Metro Manila

This film is without doubt a thriller, although the action scenes are kept to a minimum in terms of length (they do remain quite violent).

But what's shocking about it is that it's for most people the first time they're actually going to see or hear about Manila, and in this case they'll be seeing it from the bottom looking up. This film paints a rather dark picture, but a picture worth seeing: the developing world isn't a bed of roses, and things like violence and corruption do make up the everyday lives of its poorer inhabitants.

Therefore, this story is a story of struggle, and is definitively worth seeing, if only to get away from the postcard image that we may have seen of the Philippines.

Oddly enough then I never got around to watch "Metro Manila" before 6 years after its release. And it turned out that I had actually been missing out on some of the more impressive piece of cinema to make it from the Philippines.

"Metro Manila" is a very realistic and in-your-face piece of action crime drama, with some pretty good character portrayals by the likes of Jake Macapagal (playing Oscar Ramirez) and veteran actor John Arcilla (playing Douglas Ong). It is the kind of movie that you quickly get immersed into the storyline and swept away by its quick pacing and director Sean Ellis's ability to keep the movie flowing and keeping it interesting.

"Metro Manila" has a great combination of action and drama, spiced up with a great character gallery. It is characters that come off as being very realistic and being characters that you can relate to on one or more levels.

The movie does have a major setback though, perhaps a flaw even, and that is that the storyline is very predictable, and I had the movie figured out not even halfway through, and it turned out pretty much as I had thought it would. Of course, I am not going to spoil it here and give the storyline and the 'twists' away. You should watch "Metro Manila" and experience that for yourself.

This movie also depicts a very gritty, albeit realistic image of the metropolis that is the capitol of The Philippines. And yeah, that city definitely has a thriving and ever-growing shady side to it.

I was genuinely entertained with "Metro Manila" from start to end. And even if you have an aversion towards non-English movies, then you really should take the time to sit down and watch the 2013 "Metro Manila" movie, because it is quite worth the effort.

Saying that this film could potentially be the best Filipino film ever made is a big statement, perhaps an overstatement, but I think it is. However, there are some things I would like to get off my chest and say that some things in the movie could have been better.

It has been a while since I've seen a Filipino act so good. With this, I wish to extend Jake Macapagal my deepest congratulations. His acting was precise and right on the money and I do not think that there was anyone who could have played the role better.

I don't exactly know what was wrong with the dialogs but perhaps because the original script was written in English and was later on translated to Filipino, that it became apparent that it brought about cultural-linguistic misalignments which made many lines sound fundamentally imprecise. To those who cannot understand spoken Filipino and would only need to rely on subtitles to understand the dialogs, the acting can appear fine. But for those who understand the native language, some actings can appear painfully bad.

Althea Vega was frigid most of the time but there was nothing that she could do worse than when she delivered iconoclastic lines. John Arcilla is a great actor by any measure but how his acting turned out to be unusually tense is a big wonder. He could have simmered his excitement quite a bit and he would have played the role with much more convincing realism.

Of all the actors in the film, only two managed to give life to their lines without unnecessarily giving an underacting or an overacting. Only Jake Macapagal and Miles Canapi, the madamme who played Charlie, were the only two worthy of praise. But everyone deserves to be congratulated, nonetheless. However, I find it quite strange because all the scripts, I believe, were written or translated by the same person. And yet some of the actors gave outstanding performances and some of them gave poor ones. I guess it is safe to say that talent can get the best out of the actors even if the lines are fundamentally flawed.

Many people have noticed that the film painted the capital in a rather unsightly way. I understand that in order to get a good story across, the plot has to tread somewhere in the territories of exaggeration. But believe me, the depiction of Metro Manila as a dirty city with ruthless inhabitants who always acted on their animalistic selfish behavior is chillingly accurate. What is more surprising is that it was written by a foreigner who has not lived in the Philippines for very long and who many consider could not give an accurate account of the locality. But his impressions or observations were excruciatingly accurate which no one can attempt to dispute.

Watching the entire film was exhausting not because it was dull or boring but because the misfortunes of the family always make you wish they could finally catch a break at some point. And when you think that nothing could be worse, along comes another. Imagine yourself in the shoes of those persons in real life and it would give you a whole new sense to the meaning of the word 'living'. I wonder what people in the First World countries feel about their First World problems after watching this.

This movie is so tense, I had to watch it in staggered sessions because I could not handle the suspense. The anticipation was so unbearable that I always jumped off my seat several times.

