Creep Van: Terror auf vier Rädern

It was actually more a horror comedy Even if it wasn't meant to be one I found myself laughing at lots of the cheesy scenes.

Campbell Jackson (Brian Kolodziej) is a 20-something, unemployed misfit in Detroit. Forced to take a dead-end position at a local car wash, Campbell sees a dilapidated 1970s van for sale... but this is no ordinary van -- it is the creep van!

We start the film with a character remarking that "only bad people own vans". I love that, as I think it is a widely-held sentiment. The featured van here, a Ford Econoline, is popularly known as a "rape van" (or "creep van" in this case). I am glad someone took the idea and ran with it.

Well played to Robert Hall on effects. Almost Human does some great work, and this film is no exception. At one point, we see a person who has lost their face. This is an excellent example of top-notch gore from these guys.

In cameos we have Angelina Armani (Hall's girlfriend) and Troma legend Lloyd Kaufman. That was a nice touch. The film as a whole has a nice, light-hearted approach to horror that I appreciate, and there is one scene that takes what could have been gratuitous sex and makes it actually entertaining in a non-sexual way.

Great horror film? Maybe not. But they knew what they wanted to do, did not try to go beyond their means, and pulled it off. I would take more films like "Creep Van" over the majority of the horror out there any day.

If you like a some low-brow comedy to accompany your bloody B-rate slasher, then the Creep Van will deliver! *NOTE: The version found on Netflix is NOT the raunchier, uncut, extended version that I viewed online.*

Despite a couple of shoddy performance moments and an unmistakably low-budget vibe, Creep Van manages very decent gore and a few laugh-out-loud moments. The humor is fairly original, as is the storyline. The characters and kills are curiously quirky. It is written nicely, and the film makes the most of its' budget by employing traditional stage effects and camera trickery rather than CGI tactics. The soundtrack and sound FX, though mostly absent, worked well enough and weren't a distraction.

The pace is fine, however it's hard to keep track of time that passes within the film. Has a day passed, or a month? Contemplating this was a bother. In fact, there are a number of missing or incomplete components within the story that were slightly bothersome. They did not however, impede My overall enjoyment. I was glad to have watched it, and would watch it again.

There are a number of topless scenes, hilariously bizarre sexuality, and other graphic moments that make this film inappropriate for those under 17 and for those with a big stick up their ultra-tight posterior.

The clichéd image of rusty and ramshackle old vans and their drivers depicted here in "Creep Van" corresponds completely with what we've all been taught when we were young. "People that drive vans are evil" is what a mother says during the intro, just when her kid reaches underneath a nasty white Ford to grab his ball. That's exactly what my mother said to me - and what all mothers said to their children - in the nineties! What the freak driver doesn't do, however, is lure the children into his van by handing out free candy.

So, the set up for this film is quite good and recognizable, but then it quickly transcends into a cheap and trashy (but nevertheless highly enjoyable) B-movie with absurd situations and over-the-top gore. Campbell, a financially struggling 20-something guy living in Detroit, responds to the "for sale" sign on the white van because he's tired of taking the bus to his lousy job at the carwash. The owner of the van is a genuine psycho, though, who enjoys slaughtering anyone who comes near the old wreck.

I watched director Scott W. McKinley's other long-feature movie "Gag", and it was - hands down - one of worst "Saw" rip-offs ever. Luckily, I didn't realize at first that "Creep Van" was from the same guy, otherwise I probably wouldn't have bothered. McKinley's second (and last, to this date) attempt at directing is much better, because it sticks to ingredients that are guaranteed success: extreme gore, gratuitous nudity, unpretentious comedy, and cameos from infamous Troma-producers and adult film stars. The special and splatter effects, courtesy of the too-young-deceased Robert Hall, are excellent and include a couple of highlights like an airbag full of nails and nifty death traps.

One thing I will say about this film...if you have seizures or are prone to headaches if flashing lights etc, as soon as the credits appear at the beginning, skip. I thought my eyes were going to explode watching that bit.

Anyway, the film. I liked it. True, its not an AAA title, but some of these films that are unknown can turn out to be real gems....sometimes.

So, this guy is down on his luck, starts work in a carwash, and due to public transport being a pain, wants a car/van etc. Rings a number, and thats when the trouble begins.

The van itself, has some very interesting ways to kill a person, obviously controlled by the driver. I was a little confused why no-one reported all these bodies etc, but that would have spoilt the film.

There is some humour in there, not a comedy type film, but just little bits that make you chuckle. Also, the sepecial effects are all the original type of stuff, no cgi/green-screen stuff, of which I mostly prefer.

If you like that kind of film, then give this a go, you may just like it