking the streets of Lisbon.

To sum things up, in the hands of the right director this could have definitely been something. Keeping the moody slow rhythm and attention to sounds, but being more demanding with the extras and supporting actors. Even Ian's darker side should have been more wisely explored. Instead you are left with a slow movie, going nowhere, with a somewhat ridiculous script and with weakly handled tension scenes. You'd be better off driving that same 28 tram at the end of the movie and visiting a city far more interesting that its all-too-scenic display.