I grew up in Manila and I have seen it transformed. I have been to all those locations that were shown in the movie but nothing could have prepared me for what I would see in this film. If ever there was a family in Manila that goes through what this family had been through, I wouldn't want to know about it. Honestly, it now gives me second thoughts about getting out of the house when I would be visiting there in the future. Not because I am scared of the place but because I wouldn't want to meet anyone that could remind me of the sad fate of the family in this movie. In a way, I admit that I am affected and I must say that if a film can create such an impact to the viewers, I believe the story teller has achieved his purpose.

While I may not give this film 10 stars due to some dialog flaws, I believe it is the best Filipino film ever made. Only that it really was not made by a Filipino per se but by a British film maker who was trying to make a non-English foreign film. Regardless, I am still glad that someone has done something which many Filipinos can relate to. Yes, it is unfortunate that it would take a foreigner to make the best Filipino film but just like the overall tone of the film, it is sad but true.

Metro Manila is not a film for everyone. It's an incredibly tough movie to watch at times and your heart really goes out to the leading characters in the movie. However, if you can make it through all the misery, you'll find that the script is amazingly well written and intelligent.

The film begins with Oscar Ramirez receiving only a pittance for their hard work as rice farmers. It's so little that they see they have only one choice—to travel to the big city to look for work. However, this nice family is constantly screwed during the course of the film—to the point where you wonder if it can get any worse. Their rent money is stolen—and they have no food for themselves or their two small children. Out of desperation, the wife gets a degrading job working in a sleazy bar as a 'hostess'—though she's not much better than a prostitute. Then the husband works all day only to be given a couple sandwiches in payment! Now they have no place to live, practically no food and they are desperate. Only when the man gets a job working as an armored car worker do things start to look up for them. Now, they can live in a nicer and safer home and they finally feel happy. But, based on how things have gone so far, I kept expecting the other shoe to fall. And, fall it did---but in such a creative way that it made the film worthwhile. What exactly happens to these poor people? Well I certainly won't spoil it by telling! However, the ending really took me by surprise—and I love to be surprised.

This movie has a lot going for it. A great reason to watch it is to see just how much of the world lives. This film doesn't give a beautiful look at Manila but shows a desperate town where it's more dog eat dog than anything else. How the family tries to hold on is what makes the film truly exciting to watch. But, as I already said, the film is tough viewing at times. It certainly is NOT a feel-good film and it takes a lot of patience and perseverance to see it through to the end. But it IS worth it. It also features some excellent natural acting and it is a well made production and makes me want to see more from these folks.

Metro Manila won the Audience award for best World Dramatic Competition film at Sundance 2013. This is UK writer/director Sean Ellis's third feature-length film. Set in the Philippines this is a story of a rural farmer, Oscar, who takes his wife and two children to Manila to find employment and a better life. The promises of gainful employment and opportunity however aren't as easily realized and their morals and faith are put to the test. In the Q&A Sean Ellis stated that this plot is a well-tread cliché in the Philippines but here it seems fresh, as is the setting of Manila where we are privy to its desperate slums and seedy underbelly.

Metro Manila is a combination of a family drama, heist movie and crime thriller. There isn't a lot of action but there is always the sense of inevitable violence and danger awaiting our protagonist.

Beyond writing and directing, Sean Ellis also handled the cinematography and operated the Steadicam. The film is shot beautifully with an over the shoulder documentary feel (thankfully not a shaky-cam) which brings you wholly into these characters lives and predicaments. We are constantly trapped in enclosed spaces with Oscar which provides not only intimacy, but complicity in his actions. Oscar Ramirez, played by Jake Macapagal, and his wife Mia, played by Althea Vega, both easily elicit our deepest sympathies. The performances (including our two leads) are lead mainly by native theater actors, the film is very cinematic but they bring a naturalistic presence and their talent on screen is apparent.

Oscar and his wife are devout and have tried honest labor farming. The only job she can find is in a seedy dancing bar and he is lucky to find a job transporting valuables in an armored vehicle which is considered one of the most dangerous jobs as the city is rife with criminals. Soon, he is asked to compromise his morals in the face of being able to provide for his family.

This film is a look at how the poor and disenfranchised are constantly exploited and taken advantage of as well as what greed and desperation can lead to. The sense of poverty and helplessness is palpable and is emotionally staggering. You will feel guilty for complaining about your job and any other first world problems you may have. This is a film that entertains, excites and lets you appreciate and reflect on your own situation.